Machina ex homine, homo ex machina

2018 ◽  
Vol 8 (2) ◽  
pp. 207-228 ◽  
Author(s):  
Fabio I. M. Poppi
Keyword(s):  
World War Ii ◽  
Human Body ◽  
Japanese Society ◽  
Japanese Culture ◽  
Conceptual Representation ◽  
World War ◽  
Social Deviance ◽  
Social Phenomena ◽  
Avant Garde ◽  
The Social

Abstract In this article, I identify and describe multimodal hybrid metaphors—the conceptual representation of two elements represented as merged into a new single ‘gestalt’—represented by the machine and human body domains in “Tetsuo: The Iron Man” (鉄男: Tetsuo), a Japanese avant-garde film. Since “Tetsuo: The Iron Man” portrays the genesis of a man whose body becomes a human-machine hybrid, I explore to what extent this film can act as an example of how hybrid metaphors are conveyed. In line with the ideological function of metaphors, where the use of alternative metaphors may produce different meanings and potentially have different effects on the recipient, I also try to interpret how these hybrid metaphors reveal information about the contemporary Japanese society. Specifically, the ideological analysis considers how the notion of ‘artificial’ and the social phenomena of misogyny, homophobia and social deviance are held to characterise the post-World War II Japanese culture.

Ruth Benedict's Legacy of Shame: Orientalism and Occidentalism in the Study of Japan

2001 ◽  
Vol 29 (2) ◽  
pp. 249-261 ◽  
Author(s):  
John Lie
Keyword(s):  
World War Ii ◽  
English Language ◽  
Japanese Society ◽  
Japanese Culture ◽  
World War ◽  
Post World War Ii ◽  
Critical Literature

AbstractRuth F. Benedict's The Chrysanthemum and the Sword (1946) remains perhaps the most influential English-language book on contemporary Japanese society and culture. The Chrysanthemum and the Sword has generated a large critical literature and has sold over 1.4 million copies in Japan. It would not be an exaggeration to state that Benedict's book framed both American and Japanese - and, by extension, global - perceptions of Japan since the end of World War II. In this paper, I explore why her work found such resonance among the Japanese themselves to the extent that The Chrysanthemum and the Sword became something of an ur-text of the post-World War II Japanese discourse on the Japanese and on Japanese culture (Nihonjinron or Nihonbunkaron).

Afterword

2018 ◽  
Author(s):  
Benjamin Piekut
Keyword(s):  
World War Ii ◽  
Latin American ◽  
Art Music ◽  
Experimental Music ◽  
John Cage ◽  
World War ◽  
Latin Americans ◽  
Avant Garde ◽  
Henry Cowell ◽  
The Social

This chapter discusses how a US-focused mainstream concept of American experimental music within the art music tradition was cemented in the 1950s through the work of John Cage at a moment when he established professional connections with the European avant-garde. The chapter recognizes that before this moment, composers such as Henry Cowell had thought of American experimentalism in a more hemispheric way and included the activities of composers like Carlos Chávez, Alejandro García Caturla, and Amadeo Roldán in their genealogies. Rather than arguing for a revisionist type of history to include Latin Americans in these narratives about American experimental music, the chapter’s goal is to show that taking into account historical and contemporary Latin@ and Latin American understandings of experimentalisms not only may help us in redefining the social and political meaning of what has been constructed as mainstream musical experimentalism but also may play a central role in critically rethinking post–World War II narratives about music.

scholarly journals POSTWAR JAPANESE ADOPTION OF AMERICAN CULTURE IN LYNNE KUTSUKAKE’S THE TRANSLATION OF LOVE: A POSTCOLONIAL APPROACH

2019 ◽  
Vol 6 (2) ◽  
pp. 139
Author(s):  
Bhakti Satrio Nugroho ◽  
Muh. Arif Rokhman
Keyword(s):  
World War Ii ◽  
American Culture ◽  
Japanese Society ◽  
Japanese Culture ◽  
The Novel ◽  
World War ◽  
Japanese People ◽  
Postwar Japan ◽  
Transnational American Studies ◽  
Moral Crisis

This paper discusses postwar Japanese adoption of American culture in a debut novel by Lynne Kutsukake entitled The Translation of Love. This novel is set during the U.S. occupation of Japan after the end of World War II. Postwar Japanese are forced to live under American power, while undergoing an economic, social, and moral crisis (kyodatsu). By using postcolonial perspective under Transnational American Studies, this paper finds the adoption of American culture by postwar Japanese characters in the novel, which come from various social backgrounds, including schoolteachers, schoolchildren, bar girls, and prostitutes. The adoption of American culture includes language (English), Western dating (lifestyle), custom, and fashion. This cultural adoption can be defined as the construction of new Japanese society built under American influence to be more “American-oriented”. Moreover, it further implies the devaluation of Japanese culture, the humiliation of postwar Japanese people, and the birth of Japanese cultural dependency toward American culture.Keywords: American culture; postcolonial; postwar Japan; transnational; U.S. occupation

Nature Behind Barbed Wire

2018 ◽  
Author(s):  
Connie Y. Chiang
Keyword(s):  
World War Ii ◽  
Civil Liberties ◽  
Natural World ◽  
Japanese Americans ◽  
Japanese American ◽  
World War ◽  
Us History ◽  
War Relocation Authority ◽  
The Social ◽  
Japanese Ancestry

The mass imprisonment of over 110,000 people of Japanese ancestry during World War II was one of the most egregious violations of civil liberties in US history. Removed from their homes on the temperate Pacific Coast, Japanese Americans spent the war years in ten desolate camps in the nation’s interior. Although scholars and commentators acknowledge the harsh environmental conditions of these camps, they have turned their attention to the social, political, or legal dimensions of this story. Nature Behind Barbed Wire shifts the focus to the natural world and explores how it shaped the experiences of Japanese Americans and federal officials who worked for the War Relocation Authority (WRA), the civilian agency that administered the camps. The complexities of the natural world both enhanced and constrained the WRA’s power and provided Japanese Americans with opportunities to redefine the terms and conditions of their confinement. Even as the environment compounded their feelings of despair and outrage, they also learned that their willingness (or lack thereof) to transform and adapt to the natural world could help them endure and even contest their incarceration. Ultimately, this book demonstrates that the Japanese American incarceration was fundamentally an environmental story. Japanese Americans and WRA officials negotiated the terms of confinement with each other and with a dynamic natural world.

The Social Identity of Hosts and Patrons

2018 ◽  
Author(s):  
Christel Lane
Keyword(s):  
World War Ii ◽  
Organizational Identity ◽  
World War ◽  
Social Segregation ◽  
Social Mixing ◽  
The Social ◽  
Late Twentieth ◽  
Nineteenth And Twentieth Centuries ◽  
Post War ◽  
Late Twentieth Century

This chapter analyses inns, taverns, and public houses in their social context, exploring their organizational identity and the social positions of their owners/tenants. It examines how patrons express their class, gender, and national identity by participation in different kinds of sociality. Seventeenth- and eighteenth-century hostelries afforded more opportunities for cross-class sociability than in later centuries. Social mixing was facilitated because the venues fulfilled multiple economic, social, and political functions, thereby providing room for social interaction apart from communal drinking and eating. Yet, even in these earlier centuries, each type of hostelry already had a distinctive class character, shaping its organizational identity. Division along lines of class hardened, and social segregation increased in the nineteenth and twentieth centuries, up to World War II. In the post-War era, increased democratization of society at large became reflected in easier social mixing in pubs. Despite this democratization, during the late twentieth century the dominant image of pubs as a working-class institution persisted.

Epistemic competitions over Jewish Holocaust survivors’ stories in interviews

2021 ◽  
pp. 095792652199214
Author(s):  
Kim Schoofs ◽  
Dorien Van De Mieroop
Keyword(s):  
World War Ii ◽  
Holocaust Survivors ◽  
Identity Work ◽  
Epistemic Authority ◽  
World War ◽  
Master Narratives ◽  
The Social ◽  
Specialist Knowledge ◽  
Expert Status ◽  
The One

In this article, we scrutinise epistemic competitions in interviews about World War II. In particular, we analyse how the interlocutors draw on their epistemic authority concerning WWII to construct their interactional telling rights. On the one hand, the analyses illustrate how the interviewers rely on their historical expert status – as evidenced through their specialist knowledge and ventriloquisation of vicarious WWII narratives – in order to topicalise certain master narratives and thereby attempt to project particular identities upon the interviewees. On the other hand, the interviewees derive their epistemic authority from their first-hand experience as Jewish Holocaust survivors, on which they draw in order to counter these story projections, whilst constructing a more distinct self-positioning to protect their nuanced personal identity work. Overall, these epistemic competitions not only shaped the interviewees’ identity work, but they also made the link between storytelling and the social context more tangible as they brought – typically rather elusive – master narratives to the surface.

Do We Need a Postmodern Anthropology for Mission in a Postcolonial World?

2011 ◽  
Vol 28 (2) ◽  
pp. 151-169 ◽  
Author(s):  
Michael A. Rynkiewich
Keyword(s):  
Social Sciences ◽  
United States ◽  
World War Ii ◽  
Cultural Anthropology ◽  
The United States ◽  
Symbiotic Relationship ◽  
World War ◽  
Fields Of Study ◽  
The Social ◽  
Cross Fertilization

Abstract There was a time when mission studies benefitted from a symbiotic relationship with the social sciences. However, it appears that relationship has stagnated and now is waning. The argument is made here, in the case of cultural anthropology both in Europe and the United States, that a once mutually beneficial though sometimes strained relationship has suffered a parting of the ways in recent decades. First, the article reviews the relationships between missionaries and anthropologists before World War II when it was possible to be a ‘missionary anthropologist’ with a foot in both disciplines. In that period, the conversation went two ways with missionary anthropologists making important contributions to anthropology. Then, the article reviews some aspects of the development of the two disciplines after World War II when increasing professionalism in both disciplines and a postmodern turn in anthropology took the disciplines in different directions. Finally, the article asks whether or not the conversation, and thus the cross-fertilization, can be restarted, especially since the youngest generation of anthropologists has recognized the reality of local Christianities in their fields of study.

Stabilizing American Society: Kenneth Boulding and the Integration of the Social Sciences, 1943–1980

2010 ◽  
Vol 23 (2) ◽  
pp. 221-265 ◽  
Author(s):  
Philippe Fontaine
Keyword(s):  
Social Sciences ◽  
World War Ii ◽  
World War ◽  
Policy Makers ◽  
Main Determinant ◽  
Disciplinary Boundaries ◽  
The Social ◽  
Social Scientific ◽  
American Society ◽  
The Right

ArgumentFor more than thirty years after World War II, the unconventional economist Kenneth E. Boulding (1910–1993) was a fervent advocate of the integration of the social sciences. Building on common general principles from various fields, notably economics, political science, and sociology, Boulding claimed that an integrated social science in which mental images were recognized as the main determinant of human behavior would allow for a better understanding of society. Boulding's approach culminated in the social triangle, a view of society as comprised of three main social organizers – exchange, threat, and love – combined in varying proportions. According to this view, the problems of American society were caused by an unbalanced combination of these three organizers. The goal of integrated social scientific knowledge was therefore to help policy makers achieve the “right” proportions of exchange, threat, and love that would lead to social stabilization. Though he was hopeful that cross-disciplinary exchanges would overcome the shortcomings of too narrow specialization, Boulding found that rather than being the locus of a peaceful and mutually beneficial exchange, disciplinary boundaries were often the occasion of conflict and miscommunication.

The Elusive Search for Evidence: Evgenii Khaldei’s Budapest Ghetto, Images of Rape, and Soviet Holocaust Photography

Slavic Review ◽  
2017 ◽  
Vol 76 (1) ◽  
pp. 80-89
Author(s):  
David Shneer
Keyword(s):  
World War Ii ◽  
Ethnic Group ◽  
Social History ◽  
The State ◽  
World War ◽  
Soviet Jews ◽  
The Social ◽  
History Of

I began studying Soviet photography in the early 2000s. To be more specific, I began studying Soviet photographers, most of whom had “Jewish” written on their internal passports, as I sought to understand how it was possible that a large number of photographers creating images of World War II were members of an ethnic group that was soon to be persecuted by the highest levels of the state. I ended up uncovering the social history of Soviet Jews and their relationship to photography, as I also explored how their training in the 1920s and 1930s shaped the photographs they took during World War II.

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