scholarly journals WWII and XXth Century Wars in the Collective Memory of different generations of Russians: visual methods research

2020 ◽  
Vol 210 ◽  
pp. 16012
Author(s):  
Alexander Rikel ◽  
Inna Bovina ◽  
Natalia Fedorova

The collective memory about wars is an object of study, as well as the formation and upbringing within the educational process. The category of generation, collective memory, and psychological trauma are considered as central in the framework of the study described here. It is assumed that wars are significant for the formation of psycho-traumatic experience of a generation. Using visual methods, in which people were asked using self-report to evaluate their feelings and emotions when looking at photographs of various wars of the twentieth century, the hypothesis was tested that the role of the Second World War is the most traumatic compared to other wars due to its role, proximity in time and media effect. The conclusions are drawn about the absence of fundamental differences in the memory of World War II by all generations of Russians (N = 548 people) in all emotional and traumatic parameters, except for the parameter of feeling of pride in the results of the war.

Astraea ◽  
2021 ◽  
Vol 2 (1) ◽  
pp. 10-25

The study analyses Kate Atkinson’s novel “A God in Ruins” (2015) in terms of the multidisciplinary field of memory studies. Among the tasks that were set by the author of the study there are: 1) tracking the correlation of individual memory and collective memory; 2) outlining the traumatic experience of the Todd family, namely the “wounds of time” caused to the family by World War II; 3) comprehending the moments of “crystallization” of collective memory, its “thickening” in “places of remembrance”; 4) outlining the boundaries of the cultural archive reproduced in the novel. The study discusses the main message of the novel, which is focused on the theme of World War II, on its understanding and reflection in the collective memory of the British people. Through the image of the main character Teddy Todd, a military pilot, specially created by the author to describe war events, the reader can feel and experience the burden of air battles. Teddy Todd is a survivor who survived to preserve the memory of his fallen comrades, to testify war crimes and to raise a new generation of British people (post-war generation of children and grandchildren). The character realises that a peaceful life is not the final happy-end, because in addition to the need to arrange his own existence, it is necessary to heal the “wounds of time”, as well as to fulfil the duty of remembrance towards the dead men. These surviving memories should be embodied in “places of remembrance” (monuments, museums, military burials, works of art, etc.). The study outlines a conditional cultural archive that correlates with the text of Kate Atkinson’s novel. This arrangement of memorable dates, memories, and events can be tentatively described in the form of a scheme (the scheme is attached hereto), where the central place is occupied by the most catastrophic experience of people during the World War II. Other “places of remembrance” in connection with the war may be related to its causes or consequences. The main points of the conditional archive: World War I, coinciding with the birth of Teddy Todd; interwar period, which includes the childhood and adolescence of the character; World War II, which involves Teddy Todd in the Battle for Britain and the bombing of Germany; postwar reconstruction of Britain; pacifist movements and youth subcultures in Britain in the 1960s and 1970s that shaped Viola Todd’s worldview; The Queen’s Elizabeth Diamond Jubilee, coinciding with the death of Teddy Todd. The conditional archive of the novel, and the “places of remembrance” recreated in it correlate with the collective memory of people in Britain, thus encouraging the understanding of the traumatic experience caused by the World War II.


Author(s):  
Roger D. Markwick

World War II has never ended for the citizens of the former Soviet Union. Nearly 27 million Soviet citizens died in the course of what Joseph Stalin declared to be the Great Patriotic War, half of the total 55 million victims of the world war. The enduring personal trauma and grief that engulfed those who survived, despite the Red Army's victory over fascism, was not matched by Stalin's state of mind, which preferred to forget the war. Not until the ousting of Nikita S. Khrushchev in October 1964 by Leonid Brezhnev was official memory of the war really resurrected. This article elaborates a thesis about the place of World War II in Soviet and post-Soviet collective memory by illuminating the sources of the myth of the Great Patriotic War and the mechanisms by which it has been sustained and even amplified. It discusses perestroika, patriotism without communism, the fate of the wartime Young Communist heroine Zoya Kosmodemyanskaya, the battle for Victory Day, the return of ‘trophy’ art, the Hill of Prostrations, and Sovietism without socialism.


Itinerario ◽  
2001 ◽  
Vol 25 (2) ◽  
pp. 59-72 ◽  
Author(s):  
Rosemarijn Hoefte

Dutch colonialism has traditionally focused on the East Indies, rather than the West Indies. Thus when Queen Wilhelmina, while in exile in London, declared in 1942 that the colonies should become autonomous with the words ‘relying on one's own strength, with the will to support each other,’ she was thinking of the East and not so much about Suriname and the Netherlands Antilles. Yet as it turned out, all constitutional plans, culminating into the Statuut or Charter of the Kingdom of 1954, even though conceived and drafted with the East in mind, was ultimately only applied to the West. The Netherlands East Indies, occupied by Japan during World War II, opted for independence after the War. The Hague did not accept this step and waged both hot and cold wars to fight against Indonesia's independence. This, for the Netherlands traumatic, experience left its traces in Dutch policy regarding its Caribbean territories.


Author(s):  
Pavlo Leno

In 1944 – 1946, during the preventive Sovietization of Transcarpathian Ukraine, the local communist authorities initiated radical changes in its symbolic landscape in order to influence the collective memory of the population. The result of this policy was the appearance in the region in 1945 of monuments in honor of the Heroes of the Carpathians (soldiers of the Red Army), who died as a result of active hostilities in October 1944. Officially, the perpetuation of the memory of the fallen Red Army soldiers took place as a manifestation of the people's initiative of the local population in gratitude for the liberation from fascism, including from the “centuries-old Hungarian slavery”. However, archival materials and oral historical research prove that this process was an element of the traditional Soviet policy of memory, initiated by the command of the 4th Ukrainian Front. As a result, a number of memorial resolutions of the People's Council of Transcarpathian Ukraine were adopted in a short time. As a result, the graves of the Red Army were enlarged, fundraising was organized among the population, and the construction of monuments to the fallen liberators was started and successfully completed in all regional centers of the region. The peculiarity was that the installation of monuments in honor of the Heroes of the Carpathians took place long before the end of the Great Patriotic War / World War II, which was not observed in other territories of the Ukrainian SSR. One of the other paradoxes was that, so, the representatives of the Hungarian minority of the region demonstrated their appreciation for their "liberation from Hungarian domination".


2006 ◽  
Vol 7 (1-2) ◽  
pp. 13-26
Author(s):  
Jane Marie Law

Cornell University This paper is a comparison of two museums dedicated to the Japanese diplomat to Lithuania during World War II, Sugihara Chiune. Credited with having written over 6,000 visas to save the lives of Jews fleeing German occupied Poland into Lithuania, Sugihara is regarded in Europe, in Japan, and within the Jewish community as a whole as an altruistic person. This study is not an inquiry into the merits of Sugihara’s action, but rather astudy of how the process of memorializing, narrativizing and celebrating the life of Sugihara in two vastly different museums is part of a larger project of selective cultural memory on the part of various Japanese organizations and institutions. This paper situates the themes of altruism and heroism in the larger process of cultural memory, to see how such themes operate to advance other projects of collective memory. The case of Sugihara is fascinating precisely because the vastly differing processes of cultural memory of the Holocaust―in Lithuania, in Japan, and in a wider post-World War II, post Holocaust Jewish Diaspora each have different ways of constructing, disseminating and consuming narratives of altruism. This paper is based on fieldwork in Kaunas and Vilnius, Lithuania, in 2003, 2004 and again in 2005 and in Japan in 2005.


2021 ◽  
Vol 29 (4) ◽  
pp. 127-143
Author(s):  
A.M. Rikel ◽  
N.V. Fedorova ◽  
I.B. Bovina

The category of generation and emotional reactions within the framework of collective memory are considered as central categories within the framework of the research presented here. It is assumed that historical events are associated with certain emotional experiences, and the collective memory retains extremely positive or extremely negative ones. The study was conducted using visual methods, in which the subjects were asked to assess their feelings and emotions when looking at photographs of various wars of the XX century. Conclusions are drawn about the most pronounced feeling of fear among all generations of Russians when assessing various images of war; the absence of differences in the perception of the Second World War among four generations of Russians (N = 589 people) in all emotional reactions, except for the experience of pride in the results of the war. Separately, the so-called “Y” generation is described, experiencing the least vivid emotional reaction, including in terms of feelings of empathy.


2015 ◽  
Vol 2 (1) ◽  
pp. 90
Author(s):  
Veton Zejnullahi

The situation of Albanians in Serbia, especially in three municipalities bordering with Kosovo-Presevo, Bujanovac and Medvegja, which are known as the Presevo Valley region remains the same even after the Kosovo war and after the war that took place in this region between Serbian government forces and ethnic Albanian fighters LAPMB. Since in this region the majority of the population is Albanian, then the object of study will be focused in the situation of the population there and the challenges facing it in everyday life and problems they encounter, starting from the most basic ones like: education, information, health, use of language, use of national symbols and many other problems. Presevo Valley throughout the stages of its history has always been marked with the various tensions depending on the circumstances, which have escalated to armed conflicts as happened during World War II when fighters of this area contributed greatly to the fight against fascism and Nazis, but even in the latter case when the war took place between government forces and ethnic Albanian Serbian organized around LAPMB. We will also see that the Albanian population in this region is indigenous to the early centuries of history being part of the Ancient Dardania and despite many invaders, Albanian population managed to preserve its national identity. Therefore the aim of this paper is to show the state of Albanians in the Presevo Valley focusing on historical, political, economic, demographic, cultural, educational, health, national rights - the symbols and language, information, migration and many problems other faced by the people of this region.


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