THE EARLY HISTORY OF THE CELLO IN NAPLES: GIOVANNI BONONCINI, ROCCO GRECO AND GAETANO FRANCONE IN A FORGOTTEN MANUSCRIPT COLLECTION

2021 ◽  
Vol 18 (1) ◽  
pp. 65-97
Author(s):  
GUIDO OLIVIERI
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early History ◽  
Early Years ◽  
Critical Importance ◽  
History Of ◽  
New Evidence ◽  
The City

ABSTRACTThe analysis of a forgotten source sheds light on the early history of the cello in seventeenth-century Naples. The manuscript MS 2-D-13, held in the library of the Montecassino Abbey, dates from around 1699 and contains two unknown cello sonatas by Giovanni Bononcini, together with passacaglias, sonatas for two ‘violas’ and elaborations over antiphons by Gaetano Francone and Rocco Greco, two prominent string performers and teachers in Naples. A study of this remarkable source helps to clarify the nomenclature of the bass violins in use in the city and offers new evidence on the practice of continuo realization at the cello, as well as on the connections with partimento practice. This collection is thus of critical importance for a discussion of the technical achievements and developments of the cello repertory in Naples before the emergence of the celebrated generation of Neapolitan cello virtuosi in the early years of the eighteenth century.

THE ‘GLOUCESTER BENEFACTORS’ AFTER FOUR CENTURIES

2015 ◽  
Vol 95 ◽  
pp. 305-324 ◽  
Author(s):  
Robert Tittler
Keyword(s):  
Seventeenth Century ◽  
Sense Of Community ◽  
Early Years ◽  
Community Identity ◽  
Precise Information ◽  
Hundredth Anniversary ◽  
History Of ◽  
The City

Some time in the early years of the seventeenth century, the city fathers of Gloucester evidently commissioned twelve paintings of past benefactors to that city. The paintings survive in the Gloucester Folk Museum and were exhibited in the spring of 2014 to mark the approximate date of their four-hundredth anniversary. Given the absence of critically important sources that would have given precise information on their commissioning, their origin and history have remained somewhat obscure. This paper nevertheless strives to understand why, and by whom, they may have been painted, and why they remain significant today, both to the City of Gloucester and to the history of English portraiture. It argues that they were commissioned to bolster a sense of community identity and to encourage further benefaction at a time of local hardship and stress. It comments on them as examples of the regional English vernacular style in portraiture of the day, reflects on their current condition and very tentatively suggests who might have painted them.

Atomized urbanism: secrecy and security from the Gulag to the Soviet closed cities

Urban History ◽  
2021 ◽  
pp. 1-21
Author(s):  
Asif Siddiqi
Keyword(s):  
Cold War ◽  
Urban Geography ◽  
General Public ◽  
Early History ◽  
Physical Isolation ◽  
History Of ◽  
Camp System ◽  
Spatial Terms ◽  
The Cold War ◽  
The City

Abstract This article recovers the early history of the Soviet ‘closed city’, towns that during the Cold War were absent from maps and unknown to the general public due to their involvement in weapons research. I argue that the closed cities echoed and appropriated features of the Stalinist Gulag camp system, principally their adoption of physical isolation and the language of obfuscation. In doing so, I highlight a process called ‘atomized urbanism’ that embodies the tension between the obdurate reality of the city and the goal of the state to obliterate that reality through secrecy. In spatial terms, ‘atomized’ also describes the urban geography of these cities which lacked any kind of organic suburban expansion.

Kharkiv Scenography School of O. Khvostenko-Khvostov: The Experience of Professionalization

2021 ◽  
Vol 2021 (02) ◽  
pp. 85-95
Author(s):  
V. Chechyk ◽  
Keyword(s):  
Material Culture ◽  
Teaching Practice ◽  
Early Years ◽  
Music And Literature ◽  
Avant Garde ◽  
Theatrical Design ◽  
Outstanding Teachers ◽  
History Of ◽  
Compulsory Subject ◽  
The City

The article is devoted to the early years of formation of Kharkiv scenography school and to the creative and pedagogical activities of Olexander Khvostenko-Khvostov (1895–1967). It was reported that the bold experiments of this artist, in the field of theatrical design of 1918–1922, made him one of the central figures of Kharkiv avant-garde scene (“Mystery Buff”; “The Army in the City”; “Lilyuli”, etc), strengthening the reputation of an innovator and causing the beginning of pedagogical activity at the Kharkiv Art College in 1921. The theatrical and decorative workshop was opened at the faculty of painting at the Kharkiv Art College in 1922, it was headed by A. Khvostenko-Khvostov. Among the first graduates were such bright alumni as A. Volnenko, P. Suponin, V. Ryftin, A. Bosulaev, B. Chernyshov, and others. Fundamental provisions of the educational program, which A. Khvostenko borrowed from the teaching practice of A. Exter (Kyiv Studio, 1918–1920), reflected the formation idea of future theater artist’s synthetic thinking. It is known that the education program of the Theater and Scenery Workshop of KAC, equally with the Studio of A. Exter, in addition to the subjects common to all students of painting and drawing faculty as special subjects (theatrical scenery, technique and technology of the stage, etc.) included also the history of theater (I. Turkeltaub), material culture, costume, music and literature (A. Beletsky). O. Khvostenko paid special attention to theoretical and practical issues of composition. He introduced the course of fundamentals of directing (V. Vasilko) as a compulsory subject. Much of what the students mastered at the Workshop was tested on the professional stages of Kharkiv theaters. Associated with the Kharkiv Art School for a quarter of a century (1921–1946), O. Khvostenko-Khvostov has not still been included in the pantheon of its outstanding teachers.

From koine to standard: the early modern origin of a key linguistic term

2021 ◽  
Vol 7 (2) ◽  
pp. 283-302
Author(s):  
Raf Van Rooy
Keyword(s):  
Seventeenth Century ◽  
Western Europe ◽  
Early History ◽  
John Dryden ◽  
Common Language ◽  
Regional Dialects ◽  
Language Studies ◽  
Linguistic Term ◽  
History Of ◽  
The Impact

Abstract In this paper, I explore the early history of the word standard as a linguistic term, arguing that it came to compete with the designation common language in the seventeenth century. The latter phrase was, in turn, formed by ideas on the Greek koine during the Renaissance and appears to have been the first widely used collocation referring to a standard language-like entity. In order to sketch this evolution, I first discuss premodern ideas on the koine. Then, I attempt to outline how the intuitive comparison of the koine with vernacular norms that were being increasingly regulated resulted in the development of the concept of common language, termed lingua communis in Latin (a calque of Greek hē koinḕ diálektos), in the sixteenth century. This phrase highlighted the communicative functionality of the vernaculars, which were being codified in grammars and dictionaries. Scholars contrasted these common languages with regional dialects, which had a limited reach in terms of communication. This distinction received a social and evaluative connotation during the seventeenth century, which created a need for terminological alternatives; an increasingly popular option competing with common language was standard, which was variously combined with language and tongue by English authors from about 1650 onwards, especially in Protestant circles, where the vernaculars tended to play a more prominent role than in Catholic areas. Of major importance for this evolution was the work and linguistic usage of the poet John Dryden (1631–1700). This essay uncovers the early history of standard as a key linguistic term, while also presenting a case study which shows the impact of the rediscovery of the Greek heritage on language studies in Western Europe, especially through the term common language.

scholarly journals History of the City of New York in the Seventeenth Century

1909 ◽  
Vol 15 (1) ◽  
pp. 155
Author(s):  
J. H. Innes ◽  
Schuyler Van Rensselaer
Keyword(s):  
New York ◽  
Seventeenth Century ◽  
History Of ◽  
The City

Zeus and Mount Ida in Homer’s Iliad

Antichthon ◽  
2014 ◽  
Vol 48 ◽  
pp. 1-13
Author(s):  
C.J. Mackie
Keyword(s):  
Religious Life ◽  
Early History ◽  
Significant Part ◽  
History Of ◽  
The City

AbstractThis article explores the part played by Mount Ida in the Iliad. It begins with some consideration of Ida in the early ‘history’ of Troy – the stories of Dardanus and the early line of Trojan kings. The city of Troy (Ilios) has its origins on Mount Ida, and the mountain remains very dear to the Trojans in many different ways. The rivers at Troy have their source on the mountain, and the Trojans acquire their water and wood from there. Moreover, the mountain is a central part of Trojan religious life, including the peak at Gargarus, where Zeus resides for a significant part of the poem. This article considers the two journeys of Zeus to Mount Ida from Olympus in the Iliad, and the ways that these are dealt with in the text. It raises questions about the rationale for and the effect of his visits there. It is argued that the poet uses Zeus’s absence from Olympus to ‘open up’ the cosmos, and permit new kinds of divine conduct and intervention. The article concludes with some consideration of the fact that the text offers no reference to the return of Zeus from Ida to Olympus prior to the council of the gods and Theomachy in Book 20.

scholarly journals Prosthesis: From Grammar to Medicine in the Earliest History of the Word

2018 ◽  
Vol 38 (4) ◽  
Author(s):  
Brandon W. Hawk
Keyword(s):  
Seventeenth Century ◽  
Disability Studies ◽  
Medical Knowledge ◽  
Early History ◽  
Archival Material ◽  
Printed Books ◽  
Study Of Medicine ◽  
History Of ◽  
Medical Treatises

This article provides an examination of the earliest history of the term prosthesis in English, re-evaluating other such histories with previously unrecognized archival material from early printed books. These sources include sixteenth- and seventeenth-century early printed books such as handbooks of grammar, English dictionaries, British Latin dictionaries, and medical treatises on surgery. Such an investigation reveals both a more nuanced trajectory of the early history of the word in English and fuller context for a shift in meaning from usages in the study of grammar and rhetoric to the study of medicine and surgery. This narrative, then, speaks to the growth of medical knowledge and discourse in the sixteenth and seventeenth centuries, as well as concepts about disability that remain part of disability studies even in the present field.

scholarly journals Mapping a Nation: Daniel Carter Beard’s Time as a Surveyor for the Sanborn Map Company

2019 ◽  
Vol 1 ◽  
pp. 1-1
Author(s):  
John J. Swab
Keyword(s):  
United States ◽  
Lived Experience ◽  
The United States ◽  
Early Years ◽  
Urban America ◽  
Fire Insurance ◽  
History Of ◽  
The 19Th Century ◽  
The City ◽  
Eastern Half

<p><strong>Abstract.</strong> Fire insurance maps produced by the American firm the Sanborn Map Company have long served as cartographic guides to understanding the history of urban America. Primarily used by cultural and historical geographers, historians, historic preservationists, and environmental consultants; historians of cartography have little explored the history of this company. While this scholarship has addressed various facets of Sanborn’s history (Ristow, 1968), no scholarly piece has explored the lived experience of being a Sanborn surveyor. This lack of scholarship comes not from any significant oversight but rather from the fact that the contributions of most Sanborn surveyors were anonymous and little recorded on the maps themselves. Moreover, the company itself has done little to save its own history, thus little is known of their individual stories and experiences. The exception to this is perhaps the most famous Sanborn surveyor of all: Daniel Carter Beard.</p><p>Over the course of his nine-decade life, Daniel Carter Beard held several prominent positions including the co-founder of the Boy Scouts of America and the lead illustrator for many of Mark Twain’s novels. However, he got his start as a surveyor for the Sanborn Map Company in the 1870s, just a few years after its founding. His papers, housed at the Manuscript Division of the Library of Congress, includes a variety of ephemera from his time with the Sanborn Map Company.</p><p>Trained in civil engineering, Beard got his start as a surveyor for the Cincinnati (Ohio) Office of Platting Commission, creating the first official plat map for the city. He was hired by Sanborn in 1874 and served as a surveyor until 1878, traveling extensively over the eastern half of the United States, parlaying his skills into creating fire insurance maps for Sanborn. Thus, this paper speaks to two main themes. The first theme traces the route of Beard during his early years with the company across the eastern half of the United States, documenting both the places he visited and the challenges he faced as a Sanborn surveyor. The second theme, interwoven through the paper, is an analysis of the innerworkings of Sanborn’s administrative structure and its relationship with the larger fire insurance market during the 1870s. Altogether, these documents present unique insight into the organization of the Sanborn Map Company and how it produced its maps during the second-half of the 19th century.</p>

Retrieving Prostitutes' Live Source Materials and an Approach for Writing the History of the Ah Ku and Karayuki-San of Singapore

Itinerario ◽  
1990 ◽  
Vol 14 (1) ◽  
pp. 96-122 ◽  
Author(s):  
Jim Warren
Keyword(s):  
Social Policy ◽  
Social History ◽  
Critical Importance ◽  
Recent Developments ◽  
History Of ◽  
Colonial Government ◽  
The City ◽  
Gender Specific ◽  
Source Materials

A new found interest in social history, recent developments in historical thought and methodology and a fresh awareness of the importance of gender-specific experience have led historians to question an ‘ordinary woman's place’ in Singa- pore's past. In the historiography of Singapore, there is a need to foreground the critical importance of the ah ku and karayuki-san in the sex,politics and society of the city, stressing not only alterations in their life and circumstance, but also variations in the role of the colonial government, and changes in the ideology of sex and social policy.

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