Paul Webster, King John and Religion. (Studies in the History of Medieval Religion 43). Woodbridge, UK: Boydell Press, 2015. Pp. xv, 250; 4 maps, 2 tables, and 1 genealogical table. $99. ISBN: 978-1-78327-029-3.

Speculum ◽  
2017 ◽  
Vol 92 (4) ◽  
pp. 1265-1266
Author(s):  
Michael Prestwich
Keyword(s):  
1927 ◽  
Vol CLII (may21) ◽  
pp. 374-374
Author(s):  
L. R. M. Strachan
Keyword(s):  

Author(s):  
James Longenbach

Thinking, Freud argued, begins as a pre-conscious activity, although we paradoxically become aware of it only in consciousness: whatever we know about thinking is already a representation of thinking. This chapter argues that Shakespeare in this sense invented what we most commonly recognize as the verbal embodiment of thinking. Contrasting 3 Henry VI with King John, it shows how, in the latter play, Shakespeare first constructed his signature representation of interiority in the highly disjunctive, self-revising speech of the Bastard. Moving on to examine the more fully ripened version of this kind of speech in King Lear and The Tempest, this chapter then shows how Shakespeare’s representations of thinking have inflected not only the history of the lyric poem in English (from Keats’s ‘Ode to a Nightingale’ to Louise Gluck’s ‘Before the Storm’) but also the novel (Virginia Woolf’s Mrs. Dalloway).


2003 ◽  
Vol 7 (32) ◽  
pp. 47-49
Author(s):  
Eric Kemp

A convenient starting point for these reflections is the Ordinance of William I, separating the Spiritual and Temporal Jurisdictions, issued some time between 1070 and 1076. If strictly adhered to this might have prevented some subsequent conflicts, but as we know, the next hundred years saw a number of conflicts in the course of the Investiture Contest leading to the murder of Thomas Becket in 1170. Further conflict in the reign of King John ended in Magna Carta of which Archbishop Stephen Langton is thought to have been the chief inspiration.


2009 ◽  
Vol 89 ◽  
pp. 365-387 ◽  
Author(s):  
S D Church

AbstractThe medieval history of the celebrated tomb of King John at Worcester is now well known. The works of Charles Alfred Stothard at the beginning of the nineteenth century, of William St John Hope in the early years of the twentieth century, and that of Jane Martindale at the end of that century, are highlights along the road of our understanding of the royal effigy in its medieval context. But all the while this work of comprehension was going on, those who had a duty of care over the tomb were engaged in a battle to offload that responsibility. The authorities at Worcester were not alone in wondering who should carry the burden of caring for royal monuments in English cathedrals. As early as 1841, the question of the care of royal tombs in Westminster Abbey had come under Parliamentary scrutiny. The deans and chapters at Canterbury and at Gloucester also sought government subvention for the care of the royal tombs in their cathedrals. The history of this debate about the care of royal sepulchral monuments forms the wider framework for the main theme of this article, which is an examination in detail of the ways in which King John’s tomb at Worcester was treated between 1872 and 1930. It reveals a remarkable story in which a catalogue of disastrous decisions came to give us the tomb and effigy as we have them today. The article concludes with a short discussion of the introduction of the 1990 Care of Cathedrals Measure which established the structures that currently exist (with subsequent amendments) for the preservation of Anglican cathedral churches in use.


Author(s):  
Thamer Mohammad Kadhim ◽  
Safaa Kareem Ali

Chronicle drama occupies a central position in modern literature which represents a field for interaction of ideas and actions, as it works as storage for historical and human experience. It records a sequence for the history. This study aims to examine the main themes of chronicle drama. Thus, it tracks the history of modern literature as a wide source for this literary genre. The study adopts a historical and analytical methodology in order to clarify the broader dimensions related to chronicle drama and its sources. Historically, chronicle drama was used to dramatize the facts and work as an expression of factory life of kings. That’s why King John of Shakespeare in 1553 was the first one of this genre. The study concludes that chronicle drama mirrored surrounding circumstances of the facts since its early times. So, it was effected by the historical conditions. This is clearly appeared in the early works like Henry the Fifths, Tragedy of Richard III The life and Death of Jaike Strew and so, the previously mentioned "The King John". So it was affected politically and socially by the European historical context. The research also indicates that the Elizabethan Dramatists put the basics of the later stage of literature development especially on the level of techniques. This appears in Shakespeare’s works who used to end the drama with restoration and disordering which still exists in postmodern literature.


2021 ◽  
Vol 40 (60) ◽  
pp. 213-254
Author(s):  
Florin Nicolae Ardelean ◽  
Neven Isailović

The article gives the history of the noble Croatian family of Perušić, following the life and career of its main male representatives across three generations, from its emergence in sources in the mid-15th century up until its extinction in the male line in 1603. All three men – Gaspar (Gašpar) the Elder, Gaspar the Younger, and Matthew (Mate) – had primarily military careers, leading cavalry units and fighting either the Turks or other Christian nobles in civil wars which burdened Croatia, Slavonia, Hungary, and Transylvania from the late 15th to the early 17th century. Gaspar the Elder was the vice-ban of Croatia-Dalmatia and is a relatively well-known figure in Croatian historiography, while the lives of his son and grandson are thoroughly researched for the first time in this article. Gaspar the Younger, initially a supporter of the Habsburgs, was fighting the Ottomans in Croatia until 1532, with significant success, and was later engaged in civil strife in Slavonia, changing the sides he supported several times. He finally opted for King John Zápolya around 1538 and migrated to Zápolya’s realm, settling finally in Transylvania, where he gained many estates and served several de jure and de facto rulers, including another fellow Croat – the bishop of Oradea, George Martinuzzi (Juraj Utišenović Martinušević). His son Matthew, the last male member of this line of the Perušić family, spent his lifetime as a military commander for various Transylvanian rulers, almost always joining the winning side in the conflict and gaining the house in the informal capital – Alba Iulia. He died in a battle in 1603, survived by his sisters’ (Catherine’s and Anna’s) descendants.


Archaeologia ◽  
1846 ◽  
Vol 31 ◽  
pp. 216-237 ◽  
Author(s):  
Thomas Stapleton

In connection with the history of the shire of Kent, in which we are now assembled, I offer the following Observations, illustrative of the succession to the Barony of William of Arques, i. e. de Arcis, in this realm, during the medieval period of time between the Conquest of England and the reign of King John. In that invaluable record, Domesday Book, which commences with the survey of Kent, we read, under the general heading “Land of the Bishop of Bayeux,” this entry, as to the tenure in that shire of William de Arcis: “In Limowart Lest, in Fulchestan Hundred, William de Arcis holds Fulchestan. In the time of King Edward it was avouched for 40 solins, and now for 39. There is land of 120 ploughs. In the demesne are 14 ploughs, and there are 209 villani and 83 bordarii. Amongst them all they have 45 ploughs.


Author(s):  
Ana Carolina Galante Delmas

The daughters of King John VI of Portugal and Queen Carlota Joaquina had their lives forgotten by historiography and have remained at the threshold of ostracism. Amongst the events of the political trajectories of the six infantas, the regency of Isabel Maria (1826 to 1828) can be considered the high point of the history of such princesses. Her role in the government of Portugal began with the death of her father and was marked by the disputes between D. Pedro and D. Miguel for the post. The fourth daughter of the Portuguese sovereigns assisted King John as secretary in his political functions and, as regent, sought to secure the throne for her brother D. Pedro, and later supposedly turned to the other brother. Chosen by her own father to take over the regency of Portugal, she reluctantly handed over the command of the country to D. Miguel. Unmarried to death, the infanta showed a political posture distinct of that of her mother and sisters, aligned with her father and older brother posture, and actively participated in the political events of the 1800s. Through the analysis of her personal and public trajectories, it is sought to understand its importance in the Brazilian and the Iberian political contexts, especially the relations between Brazil and Portugal. This study also seeks to contribute to the analysis of important themes of Brazilian and Portuguese historiographies through new uses and possibilities of biographies, which has been gaining space through the approaches of New Political History.


1942 ◽  
Vol 3 (10) ◽  
pp. 144-155 ◽  
Author(s):  
H. G. Richardson

The publication of the Irish pipe roll of the fourteenth year of King John calls for more than the brief notice that would normally be given to a stray historical document of similar length published unobtrusively as a supplement to an archaeological journal, for this slender volume is the most important single contribution to the history of Norman Ireland that has come to light for many a long day, and one that has been worth the great labour and care that the editors have spent upon it. Our first thought is to compare this Irish roll with the English and Norman pipe rolls of the twelfth and early thirteenth centuries, without which our knowledge of the history of England and Normandy would be sadly defective.


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