Glasgow high-rise homes, estates and communities in the post-war period

2020 ◽  
Vol 35 (5) ◽  
pp. 915-916
Author(s):  
Ambrose Gillick
Keyword(s):  
2018 ◽  
Vol 28 (5) ◽  
pp. 794-813 ◽  
Author(s):  
Lynn Abrams ◽  
Linda Fleming ◽  
Barry Hazley ◽  
Valerie Wright ◽  
Ade Kearns

2019 ◽  
Vol 4 (3) ◽  
pp. 223-249 ◽  
Author(s):  
Nicola Braghieri

When J. G. Ballard published his masterpiece High-Rise in 1975, many readers in London automatically identified the apartment building that is the protagonist of the dystopian novel as the infamous Trellick Tower at Kensal Town, certainly one of the most controversial and ambiguous figures of British architecture after World War II. Designed by Ernő Goldfinger, the tower, which had recently been completed, was already considered a symbol of the brutality of contemporary architecture, to the point of gaining the nickname ‘Tower of Terror’ coined by its own inhabitants. Actually, in public opinion the nearly twin sister of the earlier Balfron Tower at Poplar embodied all the ills of urban planning and of the housing policies of the post-war reconstruction. The large size of the project, the uniformity of its facades, the presence of bulky stairwells separated from the main volume, connected by elevated bridges and brandishing the big chimneys of the heating system, the complex apartment layouts on multiple levels, and the intensive use of fair-face reinforced concrete are the factors that shape the extraordinary character of this work of architecture, examined in a relatively small quantity of critical writings, despite the building’s widespread notoriety. The Balfron Tower, commissioned in 1963, and the Trellick Tower commissioned in 1966 have become, for better or worse, icons of British public housing policy, and today they are inseparable parts of the London cityscape. Critical analysis of the original project documents reveals how the typological and constructive reflections at the end of the 1960s had reached a level of extreme sophistication and quality, also in the development of large social housing complexes created for the urban proletariat. Thanks to their outstanding constructed quality and the efficacy of their residential typologies, the towers have stood up to the destructive fury of the last few decades, even becoming Grade II* listed buildings. In recent years, they have gone through a remarkable process of social and generational turnover, coveted as investment properties and involved in processes of real estate speculation.


2018 ◽  
Vol 33 ◽  
pp. 01038 ◽  
Author(s):  
Angela Mottaeva ◽  
Alexander Zheltenkov

That is obviously for experts, irrespective of status or quality, high-rise housing is here to stay. No country is in a position to ignore or discard this conspicuous legacy of the post-war and mass housing period. Nevertheless, high-rise residential buildings are still less widespread, than offices. According to the author, there are certain problems and reasons for limitation of high-rise construction in the housing sector. The author summarizes successful experience of high-rise housing construction in the world and considers some social-and-economic prerequisites of its development in the modern city. These concrete examples, given in article, prove that the existing problems are being solved. The most effective option of construction is the combination of inhabited and commercial chambers in the high-rise building and also the creation of specific infrastructure. In that case housing high-rise estates will promote the increase in investment attractiveness and investment activity in the district and in the city as whole.


2021 ◽  
Author(s):  
Shiloh Lazar

The functionalism and reductivism behind post war modernist high-rise housing typologies like the slab block, failed to understand the impact of this highly condensed circulation on the social interactions of residents. Contemporary high-rise architecture typologies like the point tower still don’t account for the complex social needs of inhabitants - providing isolated group activity spaces in lieu of addressing and elaborating the shape and form of the transitional spaces between the street and the unit door. This thesis asserts that understanding the complexity of social needs and normative social behavioral patterns will inform an approach to design that will allow for a more humane and socially interactive environment. This thesis design explores Systems Theory, Pattern Language, recent precedents and tactics like clustering, layered gradients of privacy, visual buffering, transparency, texture and materiality in a high-density residential design for Toronto’s rapidly intensifying core.


Kulturstudier ◽  
2010 ◽  
Vol 1 (1) ◽  
pp. 76
Author(s):  
Rasmus Braad Christensen

Med udgangspunkt i det moderne h&oslash;jhus' f&oslash;dsel i det 19. &aring;rhundredes USA samt f&aelig;nomenets internationale historie, belyser artiklen h&oslash;jhusets historie og udbredelse i Danmark. Fra velf&aelig;rdsstatens funktionalistiske boligkolosser i midten af det tyvende &aring;rhundrede, over 1970'erne og 80'ernes modreaktion og 'sm&aring;t er godt'-mentalitet til de seneste &aring;rtiers individuelle og amerikansk inspirerede<br />prestige-projekter med vartegnsambitioner, s&aelig;ttes den danske udvikling ind i en europ&aelig;isk kontekst og prioriteret bevidsthedshistorisk forklaringsramme. Siden midten af det tyvende &aring;rhundrede har erhvervsh&oslash;jhuse i bycenteret h&oslash;rt til de mest karakteristiske tr&aelig;k ved storbyers udvikling verden over, men i Danmark er den slags h&oslash;jhuse endnu relativt sj&aelig;ldne. Ogs&aring; i danske byer peger udviklingen i de seneste &aring;r dog i retning af flere h&oslash;je, markante byggerier i eller n&aelig;r bymidten.<br /><br />Abstract:<br />In recent decades, the distinctive urban setup, with a nucleus dominated by clusters of office towers, has spread to most parts of the world. Economic growth and structural conditions are obviously of fundamental importance for this development, but as the present article shows, the limited construction of such centrally located high-rise buildings in Danish (and European) cities may also be put into a framework of history of consciousness. The first modern skyscrapers were erected in American cities in the late 19th Century, but it was not until the middle of the 20th Century that a related, but dissimilar development gained momentum in Europe and Denmark. In Copenhagen, as well as in other European cities, office towers fitted badly into the the maze of streets in the city centres, and they also conflicted with the laws that restricted building heights. Because of the post-war shortage of housing and the rapid economic growth of the 1950s and -60s, the first high-rise buildings in Denmark were built in the mid-1950s in the form of suburban residential towers. Since then, these pre-fabricated concrete towers have affected the Danish townscape for better and perhaps especially for worse; and this may be one of the reasons why high-rise buildings fell into disrepute in Denmark. At any rate, the first generation of high-rise buildings in this country was mostly suburban, and a child of European modernism and functionalism. Due to a fear of Americanization and the ruining of Copenhagen"s "unique" low skyline, only a few "American" highrise buildings were allowed to be built in Copenhagen"s inner city in this period. From the early 1970s until 1990, practically no high-rise buildings were constructed in Denmark. The building activity was affected by low economic growth; and in addition, the bad experience from the 1950s and -60s influenced the new catchword of the building industry: dense, low. Since the last decade of the 20th Century, however, high-rise buildings have once again become fashionable in Denmark. Not all types of high-rise buildings, though, but characteristic and unique "American" commercial high-rise buildings in or near city centres. This development may be seen not only in Copenhagen, but also in several of the larger provincial towns. Public opposition to these towers is still significant, but as a consequence of increased globalization and the race for attracting multinational companies and the favour of the professions, municipal councils in Denmark are bending over backwards to signal progressiveness and an attractive business environment - for instance by stimulating the<br />construction of office towers.<br />


Author(s):  
Michael Buxton ◽  
Robin Goodman ◽  
Susie Moloney

For more than a decade, Melbourne has had the fastest-growing population of any Australian capital city. It is expanding outward while also growing upward through vast new high-rise developments in the inner suburbs. With an estimated 1.6 million additional homes needed by 2050, planners and policymakers need to address current and emerging issues of amenity, function, productive capacity and social cohesion today. Planning Melbourne reflects on planning since the post-war era, but focuses in particular on the past two decades and the ways that key government policies and influential individuals and groups have shaped the city during this time. The book examines past debates and policies, the choices planners have faced and the mistakes and sound decisions that have been made. Current issues are also addressed, including housing affordability, transport choices, protection of green areas and heritage and urban consolidation. If Melbourne’s identity is to be shaped as a prospering, socially integrated and environmentally sustainable city, a new approach to governance and spatial planning is needed and this book provides a call to action.


1998 ◽  
Vol 31 (2) ◽  
pp. 185-215 ◽  
Author(s):  
JUDI LOACH

For the artist, mathematics does not consist of the various branches of mathematics. It is not necessarily a matter of calculation but rather of the presence of a sovereign power; a law of infinite resonance, consonance, organisation. Rigour is nothing other than that which truly results in a work of art, whether it be a Leonardo drawing, or the fearsome exactness of the Parthenon (comparable in the cutting of its marble even with that of machine-tools), or the implacable and impeccable play of construction in the cathedral, or the unity in a Cézanne, or the law which determines a tree, the unitary splendour of roots, trunk, branches, leaves, flowers, and fruit. Chance has no place in nature. Once one has understood what mathematics is – in the philosophical sense – thereafter one can discern it in all its works. Rigour, and exactness, are the means behind achieving solutions, the cause behind character, the rationale behind harmony.Le Corbusier, 1948Probably everyone reading this article has heard of Le Corbusier, no doubt the most famous architect this century, but the images he will arouse in their minds may vary greatly. Some will blame him for those theories promoting standardized high rise construction, which have dominated town planning policy in post-war Europe. Others will admire his highly individual, sculptural buildings such as the church at Ronchamp (1950–55) (see Figure 1), the revolutionary public housing scheme of the Unité d'Habitation at Marseilles (1946–52) (Figure 2), its ground-level pillars (pilotis) and roof-level service stacks alike transformed into enigmatic statues, or his pre-war Purist villas in the Paris suburbs (1920s). His work displayed a wide variety of forms and spaces at any one time, and his career spanned almost sixty years, during which he was constantly questioning, and reformulating theories, and in consequence changing his formal language.


1987 ◽  
Vol 2 (3) ◽  
pp. 263-272 ◽  
Author(s):  
Henk Heeger
Keyword(s):  

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