Public Space, Architecture and Democracy: Teaching Politics to Students from Different Cultures

2009 ◽  
Vol 8 (1) ◽  
pp. 123-132 ◽  
Author(s):  
Henri Goverde ◽  
Erkki Berndtson
2017 ◽  
Vol 2 (1) ◽  
pp. 161
Author(s):  
Luisa Bravo ◽  
Mirko Guaralda

<p>‘Urban Visions. Beyond the Ideal City’ was an event held at Habitat III, the United Nations conference on Housing and Sustainable Urban Development, in Ecuador, included in a series of meetings and events at the Pop-up Public Space, Habitat III Village, in Parque El Ejido in Quito. On 26<sup>th</sup> October 2016, we presented two research projects aiming at community engagement on issues related to the future of the urban environment:<br />-    the "InstaBooth", a telephone booth-inspired portable structure developed at the Urban Informatics Lab of the Queensland University of Technology - <a href="http://www.urbaninformatics.net/projects/instabooth/">http://www.urbaninformatics.net/projects/instabooth/</a> - which uses tangible and hybrid interaction such as multi-touch screens and media façades to facilitate face-to-face and digitally mediated discussions;<br />-    the cinematography competition "Urban Visions. Beyond the Ideal City", promoted by City Space Architecture - <a href="http://www.cityspacearchitecture.org/?p=urban-visions-beyond-the-ideal-city">http://www.cityspacearchitecture.org/?p=urban-visions-beyond-the-ideal-city</a> - which is the first film competition in the Italian context involving film-makers at a professional level on topics related to cities and urbanity.</p>


2020 ◽  
pp. 259-272
Author(s):  
Chun Wai (Wilson) Yeung

This paper emphasizes that curatorial practice and site-specific art are essential aspects of the transition from artistic collaboration to collaborative curatorial practice and discovers the new potential of ‘curator as collaborator’ practice to cultivate community-based, collaborative and engaging cultural projects in public spaces. By examining the curatorial residency of my participation in Public Space 50 at RMIT University, Melbourne, Australia in 2017, this portfolio investigates how I, as a curator, explore art curation locations and methods to enable students to actively work collaboratively to plan, facilitate and produce public art projects. It asks how to turn public spaces into laboratories; how can student artists work together in public space; how to empower a creative student community through artistic collaboration and how artistic activation can be developed among creative participators of different cultures and backgrounds?


2018 ◽  
Vol 2 (03) ◽  
pp. 249-263
Author(s):  
Livie Tamariska ; Roni Sugiarto

Abstract- In architecture of public space, the experience of place plays an important role in the making of the good quality of public spaces. The experience of the space is multi-sensory, so architecture should emphasize its attention also on the architectural space approach through auditory experience. The study was conducted to determine the dynamics connection of soundscape experience and Terrace Cikapundung architecture.The research method is qualitative and descriptive analysis. Quantitative measurements are made to complement the qualitative data. The analysis is done through questionnaire distribution, field observation, analysis, and by relating it with the study of theories about public space architecture, soundscape, sacred sounds, sense of place, intention of architecture, and perception theory.In Terrace Cikapundung are found quite a lot of natural sounds, which are considered as sounds that improve the quality of the people spatial experience. The natural sounds that are found there are the sound of birds, wind, and water flow. While the dominant voice heard is the sound of motor vehicle, which is considered as disturbing sound for the audiences in particular “man-made zone” (zone that borders the highway). This indicates that there are some architectural elements that have not been able to work optimally, especially the design of bordering element between the site with the main sound source (Jalan Siliwangi). Furthermore, the concave physical topology and the zonation of “man-made zone” and “natural zone” is well designed, based on the variety characterictic of function, location, and order of architectural elements, that will give us the study and example of spatial making and good experience of place.Through design that concern in the multi-sensory aspects of experience, especially in auditory experience, the experience of space can be felt thoroughly and the quality of a public space can be increased. Key Words: soundscape, architectural element, open public space


2018 ◽  
Vol 12 (8) ◽  
pp. 27
Author(s):  
Gustavo Arteaga ◽  
Edier Segura ◽  
Diego Escobar

In the last decades, the occupation of the pedestrian routes and in general of the public space in the city center of Cali Colombia, have been evidencing diverse phenomena, which to a great extent respond to the accelerated growth of the urban population, where the migrations that have occurred in the interior of the country (fruit of the social conflicts of the last decades), have particularly marked the realities. In Cali, on 10th and 15th streets, near the Government Building, the Palace of Justice and the Municipal Administrative Center - CAM, the public space in general terms has been stressed in a particular way, which has generated conflicts in the surfaces designed for the pedestrians, since they are occupied by vendors in the midst of the informality routines, forcing the pedestrian to use the automobile tracks being a notorious and interesting phenomenon, when observing the factors that produce it and using them as parameters in the design of architectural spaces that contribute to improvement.


Panggung ◽  
2012 ◽  
Vol 22 (1) ◽  
Author(s):  
Tendy Y. Ramadin ◽  
Deddy Mulyana

This brief study focuses on proxemic study approach for public spaces which brushed the reflec- tion of aspiration and collaboration of the artists, designers and their public as phenomenon on the spirit of today (zeitgeist). The study also reads the environmental effect on people’s habitude and its surroundings.The study is intended to obtain facts about objects on public spaces ever-evolved, e.g. Cihampelas Avenue Bandung, to identify recent problems and practices implied on tendency of using visual sign as allure. It is also intended to compile ideas about visual signs through relevant proxemic study approach, so that it could be processed into temporary conclusion to advice entrepreneurs, local au- thorities, academics and commoners.Keywords: public space, architecture, visual signs, communication science, proxemic approach  


2019 ◽  
pp. 109-114
Author(s):  
Luisa Bravo

In September 2018 City Space Architecture organized a three day event in Venice titled ‘Knowledge sharing toward implementation of the New Urban Agenda’, included in the ‘Past Present and Future of Public Space’ international conference series started in 2014 with an inaugural three day event in Bologna. City Space Architecture signed a cooperation agreement with La Biennale di Venezia within the 16th International Architecture Exhibition (Venice Architecture Biennale) - titled FREESPACE, curated by Yvonne Farrell and Shelley McNamara[1] - in order to be included in the ‘Biennale Sessions’, a special program for Universities and Higher Education Institutions. The 2018 conference in Venice was organized in partnership with UN-Habitat, ISOCARP – the International Society of City and Regional Planners, University of Auckland (New Zealand), and Hunan University (China). It was willing to strengthen City Space Architecture's efforts around the implementation of the New Urban Agenda adopted at the Habitat III conference and to continue the discussion on the importance of public space in cities, with the participation of students and young researchers. [1] 16th International Architecture Exhibition FREESPACE, curated by Yvonne Farrell and Shelley McNamara: https://www.labiennale.org/en/architecture/2018.


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