From Self-Enhancement to Supporting Censorship: The Third-Person Effect Process in the Case of Internet Pornography

2008 ◽  
Vol 11 (4) ◽  
pp. 437-462 ◽  
Author(s):  
Xiaoquan Zhao ◽  
Xiaomei Cai
Keyword(s):  
Third Person Effect ◽  
The Third ◽  
Internet Pornography ◽  
Third Person ◽  
The Third Person

Impact of Internet Pornography on Chinese Teens: The Third-Person Effect and Attitudes Toward Censorship

2021 ◽  
pp. 0044118X2110400
Author(s):  
Shuhuan Zhou ◽  
Zhian Zhang
Keyword(s):  
Third Person Effect ◽  
The Third ◽  
Internet Pornography ◽  
Subjective Perceptions ◽  
Third Person ◽  
Attitudes Toward Sex ◽  
Negative Impacts ◽  
Effect Hypothesis ◽  
The Impact ◽  
The Third Person

Based on the third-person effect hypothesis–people’s belief that the media influences others more than it influences themselves–we administered a questionnaire to Chinese teens ( N = 1,538) to discover the impacts of exposure to internet pornography on perceptions of pornography and attitudes toward censorship of pornography. The results validated the third-person effect hypothesis and showed that teens’ subjective perceptions of what constitutes internet pornography and their exposure to it are critical variables for predicting perceptions of negative impacts of pornography on self and others and affirmative attitudes toward censorship. The study also found that the impact on self is the best variable for predicting attitudes toward censorship. The discussion is framed in the context of Chinese collective culture and conservative attitudes toward sex.

Effects of Light-Hearted and Serious Entertainment on Enjoyment of the First and Third Person

2016 ◽  
Vol 28 (1) ◽  
pp. 42-48 ◽  
Author(s):  
Matthias Hofer
Keyword(s):  
Young People ◽  
Media Consumption ◽  
First Person ◽  
Online Experiment ◽  
Entertainment Media ◽  
Third Person Effect ◽  
The Third ◽  
Third Person ◽  
Perceived Enjoyment ◽  
The Third Person

Abstract. This was a study on the perceived enjoyment of different movie genres. In an online experiment, 176 students were randomly divided into two groups (n = 88) and asked to estimate how much they, their closest friends, and young people in general enjoyed either serious or light-hearted movies. These self–other differences in perceived enjoyment of serious or light-hearted movies were also assessed as a function of differing individual motivations underlying entertainment media consumption. The results showed a clear third-person effect for light-hearted movies and a first-person effect for serious movies. The third-person effect for light-hearted movies was moderated by level of hedonic motivation, as participants with high hedonic motivations did not perceive their own and others’ enjoyment of light-hearted films differently. However, eudaimonic motivations did not moderate first-person perceptions in the case of serious films.

scholarly journals Reluctant to Share: How Third Person Perceptions of Fake News Discourage News Readers From Sharing “Real News” on Social Media

2020 ◽  
Vol 6 (3) ◽  
pp. 205630512095517
Author(s):  
Fan Yang ◽  
Michael Horning
Keyword(s):  
Social Media ◽  
Behavioral Intentions ◽  
Online Survey ◽  
Fake News ◽  
Third Person Effect ◽  
The Third ◽  
Third Person ◽  
The Third Person ◽  
Significant Attention

Rampant fake news on social media has drawn significant attention. Yet, much remains unknown as to how such imbalanced evaluations of self versus others could shape social media users’ perceptions and their subsequent attitudes and behavioral intentions regarding social media news. An online survey ( N = 335) was conducted to examine the third person effect (TPE) in fake news on social media and suggested that users perceived a greater influence of fake news on others than on themselves. However, although users evaluated fake news as socially undesirable, they were still unsupportive of government censorship as a remedy. In addition, the perceived prevalence of fake news leads audiences to reported significantly less willingness to share all news on social media either online or offline.

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