The Extreme Right and the Fall of the Autocracy in Russia

Pater-jezuïet Marcel Brauns (1913-1995) heeft tijdens een korte periode in de jaren zestig een vrij belangrijke rol gespeeld in de herleving van het Vlaams-nationalisme op politiek vlak. Zijn religieuze staat hielp vele katholieke gelovigen een keuze voor de partij Volksunie legitimeren. Zijn keuze voor deze politieke activiteiten werd gemotiveerd door zijn denkbeelden die hij zijn “politieke theologie” noemde. In deze brontekst legt hij uit hoe zijn persoonlijke opvatting van de werkzaamheid van de goddelijke Drievuldigheid in de geschiedenis bepalend was voor zijn handelen. In zijn ogen was het anti-belgicisme van de Vlaams-nationalisten een verwezenlijking van de wil van God. Daarbij legitimeerde hij ook het moorddadige optreden van Vlaamse, nationaal-socialistische collaborateurs in dienst van het Derde Rijk tijdens de oorlog 1940-1945. Omwille van die uiterst-rechtse opstelling werd hij al snel uit de Volksunie geweerd. Hij zette zijn leven verder als spilfiguur van een kleine drukkingsgroep op de extreme rechtervleugel van het Vlaams-nationalisme.________"Hoe ik tot de politieke theologie kwam". Father Brauns looks back at the motivation for his public lifeDuring a short period in the nineteen-sixties the Jesuit Father Marcel Brauns (1913-1995) played a fairly important role in the revival of Flemish nationalism in the political arena. The fact that he was a religious helped many Catholic faithful to legitimise their vote for the party of the Flemish People’s Union. His involvement in these political activities was motivated by the concepts that he described as his political theology. In this source text he explained how his personal interpretation of the activity of the Holy Trinity in history had determined his actions. According to him the anti-Belgian attitude of the Flemish-Nationalists was a fulfilment of the will of God. At the same time he also legitimised the murderous actions of Flemish national socialist collaborators in the service of the Third Reich during the war 1940-1945. Because of that extreme-right position he was soon to be barred from the People’s Union. He carried on as a key figure of a small lobby on the extreme right wing of Flemish nationalism.

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Wegvoeringen en weggevoerden tijdens de meidagen van 1940

WT. Tijdschrift over de geschiedenis van de Vlaamse beweging ◽

10.21825/wt.v73i3.12145 ◽

2014 ◽

Vol 73 (3) ◽

pp. 250-259

Author(s):

Etienne Verhoeyen

Keyword(s):

Decision Making ◽

Large Majority ◽

The Political ◽

Extreme Right ◽

Political Decision ◽

Belgian Society ◽

Complete Study ◽

History Of ◽

Risky Business ◽

Political Decision Making

Met dit boek levert Frank Seberechts een nagenoeg volledige studie af van een van de minder fraai kanten van de Belgische samenleving in 1940: de administratieve arrestatie en de wegvoering naar Frankrijk van enkele duizenden personen (de ‘verdachten’), Belgen of in België verblijvende vreemdelingen. De extreem-rechtse en pro-Duitse arrestanten hebben na hun vrijlating dit feit politiek in hun voordeel uitgebaat, waardoor volledig in de schaduw kwam te staan dat de overgrote meerderheid van de weggevoerden joodse mensen waren die in de jaren voor de oorlog naar België waren gevlucht. Dat het beeld van de wegvoeringen niet volledig is, is grotendeels te wijten aan het feit dat de meeste archieven die hierop betrekking hebben tijdens de meidagen van 1940 vernietigd werden. Met name de politieke besluitvorming over de wegvoeringen vertoont nog steeds schemerzones, zodat het vastleggen van verantwoordelijkheden ook vandaag nog een gewaagde onderneming is.________Deportations and the deported during the Maydays in 1940 By means of this book Frank Seberechts provides an almost complete study of one of the less admirable sides of Belgian society in 1940: the administrative arrest and the deportation to France of some thousands of people (‘the suspects’), Belgians or foreigners residing in Belgium. The extreme-right and pro-German detainees politically exploited this fact after they had been freed, but this completely overshadowed the point that the large majority of the deported people were Jews who had fled to Belgium during the years preceding the war. This incomplete portrayal of the deportations is mainly due to the fact that most of the archives relating to the events had been destroyed during the Maydays of 1940. The history of the political decision-making about the deportations in particular still shows many grey areas and it is therefore still a risky business even today to determine which people should be held accountable.

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Party Standstill in an Era of Change

10.1093/oso/9780198735854.003.0006 ◽

2017 ◽

Author(s):

Piero Ignazi

Keyword(s):

Public Opinion ◽

External Environment ◽

The State ◽

Extreme Right ◽

Significant Modification ◽

Interest Management ◽

The Face ◽

Short Run

Chapter 5 discusses the premises of the emergence of the cartel party with the parties’ resilience to any significant modification in the face of the cultural, societal, and political changes of the 1970s–1980s. Parties kept and even increased their hold on institutions and society. They adopted an entropic strategy to counteract challenges coming from a changing external environment. A new gulf with public opinion opened up, since parties demonstrated greater ease with state-centred activities for interest-management through collusive practices in the para-governmental sector, rather than with new social and political options. The emergence of two sets of alternatives, the greens and the populist extreme right, did not produce, in the short run, any impact on intra-party life. The chapter argues that the roots of cartelization reside mainly in the necessitated interpenetration with the state, rather than on inter-party collusion. This move has caught parties in a legitimacy trap.

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On Frogs, Monkeys, and Execution Memes: Exploring the Humor-Hate Nexus at the Intersection of Neo-Nazi and Alt-Right Movements in Sweden

Television & New Media ◽

10.1177/1527476420982234 ◽

2021 ◽

Vol 22 (2) ◽

pp. 147-165

Author(s):

Tina Askanius

Keyword(s):

Content Analysis ◽

Online Communities ◽

Online Communication ◽

Online Media ◽

Extreme Right ◽

Visual Content ◽

Visual Aesthetics ◽

Resistance Movement ◽

Media Practices

This article is based on a case study of the online media practices of the militant neo-Nazi organization the Nordic Resistance Movement, currently the biggest and most active extreme-right actor in Scandinavia. I trace a recent turn to humor, irony, and ambiguity in their online communication and the increasing adaptation of stylistic strategies and visual aesthetics of the Alt-Right inspired by online communities such as 4chan, 8chan, Reddit, and Imgur. Drawing on a visual content analysis of memes ( N = 634) created and circulated by the organization, the analysis explores the place of humor, irony, and ambiguity across these cultural expressions of neo-Nazism and how ideas, symbols, and layers of meaning travel back and forth between neo-Nazi and Alt-right groups within Sweden today.

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International Nets and National Links: The Global Rise of the Extreme Right—Introduction to Special Issue

Social Sciences ◽

10.3390/socsci10020061 ◽

2021 ◽

Vol 10 (2) ◽

pp. 61

Author(s):

Kristy Campion ◽

Scott Poynting

Keyword(s):

Right Wing ◽

Special Issue ◽

Extreme Right

Work on this special issue has spanned two years, bookended by two highly mediatized, violent, extreme right-wing attacks, perpetrated on opposite sides of the globe [...]

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The Caputi Hydria

The Journal of Hellenic Studies ◽

10.2307/628077 ◽

1961 ◽

Vol 81 ◽

pp. 73-75 ◽

Cited By ~ 5

Author(s):

Richard Green

Keyword(s):

Young Girl ◽

Extreme Right ◽

The Right ◽

Metal Vessels

Since its publication in 1876, the scene on the shoulder of this vase has been interpreted as showing the activities of a vase-painters' workshop. The original drawing had been reproduced several times, but its inaccuracies were so numerous that the photographs were long overdue in spite of Beazley's useful notes on it in Potter and Painter.The scene shows Athena and two Nikai crowning the artists for their skill. In the centre, Athena (plate VII 1), spear in hand, approaches with a wreath to crown the youth who is engaged in decorating a huge kantharos; before him waits a similar vessel with an oinochoe standing inside it. To the left, a boy who is decorating a volute-krater looks round in surprise at the Nike as she places a wreath about his head (plate VI 2). To the right of Athena another boy decorates a calyx-krater and does not notice the Nike who is about to crown him also. To the extreme right, a young girl on a dais begins the decoration of another volute-krater (plate VII 2).This note is an attempt to show that the scene does not depict vase-painters at work, but rather the decorators of metal vessels.

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