Mountain History in Africa from the Earliest Times

Author(s):  
Christopher Conte

Over the long haul of geological time, the natural history of Africa’s mountains is a story of the lithosphere’s rise and fall. For hundreds of millions of years, tectonic forces have heaved up layers of metamorphic and igneous material while wind, water, ice, and gravity combined to open basins, scour valleys, and obliterate rock. The most recent phase in mountain building in Africa began in the Miocene (twenty-three million years ago) and continues today. Some mountains, like the volcanic mountains Kilimanjaro and Cameroon, are only a few million years old. Other highlands, like Tanzania’s Eastern Arc Mountains, derive from crystalline rock formed more than thirty million years ago. As they appear on the landscape today, Africa’s mountains present a mix of old and new landforms covered by a biosphere of resident plants and animals that evolved in the countless niches provided by elevation, slope, temperature, rainfall, and aspect. Human beings, relative latecomers to mountain history, have altered the highlands dramatically. In Africa, mountains attract people. Africa’s mountains do not constitute a discrete subject of study in the discipline of environmental history, though important studies of individual mountain zones do exist. Nor is the historical scholarship limited to the humanities. In studies that are essentially historical in approach, the natural sciences use empirical evidence to reconstruct mountain landscape change under human use. What follows is an attempt to knit together coherently a messy, multi-disciplinary scholarly literature.

Author(s):  
Beth Cykowski

Heidegger argues in The Fundamental Concepts of Metaphysics (FCM) that the world of Dasein is not a neat capsule of entities that are always available; it is ‘ruptured’ by a fundamental finitude that impels it to develop its own anchoring in physis. The temporality of human existence is staged against the backdrop of absolute, geological time, the time of earthly entities, insofar as human beings are finite organisms that are temporally bounded to a particular lifespan. But this ‘terrestrial’ time is discernible only from the perspective of a mode of being that takes time as such into account. Our conceptions of the dawn of time and the timespan of the earth, as Schalow says, always ‘derive their relevance from Dasein’s mode of historicalness, and ultimately, from the history of being itself. To the extent that we can refer to “geological time”, a time of the earth, the ability to do so still hinges upon the possibility of an awareness of such terrestrial origins, of the ...


2003 ◽  
Vol 154 (8) ◽  
pp. 322-327
Author(s):  
Katja Hürlimann

This text is concerned with the content focus of forest and forestry history, which we look at from three different perspectives. Starting with a few historiographical comments on the history of these subjects as scientific disciplines, we go on to reflect on their terms of reference and conclude with a description of their goals. As far as institutions are concerned, the teaching and research areas of «Forest and Forestry History»are attached to forest sciences today, but they were connected with the history of the universities from the very beginning. This co-operation led to methodological and theoretical innovations,as well as to an expansion of the content of forest and forestry history, ranging from the beginnings of modern forest economies at the end of the 18th century to the relationship between man and forest in all historical eras. It is therefore also part of environmental history, the central interest of which focuses on the interaction between human beings and the environment.


2007 ◽  
Vol 06 (03) ◽  
pp. R01
Author(s):  
Pietro Greco

Probably among the first to deal with it, nearly sixty years ago, Norbert Wiener, the founding father of cybernetics (The human use of human beings. Cybernetics and Society, Houghton Mifflin Company, London, 1950), prefigured its opportunities, as well as its limitations. Today, it is a quite common belief. We have entered (are entering) a new, great era in the history of human society: the age of information and knowledge.


2021 ◽  
Vol 15 ◽  
pp. 357-373
Author(s):  
Ewa Szczepkowska

The article is devoted to songs which are rarely the subject of literature studies owing to the multi-code nature of their message and the fact that they are part of popular culture. Tourist songs are on the margin of scholars’ interest, because of their limited artistic value. They are commonly regarded as pieces about the beauty of nature, charms of hiking, sense of community and friendship. The simplicity of the text is matched by the simplicity of the melodic line, which facilitates memorisation and singing together. Polish tourist songs have attracted interest primarily of activists from the Polish Tourism and Sightseeing Society, scholars studying tourism or authors and performers of such songs. The origins of the songs should be placed in the context of song transformations and emergence of organisational forms of tourism at the turn of the twentieth century, beginning of the scouting movement in Poland as well as the development of tourism in the communist Poland period. The lineage of tourist songs brings together several song genres, popular songs, folk and patriotic songs, scouting and Gypsy songs; pieces from this repertoire accompanied hikers. An important stage in the development of tourist songs came in the late 1960s. This was the period of the first National Tourist Song Festival in Szklarska Poręba. Scholars studying student culture see mountain treks accompanied by songs as a manifestation of alternative student culture emerging as a result of dissatisfaction with forms of political and social life in communist Poland. The most outstanding representative of the movement is Wojciech Bellon, founder of the Wolna Grupa Bukowina band, whose poetic songs present an idea of existence based on a search for authentic values, especially a space of freedom and a sense of community, challenging the falsified reality of communist Poland. Bellon and the performers collaborating with him created in the songs an aesthetic of “the land of gentleness” located in the mountains modelled on the landscape and history of the Bieszczady and Beskid Niski ranges. Despite transformations of tourist songs, analysed together with poetic songs or sung poetry, this “land of gentleness” aesthetic is still present, in a niche form, represented by numerous groups or soloists. Its main features when it comes to the thematic layer include idealisation of mountain landscape, presented as a natural environment for human beings, as a home space, marked by both signs of the tragedy of the Lemkos and sings of transcendence. The mountains make it possible to fulfil dreams of freedom, of an ideal community of wanderers, and provide an authentic experience of the world.


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