Troch, P. (2015). Nationalism and Yugoslavia: Education, Yugoslavism and the Balkans before World War II

2017 ◽  
Vol 28 (1) ◽  
pp. 156-159
Author(s):  
Arno Trültzsch
Keyword(s):  
2021 ◽  
Vol 57 (1) ◽  
pp. 271-282
Author(s):  
Laura Emmery

Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of Tito’s Yugoslavia.


Author(s):  
Giorgia Sulis ◽  
Lia DʼAmbrosio ◽  
Rosella Centis ◽  
Raquel Duarte ◽  
José-María García-García ◽  
...  

Aspasia ◽  
2019 ◽  
Vol 13 (1) ◽  
pp. 151-154
Author(s):  
Maria Bucur

Alin Ciupală, Bătălia lor: Femeile din România în Primul Război Mondial (Their batt le: Women in Romania during World War I), Iași: Polirom, 2017, 392 pp., 48 illustrations, RON 39.95 (paperback), ISBN: 978-9-73466-577-8.Jelena Batinić, Women and Yugoslav Partisans: A History of World War II Resistance, Cambridge: Cambridge University Press, 2015, 287 pp., 11 illustrations, GBP 24.99 (paperback), ISBN: 978-1-31611-862-7.


Slavic Review ◽  
1981 ◽  
Vol 40 (1) ◽  
pp. 98-101
Author(s):  
Stephen K. Batalden

In his recent study of publishing in eighteenth-century Russia, Gary Marker has called attention to the importance of publication and distribution of the printed word as one measure of the reception of Western thought into Eastern Europe. For historians of the Balkans, no less than for Russian specialists, a crucial aid in this type of study has been the publication of systematic retrospective national bibliographies. Nowhere in the Balkans has this concern for retrospective bibliographical control been so closely linked with historical scholarship as in Greece. Even before the monumental publication of Émile L. J. Legrand's multivolume Bibliographic hellénique, modern Greek historical and philological study was closely linked to bibliographical coverage of Greek imprints during the Turcocratia. Since World War II, this concern for retrospective national bibliography has been closely identified with the study of the Neo-Hellenic Enlightenment and Greek literature from the fall of Byzantium to the modern period.


Slavic Review ◽  
1972 ◽  
Vol 31 (3) ◽  
pp. 611-625 ◽  
Author(s):  
Gale Stokes

Since the establishment of socialist governments in Eastern Europe following World War II , Svetozar Marković has become the most celebrated figure of nineteenth-century Yugoslav history. Not only was Marković the first important socialist in the Balkans, but he received his education in Russian populism at its source in St. Petersburg, participated in the activities of the Russian Section of the First International in Switzerland, organized the first consumers' and workers' collectives in the Balkans, and edited Serbia's first socialist newspaper. An incisive critic of the Serbian bureaucracy, Marković hoped to avoid the pitfalls of modernization in Serbia by establishing a democratic system of local administration based on the traditional peasant commune. Even though he was not successful, his vigorous analyses of social problems, his faith in science, and his uncompromising idealism exerted a strong influence on his contemporaries, turning the politically inclined among them from liberalism to radicalism and the artistically inclined from romanticism to realism. Little wonder, therefore, that since World War II this unusual and brilliant man has become a cultural hero in Yugoslavia.


Author(s):  
Michael J. Bazyler ◽  
Kathryn Lee Boyd ◽  
Kristen L. Nelson ◽  
Rajika L. Shah

Yugoslavia (which included present-day Croatia) was invaded by the Axis powers in 1941 and immovable property was confiscated. After the war, Yugoslavia enacted a property restitution law, but it was short-lived. As Yugoslavia fell under Communist rule, widespread nationalization—which this time occurred irrespective of race, religion, or ethnicity—resulted in a second wave of property confiscations. It was not until the early 1990s that the post–Yugoslavian Republic of Croatia enacted its first set of denationalization legislation. Croatia’s main restitution laws, however, were not enacted until after the conclusion of the conflicts in the Balkans, which began in 1991 and ended in 1995. Croatia has since passed legislation relating to restitution of private and communal property, albeit with certain key limitations. Ambiguity in one of the main restitution laws left it unclear whether property confiscated during World War II was included. Croatia endorsed the Terezin Declaration in 2009 and the Guidelines and Best Practices in 2010.


2019 ◽  
Vol 697 (2) ◽  
pp. 17-29
Author(s):  
Ryszard Parafianowicz

Having own operational warfare based on deeply rooted domestic military culture and positively verified combat cases, being now historical experiences inspiring next generations, is one of the foundations of the armed forces. Polish art of war in the 20th century developed freely in the Second Republic of Poland: it was a period, when the foundations for Polish operational art were established. Poland, in consequence of a betrayal by its western allies, after World War II found itself in the Soviet zone of influences, and this meant breaking up with the achievements of the Second Republic of Poland, including the art of war. Regaining Independence at the break of 1989/1990 was a distinct turning point in the development of the art of war, and meant the necessity to search for new solutions adequate for the challenges stemming from contemporary geopolitical location, as well as from its defense self-sufficiency. This required a new outlook on operational warfare. The following turning point was the membership in North-Atlantic Alliance and the participation of the Polish Armed Forces in stabilization operations in the Balkans, Iraq, and Afghanistan. Both in the Second Republic of Poland and today, military education of command and staff professionals had a significant impact on Polish operational art.


2005 ◽  
Vol 47 (1) ◽  
pp. 226-227
Author(s):  
Maura Hametz

Using anthropological, historical, and political science approaches, Pamela Ballinger demonstrates how memory shapes Istrian understandings of Italian identity. World War II and the events of 1945, specifically the creation of the Free Territory of Trieste and the division of the upper Adriatic territory into Allied and Yugoslav administered zones, form the backdrop for the study that concentrates on the crystallization of collective memory for Istrian esuli (exiles who settled in Trieste) and rimasti (those who remained in Yugoslavia). Grounded in the literature re-evaluating the impact of the Cold War, her work skillfully weaves a narrative that uncovers competing visions as well as common tropes in Istrian visions of ‘Italianness’ constructed in the climate of state formation and dissolution since World War I. Ballinger's major contribution is her analysis of the “multi-directionality” of identity formation (p. 45) that has implications far beyond the Istrian case.


Sign in / Sign up

Export Citation Format

Share Document