The Latin antiphon and the question of frequency of interpolation

2012 ◽  
Vol 21 (1) ◽  
pp. 23-39 ◽  
Author(s):  
Edward Nowacki

ABSTRACTThe theory that the antiphon is a kind of refrain and that its original purpose was to be inserted between all the verses of its respective psalm was articulated by Giuseppe Maria Tommasi in the seventeenth century and has been transmitted by liturgical historians with little criticism ever since that time. The present article examines the evidence on which that theory rests, with special attention to the writings of Amalar of Metz, and finds it to be inconclusive or positively contrary to the claims that have been built upon it. The article considers the evidence of antiphonal psalmody at Mass, as transmitted in Ordo Romanus I, and finds support there for the view that antiphons were normally performed only at the beginning and end of their respective psalms. After considering briefly the Liber Pontificalis and the tradition of psalmodic differentiae, the article turns to the treatment of antiphonal psalmody by the liturgical historians Guillaume Durand and Radulph de Rivo in the late Middle Ages and finds in their writings no evidence of a belief that frequent interpolation was the authentic primitive practice. The article concludes that two iterations of the antiphon, once at the beginning and once at the end of the psalm, suited its original thematic intent and that the theory of reiteration after every verse – effectively conflating antiphonal and responsorial psalmody – may be no older than the liturgical scholarship of Tommasi in the late seventeenth century.

Born to Write ◽  
2020 ◽  
pp. 10-19
Author(s):  
Neil Kenny

From about the late fifteenth century onwards, literature and learning acquired increased importance for the social position of noble and elite-commoner families in France. One reason is the expansion and rise to prominence of the royal office-holder milieu, which had no exact equivalent in, say, England, where the aristocracy was much smaller than the French nobility and where there was no equivalent of the French system of venality of office. In France, family literature often helped extend across the generations a relationship between two families—that of the literary producer and that of the monarch. From the late Middle Ages, the conditions for family literature were made more favourable by broad social shifts. Although this study focuses mainly on the period from the late fifteenth to the mid-seventeenth century, it is likely that the production of works from within families of literary producers thrived especially up to the Revolution.


Author(s):  
James Morton

Chapter 3 describes how the extant Italo-Greek nomocanons survived from the medieval period to the modern day, noting two main vectors: the monastic Order of St Basil (concentrated in Sicily, Calabria, and Lucania), and the Renaissance book market in the Salento peninsula. It also considers the implications of these patterns of source survival for what kind of evidence has survived and what sort of conclusions we can draw from it. Beginning in the late Middle Ages, it explains how the Council of Ferrara-Florence (1438–1445) inspired Pope Eugenius IV to create the monastic Order of St Basil to provide an institutional structure to Byzantine-rite monasticism in southern Italy; this would play a pivotal role in supporting the remaining Italo-Greek monasteries and preserving their manuscript collections into the early modern period. The chapter then turns to the Salento peninsula, observing that families of secular Greek clergy (rather than monasteries) played the most important role in copying and preserving manuscripts in the region. During the Renaissance, the Salento became a popular region for scholarly book collectors to purchase manuscripts, bringing them to great Renaissance libraries such as the Biblioteca Ambrosiana in Milan. The chapter also looks at other ways that manuscripts survived, such as through the efforts of the seventeenth-century Russian monk Arsenii Sukhanov. For the most part, manuscripts that were not stored in Basilian monasteries or purchased from the Renaissance Salento have not been preserved.


1983 ◽  
Vol 36 (1) ◽  
pp. 124-129 ◽  
Author(s):  
H. C. Freiesleben

The term ‘portolan chart’ first occurs in Italy in the thirteenth century, not long after this aid to navigation came into general use on board ship. The Italian word portolano, however, can best be translated as ‘pilot book’ or ‘sailing directions’, a different aid to navigation of which one example survives from the fourth century b.c., and pilot books are indeed still published in modern form by all seafaring nations. References by Herodotus in the History make it probable that such documents already existed in his time, and under the name of periplus they continued up to the sixth century a.d.; after which they do not appear again until the golden age of navigation in Italy and Catalonia in the late Middle Ages, apart from some much simpler early medieval types. The portolano or periplus is a description of ports, with information required by the navigator concerning anchorages, dangers threatening landfall and the winds and weather over wider areas. Commercial information was sometimes included, obviously also a matter of interest to the mariner who could read, though it may be doubted if many of them then could.Italian portolan charts exist from almost the same period as the portolani, both of them denoted by the same word compasso, but while the pilot books have their modern successors the charts were only produced up to the beginning of the seventeenth century and are not really the forerunners of the modern sea chart.


2017 ◽  
Vol 17 (2) ◽  
pp. 190-196 ◽  
Author(s):  
J. Konieczny ◽  
K. Labisz ◽  
K. Głowik-Łazarczyk ◽  
J. Ćwiek ◽  
Ł. Wierzbicki

Abstract In Poland, researchers have a very strong interest in archaeometallurgy, which, as presented in classical works, focuses on dating artefacts from the prehistoric and early medieval periods in the form of cast iron and copper castings. This study, extending the current knowledge, presents the results of a microstructure investigation into the findings from the Modern era dating back to the late Middle Ages. The investigated material was an object in the form of a heavy solid copper block weighing several kilograms that was excavated by a team of Polish archaeologists working under the direction of Ms Iwona Młodkowska-Przepiórowska during works on the marketplace in the city of Czestochowa during the summer of 2009. Pre-dating of the material indicates the period of the seventeenth century AD. The solid copper block was delivered in the form of a part shaped like a bell, named later in this work as a “kettlebell”. To determine the microstructure, the structural components, chemical composition, and homogeneity, as well as additives and impurities, investigations were carried out using light microscopy, scanning electron microscopy including analysis of the chemical composition performed in micro-areas, and qualitative X-ray phase analysis in order to investigate the phase composition. Interpretation of the analytical results of the material’s microstructure will also help modify and/or develop new methodological assumptions to investigate further archaeometallurgical exhibits, throwing new light on and expanding the area of knowledge of the use and processing of seventeenth-century metallic materials.


Pro Memorie ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 237-265
Author(s):  
Louis Sicking ◽  
Jan de Klerk

Abstract In the Middle Ages, goods washed up on the beach or fished up from the sea were an important economic asset. The customs and rules that determined the status of these goods are referred to as the ‘law of wreck’ or ‘right of wreck’. Several competing interest groups were involved: the local inhabitants as salvagers, finders or beach combers; merchants, skippers and ship-owners; landowners and the prince. Seventeenth century Dutch lawyers like Hugo Grotius and Johan van Heemskerk painted a favourable picture of the law of wreck in the Dutch Republic by pointing to the greed of the medieval counts of Holland who would only have exploited the misery of castaways. This article shows how the law of wreck developed in Holland and Zeeland in the late Middle Ages and how its rules were applied in the stewardship of North Holland between 1340 and 1400. Although the preserved accounts of the stewardship show that the count did take advantage of washed up goods, the count also had drowned people found on the beach buried and allowed merchants who could prove their goods had washed up on the Dutch beach to recover them.


Author(s):  
Janine Larmon Peterson

This introductory chapter begins by describing the cult of a layman in Cremona, Italy, named Albert of Villa d'Ogna (d. 1279). Albert was a humble wine carrier and a local saint who could have lapsed into obscurity if not for Franciscan chronicler Salimbene de Adam's famous description of him and the dogged efforts of his community to canonize him, which resulted in a seventeenth-century canonization process. According to his contemporary Salimbene, Albert was a wine porter but also a drunk sinner. The bishops of Cremona, Parma, and Reggio promoted his devotion although his supposed miracles were false and “deceptive.” Salimbene's ire at the fact that bishops allowed his veneration without papal authorization reveals two points of contention about the construction of sanctity in late medieval Italy. The first was what criteria should assess holiness and the relative weight of each factor when assessing “true” or “false” sanctity. The second was about the process of sanctification and how it should occur. This book is about those citizens of the Italian peninsula in the late Middle Ages who created and promoted Albert's cult and who continued venerating him regardless of papal authorization or the disparagement of institutional insiders like Salimbene. It is about the people who did the same for roughly thirty other saints, some of whom individually faced excommunication or collectively faced interdict for their choice of holy patrons.


2014 ◽  
Vol 19 (2) ◽  
pp. 133-173 ◽  
Author(s):  
Francesco Paolo de Ceglia

The aim of this paper is to reconstruct the way in which early modern science questioned and indirectly influenced (while being in its turn influenced by) the conceptualization of the liquefaction of the blood of Saint Januarius, a phenomenon that has been taking place at regular intervals in Naples since the late Middle Ages. In the seventeenth century, a debate arose that divided Europe between supporters of a theory of divine intervention and believers in the occult properties of the blood. These two theoretical options reflected two different perspectives on the relationship between the natural and the supernatural. While in the seventeenth century, the emphasis was placed on the predictable periodicity of the miraculous event of liquefaction as a manifestation of God in his role as a divine regulator, in the eighteenth century the event came to be described as capricious and unpredictable, in an attempt to differentiate miracles from the workings of nature, which were deemed to be normative. The miracle of the blood of Saint Januarius thus provides a window through which we can catch a glimpse of how the natural order was perceived in early modern Europe at a time when the Con­tinent was culturally fragmented into north and south, Protestantism and Catholicism, learned and ignorant.



2012 ◽  
Vol 1 (1) ◽  
pp. 11-25
Author(s):  
Michael Joseph Giovannetti

The Renaissance, French for “rebirth”; Italian, Rinascimento, from re - “again” and nascere -“to be born”, was a cultural movement that initiated in Florence, Italy, in the Late Middle Ages and later spread to the rest of Europe, encompassing periods from the Fourteenth to the Seventeenth Century.  This time was focused on the improvement of various disciplines, through a revival of ideas from antiquity, by employing new, creative approaches to thinking and doing.  The influence of the Renaissance movement affected art, literature, philosophy, politics, science, religion, politics and other aspects of intellectual inquiry.   What does the Renaissance movement of Fourteenth Century Italy have to do with The Renaissance Group (TRG) of 21st century America?  The times and places may be very different, but as we review TRG’s contributions to teacher education from the 1980s to the present, a time during which The Renaissance Group laid a strong foundation to shape this national consortium of colleges, universities and professional organizations, we may discover more similarities between the two entities than imagined.  


Sign in / Sign up

Export Citation Format

Share Document