Disencumbered from their historical conditions and rehashed in different
discursive patterns, symbols outlined in the previous chapters re-emerge
today in the controversial debate on the cultural heritage of the Dolomites.
This debate, critically revived after their inscription in the World Heritage
List, subtly exploits these ‘neutral’ symbols when the economy of mass
tourism and the internationalization of leisure appear to overshadow
ethnic and national divides. Aspects of this most recent recirculation
of symbols are presented through fieldwork conducted at the Messner
Mountain Museums in South Tyrol. While perfectly aware of crossing
multiple ethnic and political borders, Victorian travellers were, instead,
mainly concerned with a picturesque version of the Dolomites that was
translatable into their own language and heritage.