Tonal neumes in Anglo-Saxon and Anglo-Norman pontificals

1997 ◽  
Vol 6 (2) ◽  
pp. 119-141
Author(s):  
Thomas Kozachek
Keyword(s):  
Eleventh Century ◽  
Anglo Saxon ◽  
General Shape ◽  
Anglo Norman

The earliest efforts to represent accurately the intervallic structure of a melody, beyond the general shape encoded in non-diastematic neumes, or to indicate specific degrees in the gamut, are commonly associated with musical notations of the latter part of the eleventh century. In various chant manuscripts of this period we find systematic use of common or special note shapes, strictly diastematic writing with respect to a drypoint line, and the earliest surviving staff notations.

Feudal Modes

2005 ◽  
Author(s):  
David A. Hinton
Keyword(s):  
Social Relations ◽  
Western Europe ◽  
Eleventh Century ◽  
Leisure Activities ◽  
Anglo Saxon ◽  
Feudal Society ◽  
Anglo Norman ◽  
Chess Piece ◽  
Female Presence ◽  
Time To Learn

The trend away from ornamented brooches, rings, and swords that demonstrates changing social pressures and expression during the eleventh century was maintained in the first half of the twelfth. The Anglo-Norman aristocracy had considerable wealth for its castles and churches, but the spending power of the Anglo-Saxon majority was very much diminished by the impositions that followed the Conquest. Social relations among the former were based primarily on land, and although sentiments of personal loyalty were defined by oaths of fealty, there is no record of gift-giving from lord to retainer other than the increasingly formalized bestowal of arms. Towns were growing both in size and number, but only a few merchants were really rich, and the peasantry in the countryside was increasing in number but had decreasing opportunity for individual advancement. Excavations at castles and other baronial residences generally yield the evidence of martial appearance and activity that would be expected, like spurs, and slightly more evidence of wealth, with coins a little more profligately lost, than at other sites. There are also luxuries like gilt strips, from caskets of bone or wood, and evidence of leisure activities, such as gaming-pieces; chess was being introduced into western Europe, and appealed to the aristocracy because it was a complicated pastime that only the educated would have time to learn and indulge in. Furthermore, it could be played by both sexes, though ladies were expected to show their inferior skill and intelligence by losing to the men; it echoed feudal society and its courts; and it could be played for stakes. An occasional urban chess-piece find, not always well dated, shows that a few burgesses might seek to emulate the aristocracy. Other predominantly castle finds include small bone and copper-alloy pins with decorated heads that have been interpreted as hairpins, as at Castle Acre, attesting a female presence, but other personal ornaments are infrequent. Some pictures in manuscripts suggest that in the early twelfth century the highest ranks of the aristocracy were wearing brooches. These were probably conventional representations, however, as there are no valuable brooches or finger-rings in the archaeological record, as there had been earlier.

Changing Thegns: Cnut's Conquest and the English Aristocracy

1984 ◽  
Vol 16 (4) ◽  
pp. 375-387 ◽  
Author(s):  
Katharin Mack
Keyword(s):  
Eleventh Century ◽  
The Other ◽  
Anglo Saxon ◽  
Norman Conquest ◽  
Other Hand ◽  
Anglo Norman ◽  
History Of ◽  
The Subject ◽  
Edward The Confessor

England was conquered twice in the eleventh century: first in 1016 by Cnut the Dane and again in 1066 by William Duke of Normandy. The influence of the Norman Conquest has been the subject of scholarly warfare ever since E.A. Freeman published the first volume of his History of the Norman Conquest of England in 1867—and indeed, long before. The consequences of Cnut's conquest, on the other hand, have not been subjected to the same scrutiny. Because England was conquered twice in less than fifty years, historians have often succumbed to the temptation of comparing the two events. But since Cnut's reign is poorly documented and was followed quickly by the restoration of the house of Cerdic in the person of Edward the Confessor, such studies have tended to judge 1016 by the standards of 1066. While such comparisons are useful, they have imposed a model on Cnut's reign which has distorted the importance of the Anglo-Scandinavian period. If, however, Cnut's reign is compared with the Anglo-Saxon past rather than the Anglo-Norman future, the influence of 1016 can be more fairly assessed.

Afterword

2017 ◽  
Author(s):  
Heather Maring
Keyword(s):  
Eleventh Century ◽  
Anglo Saxon ◽  
Future Directions ◽  
Anglo Norman ◽  
Christ Church

In addition to summarizing briefly the book’s findings, the Afterword explains how the decorated initial “R” (pictured on the cover of Signs That Sing) in Arundel MS 16 represents hybrid poetics at work. The “R,” which begins the Vita et miracula Sancti Dunstani, is an author portrait of Osbern, an eleventh-century monk and precentor of Christ Church Cathedral Priory at Canterbury. The portrait of Osbern—as an author using hybrid signs—intersects with Exeter Riddle 26 (“Bible” or “Gospel”). These two examples span poetry and prose, the vernacular and Latin, and Anglo-Saxon and the early Anglo-Norman periods, suggesting future directions for research on hybrid poetics.

Cumbrian society and the Anglo-Norman church

1982 ◽  
Vol 18 ◽  
pp. 119-135
Author(s):  
R. K. Rose
Keyword(s):  
Eleventh Century ◽  
Anglo Saxon ◽  
Norman Conquest ◽  
North West ◽  
The North ◽  
Church Life ◽  
Anglo Norman ◽  
Time Part ◽  
Monastic Communities ◽  
No Man's Land

The twelfth century was a period of both political and ecclesiastical settlement in the north-west of England, when the conquerors were seeking to establish Anglo-Norman institutions in an area as much Celtic and Norse as Anglo-Saxon. The church was re-vitalised, monasticism re-established, and parish churches were built and re-built to an extent previously unknown. The response of Cumbrian’ society was favourable, but a ‘national’ flavour of the diverse elements making up that society was retained. When in 1092 William Rufus marched into the north-west, seized Carlisle, and drove out the ‘ruler’, Dolfin son of earl Gospatric of Dunbar, he was enacting the final phase of the Norman conquest of England. The border between England and Scotland was established, and this only deviated when David I brought the district back under Scottish control during the reign of Stephen. At one time part of the kingdom of Northumbria and then of the kingdom of Strathclyde, by the eleventh century the north-west had become a political no-man’s-land, the kings of England and Scotland each regarding it as belonging to his respective realm. Church life had been greatly eroded, and monastic communities, as in the rest of northern England, had totally disappeared, due as much to the unstable political situation over the previous two centuries as to the lack of any strong spiritual control. The region itself was in a depressed condition, depopulated and devastated by the invasions of king Edmund in 945, Ethelred in 1000, and most recently by early Gospatric in 1070.

scholarly journals The northern world of the Anglo-Saxon mappa mundi

2018 ◽  
Vol 47 ◽  
pp. 275-305
Author(s):  
Helen Appleton
Keyword(s):  
Old English ◽  
Urban Space ◽  
Eleventh Century ◽  
Tenth Century ◽  
Urban Spaces ◽  
British Library ◽  
Anglo Saxon ◽  
The Mediterranean

AbstractThe Anglo-Saxon mappa mundi, sometimes known as the Cotton map or Cottoniana, is found on folio 56v of London, British Library, Cotton Tiberius B. v, which dates from the first half of the eleventh century. This unique survivor from the period presents a detailed image of the inhabited world, centred on the Mediterranean. The map’s distinctive cartography, with its emphasis on islands, seas and urban spaces, reflects an Insular, West Saxon geographic imagination. As Evelyn Edson has observed, the mappa mundi appears to be copy of an earlier, larger map. This article argues that the mappa mundi’s focus on urban space, translatio imperii and Scandinavia is reminiscent of the Old English Orosius, and that it originates from a similar milieu. The mappa mundi’s northern perspective, together with its obvious dependence on and emulation of Carolingian cartography, suggest that its lost exemplar originated in the assertive England of the earlier tenth century.

The Cult of St Edmund, King and Martyr in Medieval Ireland

2018 ◽  
Vol 136 (4) ◽  
pp. 223-238 ◽  
Author(s):  
Francis Young
Keyword(s):  
Middle Ages ◽  
Anglo Saxon ◽  
Norman Conquest ◽  
14Th Century ◽  
Patron Saint ◽  
12Th Century ◽  
Anglo Norman ◽  
Christ Church ◽  
Medieval Ireland ◽  
The Middle Ages

St Edmund, king and martyr (an Anglo-Saxon king martyred by the Vikings in 869) was one of the most venerated English saints in Ireland from the 12th century. In Dublin, St Edmund had his own chapel in Christ Church Cathedral and a guild, while Athassel Priory in County Tipperary claimed to possess a miraculous image of the saint. In the late 14th century the coat of arms ascribed to St Edmund became the emblem of the king of England’s lordship of Ireland, and the name Edmund (or its Irish equivalent Éamon) was widespread in the country by the end of the Middle Ages. This article argues that the cult of St Edmund, the traditional patron saint of the English people, served to reassure the English of Ireland of their Englishness, and challenges the idea that St Edmund was introduced to Ireland as a heavenly patron of the Anglo-Norman conquest.

THE ANGLO-NORMAN ABBEY CHURCH OF ST ALBANS AND THE AISLELESS NAVE OF ITS CRUCIFORM PREDECESSOR: THE MATERIAL EVIDENCE

2020 ◽  
pp. 1-15
Author(s):  
Jill A Franklin
Keyword(s):  
Conclusive Evidence ◽  
Diagnostic Feature ◽  
Anglo Saxon ◽  
Existing Building ◽  
Cruciform Structure ◽  
Anglo Norman ◽  
First Time ◽  
New Evidence ◽  
Material Evidence ◽  
Solid Walls

Within the Romanesque abbey church at St Albans (Hertfordshire), the vestiges of an earlier structure have been identified for the first time. A hitherto unrecorded feature in the transept, noted by the author in 2017, indicates that, at some stage, the nave lacked its existing arcade piers and instead had solid walls. The implications of this are considerable, calling for a thorough reassessment of the building’s history. For now, it is important to record the primary evidence, so as to make it available for further research. This article aims to provide a concise account of the evidence and a summary of what it might mean. According to the thirteenth-century chronicler, Matthew Paris, the existing church was begun in 1077 and completed in 1088. New evidence indicates, however, that the Romanesque building, with its aisled nave and presbytery, was preceded by a cruciform structure without aisles. The inference is that the existing building contains the fabric of this unaisled predecessor. The obvious conclusion – that it therefore represents the lost Anglo-Saxon abbey church – does not follow without question; as yet, excavation has yielded no conclusive evidence of an earlier church on the site. The critical diagnostic feature presented here for the first time adds substance to the view that the remodelling of unaisled buildings was not uncommon in the post-Conquest period, including large as well as minor churches, as identified long ago at York Minster and, more recently, at Worksop Priory.

THE ANGLO-SAXON ELEVENTH-CENTURY CRISIS

1929 ◽  
Vol os-V (17) ◽  
pp. 1-11
Author(s):  
ALDO RICCI
Keyword(s):  
Eleventh Century ◽  
Anglo Saxon

An English Romanesque Mount and Three Ninth-Century Strap-Ends

2003 ◽  
Vol 83 ◽  
pp. 433-441
Author(s):  
Richard Jewell
Keyword(s):  
Ninth Century ◽  
Silver Wire ◽  
The Other ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Anglo Norman ◽  
Open Work

This note discusses several recent English finds of early medieval ornamental metalwork shown at the Society of Antiquaries on 16 May 2002: most notably, a Romanesque mount with open-work foliate decoration having clear parallels with Norman and Anglo-Norman ornament of c 1100–25. Four ninth-century Anglo-Saxon strapends are also described and illustrated, two of which have decorative features with links to contemporary larger-scale works but rarer within the corpus of strap-ends; the other two being unusual examples of East Anglian niello and silver-wire inlay.

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