Metamorphosis. Based on The Eighth Symposium of The British Society for Developmental Biology, Held at the University of Nottingham on April 18-19, 1983. Michael Balls , Mary Bownes

1987 ◽  
Vol 62 (2) ◽  
pp. 188-189
Author(s):  
Earl Frieden
Development ◽  
2021 ◽  
Vol 148 (15) ◽  
Author(s):  
Seema Grewal

Jamie Davies is Professor of Experimental Anatomy at the University of Edinburgh. Spanning the fields of developmental biology, tissue engineering and synthetic biology, his research aims to understand the mechanisms by which cells organise themselves into tissues, focussing on the kidney. In addition to his research, Jamie is involved in science communication and public engagement, having written several books for specialist and non-specialist readers, and having given numerous public lectures and broadcasts. In April 2021, Jamie was awarded the inaugural Wolpert Medal from the British Society for Developmental Biology (BSDB), which is presented to outstanding developmental biologists who have made a significant contribution to teaching and communicating developmental biology in the UK. We spoke to Jamie to ask him about his cross-disciplinary research interests, his thoughts on public engagement and his advice for young researchers.


Author(s):  
Mircea Fotino

A new 1-MeV transmission electron microscope (Model JEM-1000) was installed at the Department of Molecular, Cellular and Developmental Biology of the University of Colorado in Boulder during the summer and fall of 1972 under the sponsorship of the Division of Research Resources of the National Institutes of Health. The installation was completed in October, 1972. It is installed primarily for the study of biological materials without many of the limitations hitherto unavoidable in standard transmission electron microscopy. Only the technical characteristics of the installation are briefly reviewed here. A more detailed discussion of the experimental program under way is being published elsewhere.


2017 ◽  
Vol 19 (3) ◽  
pp. 310-313
Author(s):  
Hatice Akkoç ◽  
Christian Bokhove ◽  
Edward Redhead ◽  
Alison Borthwick ◽  
Micky Harcourt-Heath ◽  
...  

2021 ◽  
Vol 12 (1) ◽  
pp. 8-10
Author(s):  
Aránzazu Berbey Álvarez

Dr. Sanjur’s relationship with the Smithsonian Tropical Research Institute spans three decades.    In 1989, she was a research assistant for two years working on her undergraduate thesis project. After earning a B.S. in Biology from the University of Panama, she completed a PhD in Cell and Developmental Biology at Rutgers, the State University of New Jersey.  She returned to STRI as a postdoctoral fellow in 1998, studying the relationships between wild and domesticated crops such as squash and pumpkin.    She then spent ten years as manager and researcher of the Molecular Evolution laboratory, after which she took on her most recent role as Associate Director for Science Administration at STRI. In this position, she became responsible for maintaining high standards of scientific operational support for the Institute’s research programs throughout a decade.


2020 ◽  
Vol 133 (20) ◽  
pp. jcs254219

ABSTRACTIan Chambers studied biochemistry at the University of Strathclyde in Glasgow, UK. He then did his PhD in the laboratory of Paul Harrison at the Beatson Institute for Cancer Research, also in Glasgow. Ian studied the control of gene expression during the differentiation of erythroid precursor cells, discovering that the amino acid selenocysteine is encoded by UGA, which until then was thought to work only as a termination codon. Ian did his post-doctoral work on the regulation of the human immunodeficiency virus (HIV) with Paul Berg at Stanford University in California, USA. In 1991, he returned to Scotland to work on stem cell regulation with Austin Smith at the Centre for Genome Research (later the Institute for Stem Cell Research) at the University of Edinburgh, UK. During that time, Ian identified the transcription factor Nanog, which directs efficient embryonic stem cell self-renewal. Ian started his research group in 2006 at the University of Edinburgh, where he is also a Professor of Pluripotent Stem Cell Biology. His laboratory tries to understand the regulatory networks and transcription factors that control the identity of pluripotent embryonic stem cells, and how these modulate cell fate decisions during the differentiation process. Ian is now the Head of the Institute for Stem Cell Research at University of Edinburgh, an EMBO member and a Fellow of the Royal Society of Edinburgh. Ian is the recipient of the 2020 Hooke Medal from the British Society for Cell Biology (BSCB).


1999 ◽  
Vol 13 (1_suppl) ◽  
pp. 75-92

These abstracts are from the proceedings of the Society for Research in Rehabilitation meeting, run in collaboration with the British Society of Rehabilitation Medicine, held at the University of Southampton on 15-17 July 1998.


2007 ◽  
Vol 2 (10) ◽  
pp. 1934578X0700201
Author(s):  
Lalita M. Calabria ◽  
Tom J. Mabry

This paper presents an overview of Dr. Mabry's accomplishments in his career as a natural product chemist, first at the University of Zürich as a post-doctoral fellow, and from 1962, as a faculty member at the University of Texas at Austin in the Department of Botany until the late 1990s, when the Biological Sciences programs at UT-Austin were completely reorganized. From then until his retirement in 2006, he was a member of the Molecular Cell and Developmental Biology faculty.


2000 ◽  
Vol 16 (1) ◽  
pp. 26-33 ◽  
Author(s):  
Barnaby King

In the first of two essays which use academic discourses of cultural exchange to examine the intra-cultural situation in contemporary British society, Barnaby King analyzes the relationship between Black arts and mainstream arts on both a professional and community level, focusing on particular examples of practice in the Leeds and Kirklees region in which he lives and works. This first essay looks specifically at the Asian situation, reviewing the history of Arts Council policy on ethnic minority arts, and analyzing how this has shaped – and is reflected in – current practice. In the context of professional theatre, he uses the examples of the Tara and Tamasha companies, then explores the work of CHOL Theatre in Huddersfield as exemplifying multi-cultural work in the community. He also looks at the provision made by Yorkshire and Humberside Arts for the cultural needs of their Asian populations. In the second essay, to appear in NTQ62, he will be taking a similar approach towards African-Caribbean theatre in Britain. Barnaby King is a theatre practitioner based in Leeds, who completed his postgraduate studies at the University of Leeds Workshop Theatre in 1998. He is now working with theatre companies and small-scale venues – currently the Blah Blah Blah company and the Studio Theatre at Leeds Metropolitan University – to develop community participation in theatre and drama-based activities.


2000 ◽  
Vol 16 (2) ◽  
pp. 131-136 ◽  
Author(s):  
Barnaby King

In the first of two essays employing academic discourses of cultural exchange to examine the intra-cultural situation in contemporary British society, published in NTQ 61, Barnaby King analyzed the relationship between Asian arts and mainstream arts in Britain on both a professional and a community level. In this second essay he takes a similar approach towards African–Caribbean theatre in Britain, comparing the Black theatre initiatives of the regional theatres with the experiences of theatre workers themselves based in Black communities. He shows how work which relates to a specific ‘other’ culture has to struggle to get funding, while work which brings Black Arts into a mainstream ‘multicultural’ programme has fewer problems. In the process, he specifically qualifies the claim that the West Yorkshire Playhouse provides for Black communities as well as many others, while exploring the alternative, community-based projects of ‘Culturebox’, based in the deprived Chapeltown district of Leeds. Barnaby King is a theatre practitioner based in Leeds, who completed his postgraduate studies at the University of Leeds Workshop Theatre in 1998. He is now working with theatre companies and small-scale venues – currently the Blah Blah Blah company and the Studio Theatre at Leeds Metropolitan University – to develop community participation in


Sign in / Sign up

Export Citation Format

Share Document