Seventeenth-Century Norwich: Politics, Religion, and Government, 1620-90. John T. EvansTudor York. D. M. PalliserDesolation of a City: Coventry and the Urban Crisis of the Late Middle Ages. Charles Phythian-Adams

1982 ◽  
Vol 54 (1) ◽  
pp. 103-108
Author(s):  
David Harris Sacks
Keyword(s):  
Seventeenth Century ◽  
Middle Ages ◽  
Urban Crisis ◽  
Late Middle Ages

Why This Time and Place?

Born to Write ◽  
2020 ◽  
pp. 10-19
Author(s):  
Neil Kenny
Keyword(s):  
Seventeenth Century ◽  
Fifteenth Century ◽  
Middle Ages ◽  
Social Position ◽  
Late Middle Ages ◽  
The Social ◽  
Late Fifteenth ◽  
The Revolution

From about the late fifteenth century onwards, literature and learning acquired increased importance for the social position of noble and elite-commoner families in France. One reason is the expansion and rise to prominence of the royal office-holder milieu, which had no exact equivalent in, say, England, where the aristocracy was much smaller than the French nobility and where there was no equivalent of the French system of venality of office. In France, family literature often helped extend across the generations a relationship between two families—that of the literary producer and that of the monarch. From the late Middle Ages, the conditions for family literature were made more favourable by broad social shifts. Although this study focuses mainly on the period from the late fifteenth to the mid-seventeenth century, it is likely that the production of works from within families of literary producers thrived especially up to the Revolution.

Patterns of Source Survival

2021 ◽  
pp. 57-78
Author(s):  
James Morton
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Middle Ages ◽  
Early Modern Period ◽  
Pivotal Role ◽  
Book Market ◽  
Scholarly Book ◽  
Late Middle Ages ◽  
Book Collectors ◽  
Manuscript Collections

Chapter 3 describes how the extant Italo-Greek nomocanons survived from the medieval period to the modern day, noting two main vectors: the monastic Order of St Basil (concentrated in Sicily, Calabria, and Lucania), and the Renaissance book market in the Salento peninsula. It also considers the implications of these patterns of source survival for what kind of evidence has survived and what sort of conclusions we can draw from it. Beginning in the late Middle Ages, it explains how the Council of Ferrara-Florence (1438–1445) inspired Pope Eugenius IV to create the monastic Order of St Basil to provide an institutional structure to Byzantine-rite monasticism in southern Italy; this would play a pivotal role in supporting the remaining Italo-Greek monasteries and preserving their manuscript collections into the early modern period. The chapter then turns to the Salento peninsula, observing that families of secular Greek clergy (rather than monasteries) played the most important role in copying and preserving manuscripts in the region. During the Renaissance, the Salento became a popular region for scholarly book collectors to purchase manuscripts, bringing them to great Renaissance libraries such as the Biblioteca Ambrosiana in Milan. The chapter also looks at other ways that manuscripts survived, such as through the efforts of the seventeenth-century Russian monk Arsenii Sukhanov. For the most part, manuscripts that were not stored in Basilian monasteries or purchased from the Renaissance Salento have not been preserved.

The Still Undiscovered Origin of Portolan Charts

1983 ◽  
Vol 36 (1) ◽  
pp. 124-129 ◽  
Author(s):  
H. C. Freiesleben
Keyword(s):  
Seventeenth Century ◽  
Middle Ages ◽  
Thirteenth Century ◽  
Golden Age ◽  
Fourth Century ◽  
Sixth Century ◽  
Early Medieval ◽  
Late Middle Ages ◽  
Board Ship ◽  
Modern Form

The term ‘portolan chart’ first occurs in Italy in the thirteenth century, not long after this aid to navigation came into general use on board ship. The Italian word portolano, however, can best be translated as ‘pilot book’ or ‘sailing directions’, a different aid to navigation of which one example survives from the fourth century b.c., and pilot books are indeed still published in modern form by all seafaring nations. References by Herodotus in the History make it probable that such documents already existed in his time, and under the name of periplus they continued up to the sixth century a.d.; after which they do not appear again until the golden age of navigation in Italy and Catalonia in the late Middle Ages, apart from some much simpler early medieval types. The portolano or periplus is a description of ports, with information required by the navigator concerning anchorages, dangers threatening landfall and the winds and weather over wider areas. Commercial information was sometimes included, obviously also a matter of interest to the mariner who could read, though it may be doubted if many of them then could.Italian portolan charts exist from almost the same period as the portolani, both of them denoted by the same word compasso, but while the pilot books have their modern successors the charts were only produced up to the beginning of the seventeenth century and are not really the forerunners of the modern sea chart.

scholarly journals Microstructure of Archaeological 17th Century Cast Copper Alloys

2017 ◽  
Vol 17 (2) ◽  
pp. 190-196 ◽  
Author(s):  
J. Konieczny ◽  
K. Labisz ◽  
K. Głowik-Łazarczyk ◽  
J. Ćwiek ◽  
Ł. Wierzbicki
Keyword(s):  
Seventeenth Century ◽  
Chemical Composition ◽  
Middle Ages ◽  
Current Knowledge ◽  
Copper Alloys ◽  
Copper Block ◽  
Late Middle Ages ◽  
The City ◽  
Modern Era ◽  
Solid Copper

Abstract In Poland, researchers have a very strong interest in archaeometallurgy, which, as presented in classical works, focuses on dating artefacts from the prehistoric and early medieval periods in the form of cast iron and copper castings. This study, extending the current knowledge, presents the results of a microstructure investigation into the findings from the Modern era dating back to the late Middle Ages. The investigated material was an object in the form of a heavy solid copper block weighing several kilograms that was excavated by a team of Polish archaeologists working under the direction of Ms Iwona Młodkowska-Przepiórowska during works on the marketplace in the city of Czestochowa during the summer of 2009. Pre-dating of the material indicates the period of the seventeenth century AD. The solid copper block was delivered in the form of a part shaped like a bell, named later in this work as a “kettlebell”. To determine the microstructure, the structural components, chemical composition, and homogeneity, as well as additives and impurities, investigations were carried out using light microscopy, scanning electron microscopy including analysis of the chemical composition performed in micro-areas, and qualitative X-ray phase analysis in order to investigate the phase composition. Interpretation of the analytical results of the material’s microstructure will also help modify and/or develop new methodological assumptions to investigate further archaeometallurgical exhibits, throwing new light on and expanding the area of knowledge of the use and processing of seventeenth-century metallic materials.

‘’s Graeflijckheyts spaer-pot met sulck ellendigh in-komen … te verrijcken’

Pro Memorie ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 237-265
Author(s):  
Louis Sicking ◽  
Jan de Klerk
Keyword(s):  
Seventeenth Century ◽  
Interest Groups ◽  
Middle Ages ◽  
Dutch Republic ◽  
Content Type ◽  
Late Middle Ages ◽  
Hugo Grotius ◽  
The Status ◽  
The Law ◽  
Competing Interest

Abstract In the Middle Ages, goods washed up on the beach or fished up from the sea were an important economic asset. The customs and rules that determined the status of these goods are referred to as the ‘law of wreck’ or ‘right of wreck’. Several competing interest groups were involved: the local inhabitants as salvagers, finders or beach combers; merchants, skippers and ship-owners; landowners and the prince. Seventeenth century Dutch lawyers like Hugo Grotius and Johan van Heemskerk painted a favourable picture of the law of wreck in the Dutch Republic by pointing to the greed of the medieval counts of Holland who would only have exploited the misery of castaways. This article shows how the law of wreck developed in Holland and Zeeland in the late Middle Ages and how its rules were applied in the stewardship of North Holland between 1340 and 1400. Although the preserved accounts of the stewardship show that the count did take advantage of washed up goods, the count also had drowned people found on the beach buried and allowed merchants who could prove their goods had washed up on the Dutch beach to recover them.

The Latin antiphon and the question of frequency of interpolation

2012 ◽  
Vol 21 (1) ◽  
pp. 23-39 ◽  
Author(s):  
Edward Nowacki
Keyword(s):  
Seventeenth Century ◽  
Present Article ◽  
Middle Ages ◽  
Late Middle Ages

ABSTRACTThe theory that the antiphon is a kind of refrain and that its original purpose was to be inserted between all the verses of its respective psalm was articulated by Giuseppe Maria Tommasi in the seventeenth century and has been transmitted by liturgical historians with little criticism ever since that time. The present article examines the evidence on which that theory rests, with special attention to the writings of Amalar of Metz, and finds it to be inconclusive or positively contrary to the claims that have been built upon it. The article considers the evidence of antiphonal psalmody at Mass, as transmitted in Ordo Romanus I, and finds support there for the view that antiphons were normally performed only at the beginning and end of their respective psalms. After considering briefly the Liber Pontificalis and the tradition of psalmodic differentiae, the article turns to the treatment of antiphonal psalmody by the liturgical historians Guillaume Durand and Radulph de Rivo in the late Middle Ages and finds in their writings no evidence of a belief that frequent interpolation was the authentic primitive practice. The article concludes that two iterations of the antiphon, once at the beginning and once at the end of the psalm, suited its original thematic intent and that the theory of reiteration after every verse – effectively conflating antiphonal and responsorial psalmody – may be no older than the liturgical scholarship of Tommasi in the late seventeenth century.

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