Maoism and Postmodernism

2015 ◽  
Vol 23 (2) ◽  
pp. 261-272
Author(s):  
Alfred Hornung
Keyword(s):  
United States ◽  
New York ◽  
Image Quality ◽  
21St Century ◽  
Cultural Revolution ◽  
Final Stage ◽  
The United States ◽  
Barack Obama ◽  
The West

In this essay I discuss the emergence of the Mao cult during the Cultural Revolution in China and its appropriation in cultural revolutions in Europe and the United States to show how this image resonated with similar cults of popular icons in the West and lent itself to the formulation of theories and practices of postmodernism. The image quality of these cults facilitated the rise of the Mao-craze in the late 1980s and 1990s when political pop productions of Mao by Chinese artists emerged in New York and were then transplanted to China where they met with transfigurations of Mao’s legacy in the People’s Republic. The final stage of postmodern variations of Mao is reached with the presidency of Barack Obama in 2009 and the merging of the two leaders into Chairman Obamao or Comrade Maobama, which can be read as the end of ideological contrast between the two countries for the sake of creating a system of political interdependence for the 21st century, a postmodern prefiguration of a coming ChinAmerica.

Mafias on the Move

2011 ◽  
Author(s):  
Federico Varese
Keyword(s):  
United States ◽  
New York ◽  
Organized Crime ◽  
The United States ◽  
The West ◽  
Market Expansion ◽  
The North ◽  
Economic Transformations ◽  
At Will

Organized crime is spreading like a global virus as mobs take advantage of open borders to establish local franchises at will. That at least is the fear, inspired by stories of Russian mobsters in New York, Chinese triads in London, and Italian mafias throughout the West. As this book explains, the truth is more complicated. The author has spent years researching mafia groups in Italy, Russia, the United States, and China, and argues that mafiosi often find themselves abroad against their will, rather than through a strategic plan to colonize new territories. Once there, they do not always succeed in establishing themselves. The book spells out the conditions that lead to their long-term success, namely sudden market expansion that is neither exploited by local rivals nor blocked by authorities. Ultimately the inability of the state to govern economic transformations gives mafias their opportunity. In a series of matched comparisons, the book charts the attempts of the Calabrese 'Ndrangheta to move to the north of Italy, and shows how the Sicilian mafia expanded to early twentieth-century New York, but failed around the same time to find a niche in Argentina. The book explains why the Russian mafia failed to penetrate Rome but succeeded in Hungary. A pioneering chapter on China examines the challenges that triads from Taiwan and Hong Kong find in branching out to the mainland. This book is both a compelling read and a sober assessment of the risks posed by globalization and immigration for the spread of mafias.

The Protestant Episcopal Church, Black Nationalists, and Expansion of the West African Missionary Field, 1851–1871

1988 ◽  
Vol 57 (1) ◽  
pp. 31-45 ◽  
Author(s):  
J. R. Oldfield
Keyword(s):  
United States ◽  
New York ◽  
The United States ◽  
West African ◽  
Second Century ◽  
The West ◽  
Episcopal Church ◽  
American Missionaries ◽  
Protestant Denominations ◽  
The Church

One of the most boldly conceived assaults on benighted Africa during the nineteenth century was that undertaken by mainline Protestant denominations in the United States. With the brash confidence characteristic of the age, hundreds of American missionaries were dispatched from New York and Baltimore to convert the heathen tribes of Africa and wrest a continent from ruin. If the experience of the Protestant Episcopal church is at all typical, however, these efforts not infrequently aroused suspicion and open hostility. In fact, Episcopal penetration of Liberia in the second half of the second century was remarkable for a long and bitter contest with black nationalists who were intent on using the church as a vehicle for their own personal and racial ambitions.

The Contemporary Anglophone Romance Genre

2018 ◽  
Author(s):  
Hsu-Ming Teo
Keyword(s):  
United States ◽  
New York ◽  
21St Century ◽  
The United States ◽  
Niche Markets ◽  
Happy Ending ◽  
Publishing Firm ◽  
Romance Novels ◽  
Romance Genre ◽  
Romance Novel

The romance genre is geared financially to a female readership worldwide: a genre written and consumed overwhelmingly by women, and with a male readership of around 14 percent. Since the 21st century, romance novels have generated over $1.3 billion dollars in sales per annum in the United States, where one out of four books sold and one out of two mass-market books sold are romance novels. According to romance publishing behemoth Harlequin Mills & Boon, the company publishes 120 new titles each month, drawing from a stable of 200 authors within the UK and a further 1,300 worldwide. A Mills & Boon volume is sold every four seconds in more than one hundred countries, translated into twenty-six languages. But the romance genre consists of more than Harlequin Mills & Boon novels. According to industry definitions in the United States and Australia, a romance novel consists of “a central love story” and “an emotionally satisfying and optimistic ending” (Romance Writers of America website). As long as these two basic requirements are met, romance novels can have any tone or style (barring a mocking or derisive one) and be set in any time (past, present, or future) or place (in the real world or in a fantasyland). They may include varying degrees of sensuality, from the modest discretion of Christian “inspirationals” to highly explicit descriptions of sexual acts in romantic erotica. They may also overlap with any other genre, such as chick lit, historical, crime, suspense, or thriller. The roots of the romance novel can be traced back to Shakespearean comedies, with the celebratory betrothal of the romantic couple forming the happy ending of such plays as Much Ado About Nothing, A Midsummer Night’s Dream, or As You Like It. In prose fiction, Samuel Richardson’s Pamela (1740), Jane Austen’s Pride and Prejudice (1813), and Charlotte Brontë’s Jane Eyre (1847) are considered literary forebearers. The modern romance was shaped by British publishing firm Mills & Boon, which became a market leader in the genre by the 1930s with a distribution network in all British Commonwealth countries and colonies in the first half of the 20th century. During the 1950s, Mills & Boon novels began to be distributed in North America by Canadian firm Harlequin, and the two companies merged in 1971 to form the romance publishing powerhouse Harlequin Mills & Boon, which had its heyday in the 1970s and 1980s when it became the world’s largest publisher of romances, having 80 percent of the world’s market share of fiction. Over time, the genre changed its representations of gender and attitudes toward women’s work and domestic life. The 1970s and 1980s saw a gradual Americanization of the genre as New York firms muscled in on Harlequin Mills & Boon’s territory, publishing historical romances and diversifying contemporary romances to include American romantic protagonists, settings, and themes. The genre also became increasingly sexualized during this period through its depiction of sexual activity. The turn of the 21st century witnessed an increasing fragmentation of the genre as the rise of independent publishers afforded writers and readers the opportunity to explore niche markets: erotica, African American stories, paranormal romances featuring vampires, phoenixes, and werewolves, among other shapeshifting romantic protagonists, and many others.

scholarly journals The Challenges Facing Civic Education in the 21st Century

Daedalus ◽  
2013 ◽  
Vol 142 (2) ◽  
pp. 65-83 ◽  
Author(s):  
Kathleen Hall Jamieson
Keyword(s):  
United States ◽  
Social Studies ◽  
Civic Education ◽  
21St Century ◽  
The United States ◽  
Lower Income ◽  
Civics Education ◽  
Social Studies Textbooks ◽  
Civic Skills

This essay explores the value and state of civics education in the United States and identifies five challenges facing those seeking to improve its quality and accessibility: 1) ensuring that the quality of civics education is high is not a state or federal priority; 2) social studies textbooks do not facilitate the development of needed civic skills; 3) upper-income students are better served by our schools than are lower-income individuals; 4) cutbacks in funds available to schools make implementing changes in civics education difficult; and 5) reform efforts are complicated by the fact that civics education has become a pawn in a polarized debate among partisans.

Terorisme: Perspektif Barat dan Islam

2017 ◽  
Vol 2 (2) ◽  
pp. 31-38
Author(s):  
Mohd. Hefzan ◽  
Fitria Fitria
Keyword(s):  
United States ◽  
New York ◽  
World Trade ◽  
World Trade Center ◽  
The United States ◽  
September 11 ◽  
Western World ◽  
The West ◽  
The World ◽  
Trade Center

The issue of terrorism has tapped the border of human civilization. The West has a viewon terrorism following their own perceptions. Now the Western world is afraid of theirown shadows after the entry into force of the events of September 11, 2001 which haveembodied the World Trade Center (WTC) in New York. This black event has reallyshocked the Western world which so far they are proud that the United States is thegreat power of the world, has now been attacked so extreme. The problem that arisesnow in the Islamic world is that the West has misinterpreted what is said to be jihad.The enemy of Islam has labeled terrorism as a jihad in Islam, this is how the West triesto put Islam as a ferocious religion. The term jihad is what terrorism says for the West.In Islamic teachings jihad cases are something that is highly demanded and has nodirect connection with terrorism activities.

Asian American and Pacific Island Modernist Art

2020 ◽  
Author(s):  
Tom Wolf
Keyword(s):  
United States ◽  
New York ◽  
Los Angeles ◽  
San Francisco ◽  
Asian American ◽  
West Coast ◽  
The United States ◽  
The West ◽  
The Pacific ◽  
American Artists

Artists of Asian descent made substantial contributions to the artistic culture of the United States, incorporating practices that were different from the European-based traditions—like painting with water-soluble pigments rather than oil paint, choosing Asian subjects, and signing their works in the Asian fashion. Coming across the Pacific Ocean, some immigrants settled in Hawaii where Isami Doi, born of Japanese parents, became an influential artist. Doi typifies characteristics that are found in many Asian American artists in that he excelled at several media: printmaking, painting, and jewelry design. And he traveled extensively, spending time in Paris and over a decade in New York. The West Coast of the United States became a center for people coming across the Pacific, and major cities like Seattle, San Francisco, and Los Angeles developed Asian communities with active artistic cultures. Chinese immigrants were drawn to the San Francisco area because of the economic boom around the gold rush and the building of the railroads, but they also inspired prejudice, and harsh immigration laws were enacted in 1888. This halted immigration from China and bolstered it from Japan, until another law in 1924 restricted that as well. Yun Gee, of Chinese descent, in San Francisco made aggressively modern, brightly colored, and geometrically abstracted portraits before moving to Paris and then New York where his style became more expressionistic. The Asian communities in Seattle and Los Angeles included artists who worked in photography as well as painting, and some moved further east across the United States to pursue their careers in the Midwest or, more commonly, New York, the artistic center of the country. In the 1920s and 1930s, Yasuo Kuniyoshi became well known in the New York art world for his sensitively handled, sometimes humorous, sometimes erotic paintings and prints. Nevertheless, he and his peers who were born in Asia were forbidden by law from becoming citizens, something he desired, as his entire artistic career was in the United States. The sculptor Isamu Noguchi came to prominence after being nurtured by some of the Japanese American artists in Kuniyoshi’s circle, particularly Itaro Ishigaki. Noguchi is best known for the organically shaped carved stone sculptures he made after World War II, but he was also famous as a designer of modernist furniture and lamps using Japanese materials. Both he and Kuniyoshi suffered after the Japanese bombing of Pearl Harbor in 1941, while on the West Coast Japanese Americans were herded into detention camps, often losing their jobs and their homes in the process. Chiura Obata, for example, was removed from his prestigious teaching position at the University of California at Berkeley and put in a camp where he taught art. There he switched from making luminous landscapes of Yosemite to painting camp scenes of confinement and regimentation—once he was allowed to paint at all. The postwar years were a period of recovery, and new generations of Asian American artists emerged, exploring abstract styles and creating new incarnations of the multicultural art that was pioneered in the works of their Asian American predecessors.

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