Features and Recent Developments of Cultural Heritage Policy in Japan

Author(s):  
Yoshimasa Kurabayashi
2016 ◽  
Vol 7 (15) ◽  
pp. 28 ◽  
Author(s):  
Sotiris Logothetis ◽  
Efstratios Stylianidis

<p class="VARAbstract">The Building Information Modelling (BIM) software enables the users to communicate and design, understand appearance, performance and cost in the spatial and urban design process. Another important use of the BIM technology is the documentation and 3D reconstruction of cultural heritage monuments. The appropriate BIM software equips the users with tools to easily capture and analyse concepts and maintain the coordination of design data through documentation and 3D modelling. Many developments come up in the BIM field and software industry for design, construction-reconstruction, restoration and management of the cultural heritage 3D models, using BIM tools; mainly commercial as well as free or open source. Nevertheless, recently the growing popularity of open source has altered the landscape in software industry, as they attract many users.</p><p class="VARAbstract">This paper presents a review of some recent research on the topic. We review the recent developments focusing on the OSS that can be used at various stages of BIM process in the digital documentation of cultural heritage. The results show that there is more preference in the commercial software due to the fact that the OSS is not yet complete and covers all stages of the BIM process. However, lately we have the Edificius in architectural BIM design and “BIM Vision” as Industry Foundation Classes (IFC) model viewer that try to attract as many users as possible. These tools are free and they could well be used for the digital reconstruction of cultural heritage.</p>


Author(s):  
K. Lee ◽  
X.W. Xu

The three main methods of digitization can be broadly defined as contact digitization, image-based digitization (photogrammetry), and geometry-based digitization (laser scanning). With the development of the latter two digitization methods, and advanced rendering technologies, virtual displays and museums can now be used widely. (Hung, 2007) Furthermore, recent developments in interactive 3-D computer graphics technology have seen an increased interest in, and use of, 3-D digitization for cultural heritage objects. (Muller-Wittig, Zhu, & Voss, 2007) Technologies for reconstructing or remodeling physical components in 3- D formats are not new in the engineering field, in particular within manufacturing engineering. However, 3-D digitization used for the preservation and archiving of cultural artifacts is relatively recent.


2013 ◽  
Vol 10 (1) ◽  
pp. 165-189 ◽  
Author(s):  
Rogerio Proença Leite

Based on research in the old Recife Quarter in the city of Recife, capital of Pernambuco state, Brazil, this study examines processes of gentrification in areas of heritage value. The article focuses on the way in which these urban policies have transformed cultural heritage into a commodity, and urban space into social relationships mediated by consumerism. I argue that heritage sites that undergo processes of gentrification create strong spatial segregation and generate an appropriation of space by the excluded population that takes the form of counter-uses, undermining the uses imagined by urban and heritage policy makers.


Global Jurist ◽  
2019 ◽  
Vol 20 (1) ◽  
Author(s):  
Letizia Casertano

Abstract In recent years the phenomenon of the illicit trafficking in cultural assets has been addressed by international and European lawmakers as an important phenomenon within the complex criminal networks used for the financing of international terrorism. The factors that contribute most to its development include in particular the availability of advanced technologies for plundering archaeological sites and e-commerce, which has sped up trade by breaking down space-time barriers, along also with armed conflict, political instability and poverty. In order to bring about change and put an end to the phenomenon, some significant legislative choices have recently been implemented in the European Union. The aim is to create a regime that is as uniform as possible along with a network of standardised controls capable of intercepting illicit trafficking. The concerns of art market operators surrounding the introduction of new rules and regulations can be appreciated if it is considered that the vibrant lawful market of artworks operates in accordance with tried and tested arrangements. This article will seek to provide an account of the phenomenon in its full complexity, highlighting the most significant recent developments within the European Union. It will also discuss the role of information and digital technologies in the area of cultural heritage. In particular, the existing European legal framework represented by the main legal instruments adopted by the international community and by the European Union will be sketched out, including both civil law and criminal law responses to the illicit trafficking of cultural heritage. Within this context the importance of the issues of traceability within art transactions, which are mostly paper-based, will be investigated along with other related issues such as digital tracking of artworks (digital passports), art security systems and authentication technologies.


Author(s):  
Elizabeth Bloxam ◽  
Ian Shaw

This chapter discusses a range of current debates into the ways in which Egyptologists are engaging with the problems and demands of moving towards greater collaborations across the social sciences if it is to remain a relevant discipline in its own right. Viewpoints from contributing authors are synthesized into a discussion of recent developments in the field from fresh research across both the archaeological and textual arms of the discipline. The volume considers the extent to which scholars need to be revising and re-thinking their research questions and moving towards greater collaborations within the discipline, and crucially outside of it. Moving the discipline forward is also about including voices outside of western discourses and into volumes such as this. The contributions from Chinese and Egyptian scholars therefore bring a fresh perspective to some current problems in Egyptological research particularly in cultural heritage management, museum curation, and investigating archaeological landscapes.


2014 ◽  
Vol 73 (4) ◽  
pp. 528-555 ◽  
Author(s):  
Heghnar Zeitlian Watenpaugh

Despite its architectural fame, the medieval city of Ani in eastern Turkey, once an Armenian capital on the Silk Road, was endangered until recently. Preserving the Medieval City of Ani: Cultural Heritage between Contest and Reconciliation traces the evolution of Ani since the late nineteenth century as an object of preservation and the subject of debate about heritage. As a primarily non-Muslim site in a modern, majority-Muslim country, Ani poses dilemmas shared by other cultural heritage sites in postconflict societies: it presents economic opportunity through tourism, but its history prompts questions about a painful recent past the state refuses to acknowledge. Analyzing the recent developments in cultural heritage management in Turkey involving international heritage organizations, especially for Christian and Armenian monuments, and highlighting the civil society debate about rediscovering long-suppressed episodes of Turkish history, Heghnar Zeitlian Watenpaugh argues that despite daunting difficulties beleaguering acknowledgment of the past, cultural heritage can provide a medium for reconciliation rather than contestation.


Sign in / Sign up

Export Citation Format

Share Document