Boundaryless Work and the Role of Mobile ICT

Author(s):  
Ragnhild Mogren ◽  
Camilla Thunborg

The change of structures of work towards fewer boundaries in time, space and tasks are sometimes referred to as boundaryless work. ICT is pointed out as one cause of this tendency. The aim of this chapter is to discuss the role of mobile ICT in the forming of the borderland between work and non-work and the identities formed in relation to this borderland: how is mobile ICT used in work and non-work, how is this use related to the forming of a borderland between work and non-work, what are the characteristics of the identities formed in this borderland? Narratives of experience of mobile ICT practices are analysed by means of social theories. The results show that mobile ICT is used as a boundary object between work and non-work. In distinguishing between functions and artefacts, between time and space, different identities are formed: extended work identity, border identity and boundaryless identity.

2019 ◽  
pp. 28-30
Author(s):  
Galina Aleksandrovna Sokolova

The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.


2019 ◽  
Vol 49 (4) ◽  
pp. 854-859 ◽  
Author(s):  
Cindy Blackstock

AbstractWhilst theorists in physics have been striving for a ‘theory of everything’ to explain the interconnections of matter across time and space (Hawking, 2006), western social theories are largely segmented and situated within a limited scope of time and space with little attention to the multiple dimensions of reality that western physics and indigenous knowledge have already validated (Blackstock, 2009a,b). Ten years ago, I developed the Breath of Life theory (Blackstock, 2011) to provoke a conversation about Indigenous ontological approaches that place human experience in an interconnected web of reality across time, space and dimensions of reality. The overall goal was to engage other theorists into the communal building of a ‘theory of everything’ to inform social sciences and to highlight the richness of Indigenous ontology and epistemology. This article revisits the Breath of Life theory and argues that a greater emphasis on equity within and between the relational worldview principles (Cross, 2007) would be a useful modification.


2020 ◽  
Vol 9 (71) ◽  

Metaphysics, which deals with concepts such as existence, existentialism, space and god in its general content, is a branch of philosophy. It sought answers to questions related to these concepts through methods and perspectives different from science. The reason for all these questions is the effort to define the universe. Metaphysical philosophy has been the search for a solution to helplessness caused by the uncertainties caused throughout the history by life and death. Perspectives developed in parallel with the perception of the period have also shaped the questions and propositions. All these metaphysical approaches do not contain a definition that is independent of time and space. Time and space, as one of the most fundamental problematics of metaphysics, are accepted as the most important elements in placing and making sense of the human into the universe. In this context, metaphysics, which has a transphysical perspective as well as the accepted scientific expansions of real and reality, was mostly visible in the field of art rather than science. The aim of this article is to analyze the role of metaphysical philosophy in the emergence of metaphysical art in the context of the effects of social events, especially the destructions and disappointments caused by the world wars in the 20th century, on the artists and the reflections of the existential inquiries related to this. Furthermore this study includes definitions and processes of metaphysics. The works of Giorgio de Chirico and Carlo Carra have been interpreted in terms of form and content within the scope of metaphysics by considering the concepts of time-space. Keywords: Metaphysics, Space, Time, Metaphysical Art


2020 ◽  
pp. 174387212098228
Author(s):  
Stephen Riley

Drawing upon Kant’s analysis of the role of intuitions in our orientation towards knowledge, this paper analyses four points of departure in thinking about dignity: self, other, time and space. Each reveals a core area of normative discourse – authenticity in the self, respect for the other, progress through time and authority as the government of space – along with related grounds of resistance to dignity. The paper concludes with a discussion of the methodological challenge presented by our different dignitarian intuitions, in particular the role of universality in testing and cohering our intuitions.


2016 ◽  
Vol 38 (13) ◽  
pp. 1852-1877 ◽  
Author(s):  
Ruth Gaunt ◽  
Jacqueline Scott

This study draws on identity theory to explore parental and work identities. It examined gender differences in identities, as well as the moderating role of gender in the effects of individuals’ sociostructural characteristics. A sample of 148 couples with young children completed extensive questionnaires. As hypothesized, couples’ paid-work strategy moderated gender differences in the salience and centrality of parental and work identities. Whereas significant differences in identities were found between stay-at-home mothers and their breadwinning husbands, no differences were found among dual-earner couples. Moreover, men’s work identity centrality increased when they had more and younger children, whereas women’s work identity centrality decreased. Finally, men’s parental identity centrality increased with their income, whereas women’s parental identity centrality decreased the more they earned. These findings attest to the importance of examining differences within as well as between genders, by taking into account the interactive effects of gender with other sociostructural characteristics.


Organization ◽  
2015 ◽  
Vol 23 (1) ◽  
pp. 71-89 ◽  
Author(s):  
Fabio James Petani ◽  
Jeanne Mengis

This article explores the role of remembering and history in the process of planning new spaces. We trace how the organizational remembering of past spaces enters the conception (i.e. planning) of a large culture center. By drawing on Henri Lefebvre’s reflections on history, time and memory, we analyze the processual interconnections of his spatial triad, namely between the planned, practiced, and lived moments of the production of space. We find that over time space planning involves recurrent, changing, and contested narratives on ‘lost spaces’, remembering happy spaces of the past that articulate a desire to regain them. The notion of lost space adds to our understanding of how space planning involves, through organizational remembering, a sociomaterial and spatiotemporal work of relating together different spaces and times in non-linear narratives of repetition.


2019 ◽  
Vol 81 ◽  
pp. 41-48 ◽  
Author(s):  
Lee Hadlington ◽  
Maša Popovac ◽  
Helge Janicke ◽  
Iryna Yevseyeva ◽  
Kevin Jones

Author(s):  
Iryna Prylipko

The paper considers the demonstrative aspects of intertext in the prose by Valerii Shevchuk and focuses on the peculiarities of the works’ interaction with the Bible, mythology, and literature, which takes place at the level of different forms and types of intertext. Particular attention is paid to revealing the specifc ‘dialogue’ of V. Shevchuk’s works with their pretexts — hagiography, autobiographical and diary’s literature of Baroque. ɒ e examples discussed testify to the depth and ramifications of the intertextual dialogue in the writer’s prose, reveal the intellectual, philosophical, and elitist nature of his texts. A dialogue with the Bible, mythology, world and Ukrainian literature in the works by V. Shevchuk unfolds in the form of open and hidden quotations, allusions, reminiscences. These details aim at deepening the representation of ideas and themes, forming the subtexts, interpreting images. The writer creates a new artistic form — metatext — mainly through the reinterpretation of the pretexts, among which the works of the Baroque period (poetic, autobiographical, diary genres) and hagiography dominate. Transforming the pretexts at the level of contents, plot, genre, time and space, narrative, V. Shevchuk expands them with monologues, dialogues, descriptions, and details. In the process of interpreting prototexts, the writer resorts to modeling original images, in the context of which he actualizes some worldview points, reveals important moral, ethical, and philosophical problems. Allowing the perception of his work as a ‘textual game’, the writer, at the same time, does not reduce the role of intertext to the level of intellectual play. Intertext becomes a peculiar way of continuing the literary discourses of the past in a dialogue with them. They become re-read, ‘supplemented’ and thus brought once again into the continuous process of forming culture.


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