Duncan Wilson. Tissue Culture in Science and Society: The Public Life of a Biological Technique in Twentieth Century Britain. x + 183 pp., illus., bibl., index. New York: Palgrave Macmillan, 2011. $80 (cloth).

Isis ◽  
2013 ◽  
Vol 104 (1) ◽  
pp. 187-188
Author(s):  
Karin Tybjerg ◽  
Adam Bencard
AJS Review ◽  
2013 ◽  
Vol 37 (1) ◽  
pp. 115-134
Author(s):  
Adam J. Sacks

The controversy surrounding Hannah Arendt's reportage on the Eichmann trial in Jerusalem and the subsequent book cannot be underestimated. For Arendt personally, the trial was the decisive event in the second half of her life and amounted to nothing less than a second exile. On the world stage, it marked not only a critical turning point in international consciousness of the Holocaust, but also both initiated and reflected a critical shift in intra-Jewish representations and expression. Arendt's book could in fact be considered as a master text for Judaic studies in the second half of the twentieth century. To mention two of many possible consequences, the controversy may be seen as a pivot point from which the culture of the public intellectuals of New York argued itself out of the spotlight, as well as a primary catalyst for two of the most significant works on the Holocaust penned by women: Lucy Davidowicz'sThe War against the Jews(1975) and Leni Yahil'sThe Holocaust(1987).


Author(s):  
Marcel Hénaff

This chapter examines the fundamental features of the ceremonial gift as well as its purpose. Marcel Mauss deserves credit for constituting the epistemological problem of the ritual gift based on the ethnographic documents available at the beginning of the twentieth century, and connecting them to the testimonies of ancient Indian, Roman, Celtic, Scandinavian, and Germanic literatures. While he was not the first to consider this phenomenon, he was the first to systematically gather the relevant data and propose a model according to which gift exchanges appear as a major social fact. He even called it a “total social fact.” Among the mass of data he collected through his readings, three sets emerge, each characterized by a term used by a population involved. These include the great cycles of gift exchanges (kula) in the Trobriand Islands, a Melanesian archipelago; potlach, the agonistic exchange among the native populations of the northwest coast of America; and the hau, which comes from an inquiry conducted among the Maori of New Zealand. What is at stake in the facts discussed by Mauss is an intense bond between parties, public prestige granted and gained, and the conclusion of an alliance. The alliance established or renewed in ritual exchanges involves the public life of the group; as such, it is a political alliance. The ceremonial gift is thus meant to be reciprocated, since an alliance is necessarily reciprocal.


2020 ◽  
Vol 43 (4) ◽  
pp. 515-542
Author(s):  
Anna Kyriazi ◽  
Matthias vom Hau

Abstract The existing macro-historical scholarship tends to assert rather than demonstrate the wider impact of nationalism. Yet, state-sponsored national ideologies permeate the broader reaches of society to varying degrees. To investigate variations in the consolidation of official nationalism, this paper combines the content analysis of school textbooks as state-regulated and picture postcards as primarily market-driven sources. Building on this novel methodological approach, we find that textbooks published in mid-twentieth-century Argentina, Mexico, and Peru promoted a similar popular nationalism that portrayed the lower classes as “true” national subjects. However, picture postcards from the same period demonstrate that the consolidation of this official national ideology varied. In Mexico and Peru, the new state-sponsored conceptions of nationhood gained presence in public life, but they did not to take hold in Argentina. We conclude that studying the top-down nationalist messages promoted by states should not be equated with studying their ideological impact in public life.


2015 ◽  
Vol 57 (1) ◽  
pp. 109-131
Author(s):  
Elizabeth M. Bonapfel

In this article, I trace the origins of the normalization of pornographic tropes as the new sexual ideal in contemporary visual culture to late nineteenth- and early twentieth-century publicity photos of actresses and monarchs by examining one prominent transatlantic actress's collection of publicity photos, the Elizabeth Robins Papers at the Fales Library at New York University. As I show, around the turn of the twentieth century, a new standard of idealized feminine beauty was produced by the combination of two contradictory images of celebrity: the distant decorum of the monarch and the perceived erotic sexuality of the actress. The mass production of publicity photographs, which took the form of cartes-de-visite in the 1860s and cabinet photos in the 1870s, broadened the spectrum of sexuality by positioning these two quintessential celebrity types—the actress and the monarch—in relation to the tableau vivant and to existing and emerging tropes of portraiture. The image of the actress existed in relation to several mutually dependent discourses in the late nineteenth and early twentieth centuries: the rise of photography in relation to other art forms; the rise of theatrical spectacle in relation to advertising, consumerism, and fashion; the rise of women's public role in relation to sexuality, the body, and beauty culture; and the paradoxical democratization of celebrity culture as related to the monarchy. All of these factors center on a figure who lived so vividly in the public imaginary that she could be found in multiple spaces: on the stage, in stationers’ shops, on postcards, in newspapers, in photograph albums.


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