WRESTLING WITH THE SHADOW: THE PANLOGISM CONTROVERSY IN HEGEL'S FRENCH RECEPTION (1897–1927)

2018 ◽  
Vol 17 (4) ◽  
pp. 981-1008
Author(s):  
PIETRO TERZI

This article widens the scope of the history of Hegel's reception in turn-of-the-century French philosophy by thematizing an often neglected moment, namely the years 1897 to 1927. Before the so-called “Hegel renaissance,” in fact, the Hegelian dialectics was generally understood as a “panlogist” doctrine aimed at dissolving the concrete individual in the abstract dimension of the concept or in the all-encompassing realm of Absolute Spirit. However, even at the beginning of the century, attempts were made to provide a more positive assessment of Hegelian philosophy. The author reconstructs this panlogist controversy by analyzing the points of view of some prominent philosophers of the time, namely Charles Renouvier, René Berthelot, Émile Boutroux, Émile Meyerson and Léon Brunschvicg. The aim of the article is to provide a deeper understanding of the historical continuities and discontinuities characterizing Hegel's reception in France.

2020 ◽  
Vol 8 (2) ◽  
Author(s):  
Ivan Safranchuk ◽  
Andrey Kazantsev ◽  
Rustam Makhmudov

This article refers to memoirs of high-ranking participants and witnesses of the war in Afghanistan (1979–1989) published in the 1990s: it singles out two departmental interpretations of the war by military and intelligence veterans and examines their influence on the study of the history of the war. The article takes an unprecedented look at important transformation in interpretations at the turn of the century. The authors provide a holistic picture which they define as a patriotic perspective and describe its elements. Also, the article demonstrates the main peculiarity of its formation and support, i. e. the use of interpretations of current international events to justify a positive assessment of the war in Afghanistan. The authors conclude that the formation of the patriotic perspective diminished the objectivity of knowledge about the war in Afghanistan and is probably going to further impede access to it. Together with this, the patriotic perspective has made it possible for the war veterans to complete their withdrawal from the war as they have given up disputes about the character of the war which endured from its start.


Transfers ◽  
2013 ◽  
Vol 3 (1) ◽  
pp. 7-25 ◽  
Author(s):  
Mikkel Thelle

The article approaches mobility through a cultural history of urban conflict. Using a case of “The Copenhagen Trouble,“ a series of riots in the Danish capital around 1900, a space of subversive mobilities is delineated. These turn-of-the-century riots points to a new pattern of mobile gathering, the swarm; to a new aspect of public action, the staging; and to new ways of configuring public space. These different components indicate an urban assemblage of subversion, and a new characterization of the “throwntogetherness“ of the modern public.


Author(s):  
Martha Vandrei
Keyword(s):  

This chapter’s focus is the later nineteenth and early twentieth centuries, during which Boudica was immortalized in Thomas Thornycroft’s statue on Westminster Bridge. This chapter seeks to provide a thick and thorough contextualization of this event and its precursors, focusing in particular on Boudica’s role in the history of London, but also on Thornycroft’s own motivations and preoccupations, which have been overlooked by historians. This chapter also explores the first novelization of Boudica’s deeds, a firmly imperialistic account by Marie Trevelyan. This period has been read as the climax of Boudica’s association with imperial greatness—a connection I do not seek to wholly refute. However, Thornycroft’s own understanding of his statue challenges this, while Trevelyan’s conviction was met with credulity by contemporaries. Focusing on these hitherto overlooked points of view sheds light on the complicated relations between pasts and presents.


Author(s):  
John E. Toews

This article studies selected works of Gustav Mahler and Sigmund Freud as enacting the history of subjectivity as a problematic narrative of the deconstruction and construction of identity. It views Mahler and Freud's cultural productions as historically parallel examples of a certain way of imagining human subjectivity as a reflective activity. It studies their ideas on identity as a form of assimilation, and looks at how their “works” took a turn towards subjectivity. The article shows that Freud, Mahler, and their modernist contemporaries did not opt to live in their songs and selves, but instead found a new way to imagine the relations among individuals.


2021 ◽  
Vol 10 (2) ◽  
pp. 128-135
Author(s):  
K. S. Guzev

Introduction. The objective necessity of the appearance of this code of laws for the pharmaceu-tical industry is shown. The proofs of the readiness of all branches of pharmacy to develop the text of the Pharmacopoeia, taking into account modern international requirements for scientific and practical activities in the development, manufacture and production of medicines, are presented.Text. The work presents the history of the creation of the VII edition of the State Pharmacopoeia of the USSR. The sequence of steps for the formation of the Pharmacopoeia Commission, the stages of its activities for the preparation of the updated text of the Pharmacopoeia is described, a detailed analysis of the prepared text is given in comparison with the current Pharmacopoeia of the VI edition (1910). Various points of view of experts on the content of the main text are cited, which served as the basis for the new document. The role of domestic scien-tists-pharmacists in the development and publication of the VII edition of the State Pharmacopoeia of the USSR is evaluated.Conclusion. The role of the Pharmacopoeia Commission in the timely development of the text of the new edition of the State Pharmacopoeia is emphasized. The fact of its wide discussion among experts and the novelty of the approach, which gave a powerful impetus to the development of the entire industry, are noted.


Author(s):  
Severin Fowles ◽  
Barbara Mills

As an introduction to the Handbook, this chapter examines the question of history in Southwest archaeology in two senses. First, it traces the intellectual history of research in the region: from the nineteenth-century inauguration of Southwest archaeology as an extension of American military conquest, to the museum-oriented expeditions of the turn of the century, to the scientific advances and the growth of culture resource management during the twentieth century, to the impacts of Indigenous critiques and the development of collaborative approaches most recently. Second, the chapter explores the shifting status of “history” as a central goal of archaeological practice. How have archaeologists constructed—or resisted—narratives to account for the contingent unfolding of Indigenous and colonial societies in the region? What bodies of method and theory have guided these efforts? In addressing these questions, the chapter marks and participates in a growing historical turn in Southwest archaeology.


Author(s):  
Giuseppe Catturi ◽  
Daniela Sorrentino

In every city community, there always exist social, economic and political- administrative bodies, whose activities and organisational structures delineate and convey the historical and cultural periods experienced by that community.The city community we aim at investigating is the Sienese one. Siena is universally recognised for its medieval reminders, as well as for those of the Renaissance, distinctly appreciable in its current urban patterns, painting pieces, and cultural goods, of which it is plenty and rightly proud.The organisation we identified as one traditionally characterising –at least in the last century and a half- and still characterising the Sienese history and culture, is the Ricovero di Mendicità, later named Casa di riposo in Campansi per anziani, unanimously known as “Campansi”.Undoubtedly, the Campansi one is not the only institution whose structural and operational evolution contributed – and keeps on contributing- to shape the history of Siena, from the social, political and institutional points of view. Nevertheless, it is surely one of the most peculiar ones, in that it has been involved in those charitable activities, which exalted Siena since the second millennium, at the time of the restoring and propitiatory journeys to the main religious destinations: Rome, Jerusalem, and Saint James of Compostela.In this study we adopt a business administration perspective, with particular reference to the structure of the accounting system and its related documentation, which the organisation had been producing in order to memorise, summarise and communicate its administrative events, these latter occurring from the exercise of its institutional function. Moreover, we acknowledge the related governance structure, selected with the purpose of making operational decisions, verifying their execution, and controlling the deriving effects. As a matter of fact, there is a tight interdependency between the governance structure and the accounting system of whichever organisation. Particularly, the investigation refers to the period we considered the most significant and interesting, the one comprised between the issuing of the law “Sull'Amministrazione delle Opere pie” (3rd August 1862) and law “Istituzioni pubbliche di beneficenza”, in 1890, respectively known as Rattazzi and Crispi law, from the Prime Ministers in charge at the time of their enactment.


2018 ◽  
Vol 5 (2) ◽  
pp. 59-70
Author(s):  
Niyati Jigyasu

The first half of the 20th century was a turning point in the history of India with provincial rulers making significant development that had positive contribution and lasting influence on India’s growth. They served as architects, influencing not only the socio-cultural and economic growth but also the development of urban built form. Sayajirao Gaekwad III was the Maharaja of Baroda State from 1875 to 1939, and is notably remembered for his reforms. His pursuit for education led to establishment of Maharaja Sayajirao University and the Central Library that are unique examples of Architecture and structural systems. He brought many known architects from around the world to Baroda including Major Charles Mant, Robert Chrisholm and Charles Frederick Stevens. The proposals of the urban planner Patrick Geddes led to vital changes in the urban form of the core city area. New materials and technology introduced by these architects such as use of Belgium glass in the flooring of the central library for introducing natural light were revolutionary for that period. Sayajirao’s vision for water works, legal systems, market enterprises have all been translated into unique architectural heritage of the 20th century which signifies innovations that had a lasting influence on the city’s social, economic, administrative structure as well as built form of the city and its architecture. This paper demonstrates how the reformist ideas and vision of an erstwhile provincial ruler lead to significant architecture at the turn of the century in Princely state of Vadodara.


Author(s):  
فؤاد بوعلي

أثارت الكتابة الإبداعية باللغات الأجنبية العديد من المواقف المتعارضة في الحقلين: الأكاديمي، والثقافي. فقد عرف تاريخ المغرب الحديث سجالاً قوياً بخصوص هوية الكتابات الإبداعية باللغات الأجنبية، بين مَن يرى فيها استلاباً ثقافياً، ومَن يرفض ربط الجنسية الأدبية بالانتماء اللغوي، بل وربطها بالمتخيّل الجماعي أكثر من أيّ شيء آخر، ثمّ بالمنتوج الأدبي بوصفه تجسيداً لهذا المتخيّل. فالتعبير عن الذات بلغة أجنبية يطرح للنقاش مفاهيم، مثل: الهوية الثقافية، والسلطة، والخصوصية، والعلاقة بالآخر. وباستخدام القراءة التراتبية التي ظهرت في الدراسات بعد الكولونيالية أمكننا إثبات التلازم بين استعمال اللغة الفرنسية في الإبداع ومسار الفرنكفونية بوصفها إيديولوجيا استعماريةً تفرض لغتها على الشعوب والفضاءات الذيلية. The debate over literary writing in a foreign language has instigated a lot of dichotomous points of view in Moroccan academic and cultural circles. History of modern Morocco has witnessed strong ongoing debates about the identity of creative writings in foreign language. There are those who would consider such writings as cultural alienation. Contrary to that, there are those who refuse to link literary text to language belonging, and link it instead to the collective imaginary and to the literary product as a manifestation of this imaginary. In fact, expressing the self by using a foreign language puts into question notions such as cultural identity, authority, nation-building, and otherness. By applying the theory of hierarchical reading which appeared in the post colonial studies, we have established the relationship between using French in creative writings and La Francophonie as a colonial ideology imposed on people and annexed spaces.


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