Ukranians in American East European Studies

1976 ◽  
Vol 4 (2) ◽  
pp. 99-112
Author(s):  
Alexander Sydorenko

Ukranian scholars in the United States pursue a broad range of disciplines, making significant contributions to such fields of inquiry as literature, linguistics, political studies, and economics. This paper will review the contributions to the study of Ukrainian history. It will examine some of the practical problems affecting the development of the Ukrainian historical studies in the United States and then review the work of a few selected scholars, whose research and publications typify the tenor and the direction of the Ukrainian historiography outside the Soviet Union.

2005 ◽  
Vol 7 (1) ◽  
pp. 97-134 ◽  
Author(s):  
Michael Cox ◽  
Caroline Kennedy-Pipe

Two British scholars reassess what they view as the decisive episode in the early Cold War, the Marshall Plan. Far from seeing the Plan as a mere act of generosity by the United States, they argue that it was an integral part of an increasingly aggressive U.S. posture toward the Soviet Union. The Soviet Union was still seeking a cooperative relationship with the United States, but the U.S. decision to establish a European Recovery Program (ERP) without a sincere intention of including the Soviet Union posed a threat to Soviet security interests. Josif Stalin wanted to prevent the United States from luring the East European countries away from the Soviet Union's sphere of influence and into the Western sphere. Although Stalin was reluctant to abandon his bid for close cooperation with the West, the Marshall Plan left him with little choice. As the ERP progressed, Stalin drastically tightened his hold over Eastern Europe and imposed Soviet-style systems on the countries in the region. The Marshall Plan thus had the “tragic” effect of creating a long-term divide in Europe that consigned tens of millions of people to life under tyranny.


1975 ◽  
Vol 37 (4) ◽  
pp. 435-463 ◽  
Author(s):  
Robert F. Byrnes

The signing in Helsinki of the agreement on security and cooperation in Europe has led to bitter criticism of President Ford and of the policy under which the United States drifted into recognizing Soviet acquisition of 114,000 square miles of Finnish, Polish, German, Czechoslovak, and Romanian territory, apparently sanctified as well Soviet domination of Eastern Europe, and recognized the “permanent” division of Europe. In return for endorsing these Soviet conquests, the Western states received some vague promises that the Soviet Union and the East European states would take a “positive and humanitarian attitude” towards applications from their citizens to rejoin their families in the West, would “facilitate the improvement of the dissemination” of publications from other countries, would provide three weeks' notice of large military maneuvers within 156 miles of frontiers, and assured that every European state would be free from “external influence.” All these phrases seem small recompense for such great concessions and from two years of negotiation by 492 diplomats, especially when hope in Western Europe in particular had been high for an end to jamming, censorship, and control over travel. Critics noted in particular that the formal summit agreement awarded the Soviet Union prizes it had sought since 1954, while the parallel discussion of reducing military forces in Eastern and Western Europe, in which the Soviet Union and its associates maintain immense superiorities, has long been stalled. Indeed, now that the West no longer has the lever of the Geneva talks, it has little pressure to persuade the Soviet Union to discuss mutual balanced force reductions. Many now fear that the Soviet Union will press instead for a collective security agreement, which would have no meaning, but which would totally demolish NATO, while leaving the Soviets on the commanding military heights in Eastern Europe.


Author(s):  
Joshua Kotin

This book is a new account of utopian writing. It examines how eight writers—Henry David Thoreau, W. E. B. Du Bois, Osip and Nadezhda Mandel'shtam, Anna Akhmatova, Wallace Stevens, Ezra Pound, and J. H. Prynne—construct utopias of one within and against modernity's two large-scale attempts to harmonize individual and collective interests: liberalism and communism. The book begins in the United States between the buildup to the Civil War and the end of Jim Crow; continues in the Soviet Union between Stalinism and the late Soviet period; and concludes in England and the United States between World War I and the end of the Cold War. In this way it captures how writers from disparate geopolitical contexts resist state and normative power to construct perfect worlds—for themselves alone. The book contributes to debates about literature and politics, presenting innovative arguments about aesthetic difficulty, personal autonomy, and complicity and dissent. It models a new approach to transnational and comparative scholarship, combining original research in English and Russian to illuminate more than a century and a half of literary and political history.


This book uses trust—with its emotional and predictive aspects—to explore international relations in the second half of the Cold War, beginning with the late 1960s. The détente of the 1970s led to the development of some limited trust between the United States and the Soviet Union, which lessened international tensions and enabled advances in areas such as arms control. However, it also created uncertainty in other areas, especially on the part of smaller states that depended on their alliance leaders for protection. The chapters in this volume look at how the “emotional” side of the conflict affected the dynamics of various Cold War relations: between the superpowers, within the two ideological blocs, and inside individual countries on the margins of the East–West confrontation.


Author(s):  
Rósa Magnúsdóttir

Enemy Number One tells the story of Soviet propaganda and ideology toward the United States during the early Cold War. From Stalin’s anti-American campaign to Khrushchev’s peaceful coexistence, this book covers Soviet efforts to control available information about the United States and to influence the development of Soviet-American cultural relations until official cultural exchanges were realized between the two countries. The Soviet and American veterans of the legendary 1945 meeting on the Elbe and their subsequent reunions represent the changes in the superpower relationship: during the late Stalin era, the memory of the wartime alliance was fully silenced, but under Khrushchev it was purposefully revived and celebrated as a part of the propaganda about peaceful coexistence. The author brings to life the propaganda warriors and ideological chiefs of the early Cold War period in the Soviet Union, revealing their confusion and insecurities as they tried to navigate the uncertain world of the late Stalin and early Khrushchev cultural bureaucracy. She also shows how concerned Soviet authorities were with their people’s presumed interest in the United States of America, resorting to monitoring and even repression, thereby exposing the inferiority complex of the Soviet project as it related to the outside world.


Author(s):  
Anne Searcy

During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today.


Author(s):  
Bipin K. Tiwary ◽  
Anubhav Roy

Having fought its third war and staring at food shortages, independent India needed to get its act together both militarily and economically by the mid-1960s. With the United States revoking its military assistance and delaying its food aid despite New Delhi’s devaluation of the rupee, India’s newly elected Indira Gandhi government turned to deepen its ties with the Soviet Union in 1966 with the aim of balancing the United States internally through a rearmament campaign and externally through a formal alliance with Moscow. The US formation of a triumvirate with Pakistan and China in India’s neighbourhood only bolstered its intent. Yet India consciously limited the extent of both its balancing strategies and allowed adequate space to simultaneously adopt the contradictory sustenance of its complex interdependence with the United States economically. Did this contrasting choice of strategies constitute India’s recourse to hedging after 1966 until 1971, when it liberated Bangladesh by militarily defeating a US-aligned Pakistan? Utilising a historical-evaluative study of archival data and the contents of a few Bollywood films from the period, this paper seeks to address the question by empirically establishing the extents of India’s balancing of, and complex interdependence with, the United States.


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