Walking-with, re-membering the Holocaust: Forced Walks: Honouring Esther, a case study of somatic and digital creative practice

2021 ◽  
pp. 1-29
Author(s):  
Richard S. White
Keyword(s):  
Creative Practice ◽  
The Holocaust

Ecocompositional and Performative Strategies for Creative Usage of Everyday Sounds: Creative Semantic Anchoring

Leonardo ◽  
2018 ◽  
Vol 51 (2) ◽  
pp. 195-196
Author(s):  
Damián Keller ◽  
Leonardo Feichas
Keyword(s):  
New Method ◽  
Creative Practice ◽  
Recent Advances ◽  
Solo Violin ◽  
Available Resources

The authors cover recent advances in ecologically grounded creative practice, highlighting performative strategies in instrumental writing. They address techniques adopted in ecocomposition and propose an expansion of the available resources by introducing a new method: creative semantic anchoring. The underlying concepts are presented and a case study—targeting the performative practice of Flausino Valle’s 26 Characteristic and Concert Preludes for Solo Violin—is described.

Haunted by ‘Lenore’: The Fragment as Gothic Form, Creative Practice and Textual Evolution

2021 ◽  
Vol 23 (2) ◽  
pp. 132-147
Author(s):  
Kirstin A. Mills
Keyword(s):  
Creative Practice ◽  
Critical Gap ◽  
Narrative Device ◽  
History Of ◽  
The Mind ◽  
The Way

This article examines the processes of fragmentation and haunting surrounding the explosion of competing translations, in 1796, of Gottfried August Bürger's German ballad ‘Lenore’. While the fragment has become known as a core narrative device of the Gothic, less attention has been paid to the ways that the fragment and fragmentation operate as dynamic, living phenomena within the Gothic's central processes of memory, inspiration, creation, dissemination and evolution. Taking ‘Lenore’ as a case study, this essay aims to redress this critical gap by illuminating the ways that fragmentation haunts the mind, the text, and the history of the Gothic as a process as much as a product. It demonstrates that fragmentation operates along lines of cannibalism, resurrection and haunting to establish a pattern of influence that paves the way for modern forms of gothic intertextuality and adaptation. Importantly, it thereby locates fragmentation as a process at the heart of the Gothic mode.

Politics of memory in Ukraine. A case study on the commemoration of Metropolitan Andrey Sheptytsky

2021 ◽  
Vol 19 (3) ◽  
pp. 257-276
Author(s):  
Michał Wawrzonek ◽  
Oliwia Kropornicka
Keyword(s):  
Political System ◽  
Theoretical Framework ◽  
Politics Of Memory ◽  
The Holocaust ◽  
The Impact

The aim of the paper is to scrutinize activities related to the commemoration of Metropolitan Andrey Sheptytsky. There were three main goals of the research. The first one was to identify the most important actors of the commemorative activities. The second goal was to reconstruct the strategies applied by these agents. Thirdly, this research aimed to consider current processes in the Ukrainian political system. In particular, the question was what we can know about the evolution of these commemorative activities after the Euromaidan based on relations between different agents in the mnemonic field. Special emphasis was placed on Sheptytsky’s attitude during the Holocaust and on the impact of this topic on the commemorative activities. As a theoretical framework of the research, Jan Kubik and Michael Bernhard’s theory of the politics of memory was applied. The research enabled verification of some elements of Kubik and Bernhard’s concept. Inter alia it was an issue of a set of presumptions regarding interrelations between strategies applied by mnemonic actors, the structure of mnemonic regime, and prospects for democratization of a political system.

scholarly journals Nostalgic transmediation: A not-so-final fantasy? Ichigo’s Sheet Music online platform as an object network of creative practice

2020 ◽  
Vol 9 (2) ◽  
pp. 179-193
Author(s):  
Ruth Barratt-Peacock ◽  
Sophia Staite
Keyword(s):  
Popular Culture ◽  
Social Practice ◽  
Sheet Music ◽  
Online Platform ◽  
Creative Practice ◽  
Music Transcription ◽  
The Past ◽  
Social Nature

Using the music of the Final Fantasy game series as our case study, we follow the music through processes of transmediation in two very different contexts: the Netflix series Dad of Light and music transcription forum Ichigo’s Sheet Music. We argue that these examples reveal transmediation acting as a process of ‘emptying’, allowing the music to carry its nostalgic cargo of affect into new relationships and contexts. This study’s theoretical combination of transmediation with Bainbridge’s object networks of social practice frame challenges normative definitions of nostalgia. The phenomenon of ‘emptying’ we identify reveals a function of popular culture nostalgia that differs from the dominant understanding as a triggering of generalized emotional longing for (or the desire to return to) the past. Instead, this article uncovers a nostalgia that is defined by personal and communal creative engagement and highlights the active and social nature of transmediated popular culture nostalgia.

scholarly journals Ceremonial events at non-sites of memory: Seven framings of a difficult past

2021 ◽  
Vol 1 ◽  
pp. 55-61
Author(s):  
Maria Kobielska
Keyword(s):  
Memory Devices ◽  
Burial Site ◽  
Research Project ◽  
Social Responses ◽  
Local Memory ◽  
Detailed Case ◽  
Memory Culture ◽  
The Holocaust

Abstract: The author discusses uncommemorated and under-remembered sites of past violence in terms of the conditions of their transformation into memory sites. Commemorative ceremonies, which may be staged at non-sites of memory, are presented as affective media of memory and identity, demonstrating social responses to the sites, as well as placing the local past in the context of supra-local memory forms. The argument is grounded in the material gathered from fieldwork during the research project on uncommemorated sites of genocide in Poland and, predominantly, in a detailed case study of a ceremony witnessed by the author in 2016 in Radecznica (Lublin Voivodship) at a burial site of victims of the “Holocaust by bullets”. In the article the discourse of speeches delivered during the ceremony is analyzed, on the assumption that they can reveal rules of national Polish memory culture dictating what may be commemorated and how cultural mechanisms have a power to hinder commemoration. As a result, seven distinctive framings of past events that kept returning in subsequent speeches were identified and interpreted as “memory devices” that enable and facilitate recollection, but also mark out the limits of what can be remembered and passed on.

An Ordinary Polish Town: The Homecoming of Holocaust Survivors to Kalisz in the Immediate Aftermath of the War

2018 ◽  
Vol 48 (1) ◽  
pp. 92-112
Author(s):  
Lukasz Krzyzanowski
Keyword(s):  
Holocaust Survivors ◽  
Communal Life ◽  
Anti Semitism ◽  
Industrial Town ◽  
The Holocaust ◽  
Economic Reality ◽  
Post War ◽  
Anti Jewish ◽  
Second World

The rapidly growing historiography on the aftermath of the Holocaust in Poland has focused primarily on post-war anti-Semitism. Scholars have traditionally concentrated on the post-war death, community destruction and emigration of Holocaust survivors rather than their attempts to return to their former homes. This article explores who these survivors were and what their return was like. Using the medium-sized industrial town of Kalisz in western Poland as a case study, the article argues that the composition of survivors' communities and the difficulty of adapting to the new economic reality, together with the already well-researched anti-Jewish violence, played a significant role in preventing a revival of Jewish communal life in provincial Poland in the immediate aftermath of the Second World War.

scholarly journals “Zwischen allen Stühlen”: Reflections on Judaism in Germany in Victor Klemperer’s Post-Holocaust Diaries

Humanities ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 168
Author(s):  
Sepp
Keyword(s):  
Cultural Identity ◽  
Jewish Identity ◽  
Jewish Life ◽  
Social Situation ◽  
Jewish Origin ◽  
Soviet Occupation ◽  
The Holocaust ◽  
German Jewish ◽  
Soviet Occupation Zone

This article focuses as a case study on Victor Klemperer’s diaristic representation of German-Jewish identity and culture after 1945 in the Soviet Occupation Zone and the GDR. The contribution shows how Klemperer’s professional and social situation remained very uncomfortable even in East Germany. For the diarist, the communist code ‘antifascist/fascist’, just like the code ‘German/un-German’ before it, was tantamount to concealing Jewish origin. His post-Holocaust journals provide an immediate insider’s view of Jewish life in Germany after the Holocaust from the perspective of a victim of active persecution. Against this backdrop, the contribution examines how the author’s original German nationalism gradually makes way, caught between contradictory impulses of assimilation and decreed Jewish identity, for a much more complex understanding of his own cultural identity. Klemperer’s diaries highlight a number of tensions that ultimately reflect on the disjunction between living and writing: The divide between a single and changing self lies at the heart of his diaries after 1945, which depict an astute, complex psychogram of the assimilated German-Jewish bourgeoisie that survived the Holocaust and tried to continue living in communist Germany.

A Biographical Case Study of a Victimizer's Daughter's Strategy: Pseudo-Identification With the Victims of the Holocaust

1992 ◽  
Vol 2 (2) ◽  
pp. 105-127 ◽  
Author(s):  
Gabriele Rosenthal ◽  
Dan Bar-On
Keyword(s):  
Life Story ◽  
Psychological Consequences ◽  
Behavioral Sciences ◽  
The Real ◽  
Repair Strategy ◽  
The Past ◽  
Working Through ◽  
The Holocaust

Abstract Previous studies have shown that many children of former Nazi perpetrators either identify with their parents by denying their atrocities, by distancing them-selves emotionally from their parents, or by acknowledging their participation in the extermination process. Through a hermeneutical case study of the narrated life story of a Euthanasia physician's daughter, a type of strategy, which we defined as pseudo-identification with the victim, is reconstructed. The results of the analysis suggest that this is a repair strategy. Putting oneself in the role of one's parents' victim provides refuge from acknowledging possible identification with Nazism and its idols, as well as identifying oneself with the real victims of one's parents. In this case, the psychological consequences of this strategy are described: The woman still suffers from extermination anxieties which block further working through of the past. (Behavioral Sciences)

Crossing Borders in the Summer of 1935: Fritz Fürstenberg’s Photographs of Persecution in National Socialist Germany

2019 ◽  
Vol 64 (1) ◽  
pp. 73-89
Author(s):  
Christoph Kreutzmüller ◽  
Theresia Ziehe
Keyword(s):  
The Netherlands ◽  
Point Of View ◽  
Future Research ◽  
Close Reading ◽  
National Socialist ◽  
The Holocaust

Abstract While there are hundreds of written accounts of the Holocaust, there are only a few photographs known to document the fate of the persecuted from their own point of view. This article presents the case study of a photographic series taken inside Germany by Jewish businessman Fritz Fürstenberg in order to provide evidence of National Socialist persecution beyond its borders. After a close reading that reveals where and under which circumstances Fürstenberg took his photographs, the article broadens its scope to discuss how the images were eventually used in the Netherlands as a means of documenting National Socialist persecution. In the process, the article’s authors add another layer to the ‘integrated history’ famously advocated by Saul Friedländer, and call attention to the astonishing fact that research into such private photographs is still a desideratum—and as such a promising field for future research.

scholarly journals Sexualization of Female Perpetration in Fictional Holocaust Films: A Case Study of The Reader (2008)

Genealogy ◽  
2019 ◽  
Vol 3 (4) ◽  
pp. 52
Author(s):  
Sabine Elisabeth Aretz
Keyword(s):  
Female Victims ◽  
Female Perpetration ◽  
The Holocaust ◽  
Female Perpetrators ◽  
History Of ◽  
The Subject ◽  
Holocaust Film ◽  
Holocaust Films ◽  
The One

The publication of Bernhard Schlink’s novel The Reader (1995) sparked conversation and controversy about sexuality, female perpetrators and the complexity of guilt regarding the Holocaust. The screen adaptation of the book (Daldry 2008) amplified these discussions on an international scale. Fictional Holocaust films have a history of being met with skepticism or even reject on the one hand and great acclaim on the other hand. As this paper will outline, the focus has often been on male perpetrators and female victims. The portrayal of female perpetration reveals dichotomous stereotypes, often neglecting the complexity of the subject matter. This paper focuses on the ways in which sexualization is used specifically to portray female perpetrators in The Reader, as a fictional Holocaust film. An assessment of Hanna’s relationship to Michael and her autonomous sexuality and her later inferior, victimized portrayal as an ambiguous perpetrator is the focus of my paper. Hanna’s sexuality is structurally separated from her role as a perpetrator. Hanna’s perpetration is, through the dichotomous motif of sexuality throughout the film, characterized by a feminization. However, this feminization entails a relativization of Hanna’s culpability, revealing a pejorative of her depiction as a perpetrator. Consequently, I argue that Hanna’s sexualized female body is constructed as a central part of the revelation of her perpetration.

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