scholarly journals Designs for Politics in Intellectual History

2021 ◽  
pp. 1-13
Author(s):  
Pollyanna Rhee

While working on a report on federal office space in 1962, Daniel Patrick Moynihan, then a young assistant secretary at the Department of Labor, began writing what would become the Guiding Principles for Federal Architecture and shaped the direction of the federal government's architecture for decades. The principles outlined two requirements for a federal building: “First, it must provide efficient and economical facilities for the use of Government agencies. Second, it must provide visual testimony to the dignity, enterprise, vigor, and stability of the American Government.” Achieving those requirements demanded a willingness to follow architects’ ideas, an avoidance of “an official style,” and—if needed—paying “some additional cost to avoid excessive uniformity in design of Federal buildings.” Citing Pericles, Moynihan argued that this pursuit would provide clear visual evidence the American government “do[es] not imitate—for we are a model to others.” Over the years these principles and the subsequent Design Excellence program under the General Services Administration commissioned designs by an eclectic range of architects for federal building projects.

1978 ◽  
Vol 8 (2-3) ◽  
pp. 74-74

The Department of Labor is involved in Africa and African affairs in two areas: training programs and technical assistance. The Department itself has no budget for programs in Africa; hence all funding for Labor’s activities comes from other government agencies or independent organizations such as the United Nations and the International Labor Office.


Author(s):  
Erica Sarmiento ◽  
Rafael Araujo

Latin America became one of the epicenters of the pandemic due to the Sars-Cov-2 virus. One of the serious problems faced by Latin American populations is forced migration, which, like everything that concerns vulnerable populations, has increased in the pandemic. The cases of Central America and Mexico, a country considered one of the largest human corridors in the world, reached unthinkable levels of human rights violations, demonstrate this. This article addresses, we will discuss the political and socioeconomic effects of the pandemic resulting from the Sars-Cov-2 virus (COVID-19) in Latin America. Likewise, we will present, through the press and the reports of civil society organizations, how, in the middle of the pandemic, the criminalization and blaming of migrants in the speeches of the American government agencies was accentuated.


2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Perrine Boutin

This essay presents the French educational programme 'Ecole et cinéma' in terms of its guiding principles. By examining the history of its creation, as well as the various levels at which this complex programme operates – from government agencies to pupils, by way of educators and organizational leadership – we begin to understand the identification processes and values that the programme advocates, along with the contradictions that situate this rigorous and high-quality programme as a national apparatus that is representative of a certain idea of arts education. But this is not without its own contradictions, which are inextricable from 'Ecole et cinéma', particularly at the present moment.


Author(s):  
Chinar Shah

The photo essay illustrates the politics of missing visuals from the public domain and analysis of the artist’s book Bin Laden Situation Room. The book is a reaction to the photograph issued on 2 May 2011 by the American government at the time of Bin Laden’s execution. The image taken by the official White House photographer Pete Souza, depicts president Barack Obama and his national security team witnessing the execution of Osama Bin Laden, the leader of the Islamic militant organization, al-Qaeda. Apart from this the American government did not issue any other visual evidence of the event. The essay explores war strategies of keeping the visuals mute, and in doing so, controlling the public opinion. Photography that prides itself on representing and uncovering historical moments, completely fails here. The book Bin Laden Situation Room, attempts to look for what the image fails to show. The essay examines the visibility and invisibility of frames of references and power to see and not see. Keywords: Bin Laden, missing images, photo book, photography, situation room


2011 ◽  
Vol 8 (1) ◽  
pp. 193-212 ◽  
Author(s):  
EMMA ROTHSCHILD

The idea of sustainability is an odd composite of imagination and accounting. Environmental history is a permissive historical subdiscipline, and this essay is about the environmental–economic–intellectual history of an environmental idea, sustainability, which is historical in the sense that it is very old, and historical, too, in the sense that it is an idea about history, or about imagining the future in relation to the past. One of the oddities of the last several decades is that these old ideas have been transformed into the most celebrated of all the dicta of environmental policy, or an aspiration of UN commissions, “strategy consultancies”, and very large government agencies (“sustainability is our ‘true north.’”)


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