Localism and the Ancient Greek City-State. By Hans Beck. Chicago: University of Chicago Press, 2020. Pp. [xiii] + 267.

2021 ◽  
pp. 000-000
Author(s):  
Nicolas Genis
1991 ◽  
Vol 7 (28) ◽  
pp. 348-352
Author(s):  
Graham Ley

Is there a postmodernist theatre – and if so, what was the modernist theatre? What qualifies as avant-garde – and for how long? And why does the ‘established’ alternative theatre lean so heavily on appropriation, whether of ancient myths or contemporary ideologies – such as postmodernism? Graham Ley uses analogies from dance and design to explore our perceptions of and attitudes towards those contemporary theatre practitioners who may once have broken boundaries, but now often head the queue for lavish corporate finance. Graham Ley has taught in universities in England, Australia, and New Zealand, and his Short Introduction to the Ancient Greek Theatre will shortly appear from the University of Chicago Press.


Classics ◽  
2011 ◽  
Author(s):  
Jeffrey M. Hurwit ◽  
Ioannis Mitsios

The ancient city-state (or polis) of Athens was contiguous with the region known as Attica, a large, triangular peninsula extending southeastward from the Greek mainland into the Aegean Sea. In the western angle of Attica, on a coastal plain surrounded by four mountains (Hymettos, Pentelikon, Parnes, and Aigaleos), lay the city itself. Although the modern city has thickly spread up the slopes of the mountains as well as to the sea, the study of Athenian topography concentrates on the monuments, buildings, and spaces of the ancient urban core, an area roughly 3 square kilometers surrounding the Acropolis and defended in the Classical period by a wall some 6.5 kilometers in length. Athens is the ancient Greek city that we know best, and it is unquestionably the Greek city whose art, architecture, literature, philosophy, and political history have had the greatest impact on the Western tradition and imagination. As a result, “Athenian” is sometimes considered synonymous with “Greek.” It is not. In many respects, Athens was exceptional among Greek city-states, not typical: it was a very different place from, say, Thebes or Sparta. Still, the study of Athens, its monuments, and its culture needs no defense, and the charge of “Athenocentrism” is a hollow indictment when one stands before the Parthenon or holds a copy of Sophocles’ Antigone. This article will refer to the following periods in the history of Athens and Greece (the dates are conventional): late Bronze, or Mycenaean, Age (1550–1100 bce); Dark Age (1100–760 bce); Archaic (760–480 bce); Classical (480–323 bce); Hellenistic (323 –31 bce); and Roman (31 BCE–c. 475 ce).


Author(s):  
Sara Forsdyke

This article looks at the parallel evolution of civic institutions, all of which culminated in the polis, the ‘city-state’, as the backdrop to the rich cultural legacy of the fifth and fourth centuries. Historians have demonstrated that the formal institutions of the Greek city-state are best understood as emerging from, but still very much embedded within, a much broader range of collective practices and discourses. Nevertheless, it is the dynamic interplay between the institutional structures of the state and these broader practices and discourses that has been the focus of much of the most fruitful scholarship on the ancient Greek city-state over the past thirty years. The discussion then turns to some of the most interesting areas of investigation in current scholarship on the interaction between formal institutions and broader cultural activities and norms in the Greek city-state.


Numen ◽  
2013 ◽  
Vol 60 (4) ◽  
pp. 447-472
Author(s):  
Alexander Rubel

Abstract Ancient Greek healing cults can be studied in the context of “personal piety.” This article emphasizes personal aspects of the Greek religion. It shows that the concept of “polis religion” does not embrace major aspects of ancient Greek piety. I analyze the direct and personal relation of worshippers in healing cults, especially that of Apollo, with the deity. By doing so, I put forward a new reading of Greek religion in the context of the concept of “personal piety” developed in Egyptology. The well-known “embeddedness” of religion in the structures of the Ancient Greek city-state led to a one-sided view of ancient Greek religion, as well as to aspects of ritual and “cult” predominating in research. Simultaneously, aspects of “belief ” are often labelled as inadequate in describing Greek (and Roman) religion. Religion as ritual and cult is simply one side of the coin. Personal aspects of religion, and direct contact with the deity, based on “belief,” are thus the other side of the coin. It follows that they are also the fundament of ritual. It is necessary to combine “polis religion” with “personal piety” to display a complete picture of Greek religion. The Isyllos inscription from Epidaurus is presented here as a final and striking example for this view. It reports the foundation of a cult of the polis on behalf of a personal religious experience.


Author(s):  
Brian Elliott

This paper offers an interpretation of the dramatic setting of Plato’s Phaedrus as an allegory of the situation of the philosopher within Plato’s Athens. Following Jean-Pierre Vernant’s work on the place of class struggle and warfare within the ancient Greek city-state in his Myth and Society in Ancient Greece I decipher key passages on the Phaedrus as implicit responses to Plato’s experience of the city. The key themes that emerge are: the relation between the country and the city; the connection between leisure, luxury, and territorial expansion; the prospects for philosophical rule in the city; and the assessment of writing as a product of urban and commercial development. In my concluding paragraphs I suggest that Plato’s dialogues should more generally be regarded as a confrontation with the social conditions of the city-state as Plato experienced them. I also suggest that Platonic writings such as the Phaedrus are best interpreted allegorically as well as literally to ensure that multiple levels of meaning are drawn out through close analysis.


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