mountain landscape
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2021 ◽  
Vol 15 ◽  
pp. 11-43
Author(s):  
Jacek Kolbuszewski

The study uses a variant of the geocritical methodology combined with humanistic mining studies. It was pointed out that in Dante’s poem there were numerous references to the realities of real space (the Alps and the Apennines, which, appearing as a separate part of the mountain world, in the poem at the same time constitute a kind of props room of mountain motifs, used in the construction of Purgatory Mountain). Also, the journeys of the heroes, Dante and his guide Virgil, can be perceived realistically as an actual journey, made in a difficult mountain terrain. It was specified in the realities of Hell, Purgatory Mountain, and Paradise. In this way, using specific Earth realities, Dante created a powerful vision largely made of mountain realities. Mount Purgatory, the target of Dante’s ascent, created when Lucifer, thrown from the heavens, struck the depths of the Earth deep into its center, which changed the hemisphere and pushed up the land masses, throwing them over the surface of the ocean covering the southern hemisphere. Locating the Mount of Purgatory in the center of the southern hemisphere, and at the antipodes of Jerusalem, as a mountain rising on a small island from the vastness of the seas covering this part of the world, Dante used elements of the Muslim tradition (perhaps known to him) with its notions of a lofty, pyramidal shape, which is considered to be the holy Mount of Adam (2243 m) in Ceylon (Sri Lanka). The poet, however, never once described the Purgatory Mountain as a whole, creating a vision of its enormity seen from under its steep walls, but he introduced into the poem numerous details about the surface of this mountain and how to climb it. He filled his abstract vision with real details. From the very first songs of Purgatory, the narrative runs in the order of the characters’ ascent towards the summit Paradise. The work hypothesized that the famous poet Bismantova became the prototype of the Dante Mountain of Purgatory, such a judgment is almost universally approved. That Dante saw this mountain is certain: he was in Lunigiano and Casentino (Bismantova rises right next to it) in 1306, and certainly before 1315, at the time when Divine Comedy was being written. For the accuracy of this hypothesis, the shape of this vast rock mass (culmination in 1047), rising above the level of the surrounding valleys by about 400 m in height with almost vertical rock walls, is of great importance for the accuracy of this hypothesis. The peak landscape largely corresponds to the ideas of an ancient idyllic grove. These realities of the mountain landscape meant that the thought about them found literary expression in the pages of Dante’s poem, which prompts me to share my opinion that the sight of the boatswain and his presence in it gave Dante a vision of the Purgatory Mountain as a “hybrid” creation, partially a description of a real landscape and in part a fantastic, syncretic vision based on elements of ancient literary tradition. The description of climbing this mountain leads us through a narrow chimney, overhang, and other rock formations, forming terraces in the structure of the mountain. The conclusion of the work are the words of Italian literary researcher Filippo Zolezzi, who wrote that “Mount Purgatory appears as an absolute ideal of a mountain, because on its top there is an earthly Paradise — a space of direct contact with the divine, hence even the most beautiful earthly mountains are merely a copy of them. However, the very fact that a poet — a man — to reach this summit, has to climb, climb, makes it an ideal prototype for mountain climbing”.


2021 ◽  
Vol 15 ◽  
pp. 357-373
Author(s):  
Ewa Szczepkowska

The article is devoted to songs which are rarely the subject of literature studies owing to the multi-code nature of their message and the fact that they are part of popular culture. Tourist songs are on the margin of scholars’ interest, because of their limited artistic value. They are commonly regarded as pieces about the beauty of nature, charms of hiking, sense of community and friendship. The simplicity of the text is matched by the simplicity of the melodic line, which facilitates memorisation and singing together. Polish tourist songs have attracted interest primarily of activists from the Polish Tourism and Sightseeing Society, scholars studying tourism or authors and performers of such songs. The origins of the songs should be placed in the context of song transformations and emergence of organisational forms of tourism at the turn of the twentieth century, beginning of the scouting movement in Poland as well as the development of tourism in the communist Poland period. The lineage of tourist songs brings together several song genres, popular songs, folk and patriotic songs, scouting and Gypsy songs; pieces from this repertoire accompanied hikers. An important stage in the development of tourist songs came in the late 1960s. This was the period of the first National Tourist Song Festival in Szklarska Poręba. Scholars studying student culture see mountain treks accompanied by songs as a manifestation of alternative student culture emerging as a result of dissatisfaction with forms of political and social life in communist Poland. The most outstanding representative of the movement is Wojciech Bellon, founder of the Wolna Grupa Bukowina band, whose poetic songs present an idea of existence based on a search for authentic values, especially a space of freedom and a sense of community, challenging the falsified reality of communist Poland. Bellon and the performers collaborating with him created in the songs an aesthetic of “the land of gentleness” located in the mountains modelled on the landscape and history of the Bieszczady and Beskid Niski ranges. Despite transformations of tourist songs, analysed together with poetic songs or sung poetry, this “land of gentleness” aesthetic is still present, in a niche form, represented by numerous groups or soloists. Its main features when it comes to the thematic layer include idealisation of mountain landscape, presented as a natural environment for human beings, as a home space, marked by both signs of the tragedy of the Lemkos and sings of transcendence. The mountains make it possible to fulfil dreams of freedom, of an ideal community of wanderers, and provide an authentic experience of the world.


2021 ◽  
Vol 24 (6) ◽  
pp. 27-41
Author(s):  
V. V. Vyshinsky ◽  
K. T. Zoan

Wind boundary layer flow over the mountain landscape and large structures located around runways (RWs) creates coherent vortex structures (CVSs) that can cross a glideslope and airspace in the vicinity of an airport. The aircraft, encountering a vortex structure, experiences significant changes of the aerodynamic forces and moments, what is especially hazardous due to proximity to terrain. From a mathematical point of view, the solution of this problem presents a challenge due to extremely large space – time scale of the phenomenon, the lack of relevant atmospheric models, as well as comprehensive initial – boundary conditions in numerical modeling. In this paper, a composite solution is constructed: the CVSs area generation is computed in sufficient details within the framework of the grid method. Based on the data obtained in the approximation of analytical functions, an initial vortex structure is formed, the evolution and stochastics of which are modeled within the potential approximation by means of Rankine vortices. The evaluation of the forces and moments increment from the impact of vortex structures on the aircraft was carried out by the panel method using the engineering approach. As an example, the CVSs, resulting from wind flow around the mountainous area of the Son Tra Peninsula, that is located short of RWs 35R-17L and 35L-17R of Da Nang airport, are investigated. To improve the computational grids quality and verify the method of solving the boundary value problem for the Reynolds-averaged Navier-Stokes equations, we used the criteria based on the principle of maximum pressure, requiring Q-parameter positivity property in the vortices cores and flow separation regions. A CVS related aviation event, involving a passenger aircraft MC-21, is studied. The aircraft, after takeoff from RW 35R-17L setting the course close to the direction of the vortex wind structure axis from the Son Tra Peninsula, encountered the mountainous area CVS.


2021 ◽  
Author(s):  
Dina P. Gubanova ◽  
Otto Chkhetiani ◽  
Tatiana Kuderina ◽  
Maria Artamonova ◽  
Mikhail Iordanskii ◽  
...  

2021 ◽  
Vol 44 ◽  
pp. 177-195
Author(s):  
Andrea Ednie ◽  
Trace Gale

This study explores how existing connections to natural places may affect PA visitors’ experiences and perceptions within the PA. Specifically, outside-the-PA soundscape perceptions are examined to better understand how their experiences outside the PA may affect perceptions of PA soundscapes and visitors’ ability to effectively contribute to conservation monitoring. Survey research (n=389) of recent urban visitors to the Chilean Coyhaique National Reserve (CNR) in Patagonia unpacked perceptions of the acoustic environments within the places where participants felt most connected to nature, including landscape features, favorite and prevalent sounds, and acceptability of particular anthrophonic sounds. Favorite and prevalent sounds were open-coded, and anthrophonic sounds were rated for prevalence and acceptability. The mountain landscape features and sounds (‘wind’, ‘running water’,‘ birds’) participants described as prominent within the places where they felt most connected to nature aligned well with CNR characteristics. Participants who ‘sometimes’‘/often’ heard certain anthropogenic sounds (vehicles, aircraft, machines, city sounds), within the places where they felt most connected to nature, rated those sounds as more acceptable than participants who reported ‘never’ hearing them, raising concerns about complacency toward anthrophony in natural settings. Continued research efforts are warranted to better understand visitors’ frames of reference, their influence on the reliability of social norm data for PA soundscape monitoring, and their influence on PA managers’ ability to protect conservation values.


Land ◽  
2021 ◽  
Vol 10 (11) ◽  
pp. 1246
Author(s):  
Keying Ding ◽  
Mian Yang ◽  
Shixian Luo

Mountain area is one of the most important modern tourist attractions, and unique mountain landscapes are highly appealing to millennials. Millennials post their travel photos and comments on social media, and these media messages can positively influence other millennials’ travel motivations. To fully understand the attraction of mountain tourist destinations to millennials, this study analyzed their landscape preferences using images posted on social media. As a case study, we analyzed the landscape resources in Western Sichuan Plateau Mountain Areas (WSPMA). We found that differences in genders, modes of transportation, and travel patterns of the millennials influenced their preferences for mountain landscapes. Our results broaden the current knowledge on mountain tourism from the perspective of millennials through social media data. Moreover, studying the landscape resources in WSPMA can facilitate the analysis of regional advantages. This will ultimately enhance tourism publicity and integrate various resources for tourism management and planning in more targeted and attractive ways.


Boreas ◽  
2021 ◽  
Author(s):  
Nadezhda Razjigaeva ◽  
Larisa Ganzey ◽  
Tatiana Grebennikova ◽  
Ludmila Mokhova ◽  
Tatiana Kopoteva ◽  
...  

Land ◽  
2021 ◽  
Vol 10 (10) ◽  
pp. 1102
Author(s):  
Suling Guo ◽  
Wei Sun ◽  
Wen Chen ◽  
Jianxin Zhang ◽  
Peixue Liu

The landscape is an essential resource for attracting tourists to a destination, but this resource has long been overused by tourism development. Tourists and scholars have begun noticing the interference of human structures in the natural environment and how this can change the meaning of a landscape. In this study, the impact of artificial elements on mountain landscapes was investigated by measuring the characteristics of visual perception and a landscape value assessment using eye-tracking analysis. Furthermore, this study includes socio-demographic features for testing whether they have an impact on landscape perception. The results show that human structures impact both visual perception and the perceived value of landscapes. Hotels and temples attract more visual attention than a purely natural landscape. Modern hotels appear to have a negative influence on mountain landscape valuation, while temples with unique culture have positive impacts. Socio-demographic groups differ significantly in how they observe landscape images and, to a degree, how they value the landscape therein. Our study should be of value to landscape planning and tourism policy making.


2021 ◽  
Author(s):  
Anna Salachna ◽  
Katarzyna Kobiela-Mendrek ◽  
Maria Kohut ◽  
Monika Rom ◽  
Jan Broda

The Silesian Beskids (Poland), the westernmost part of the Carpathian Mountains is an area with long pastoral tradition. For centuries sheep grazed in clearings located among forested ridges have been an integral part of the mountain landscape and pastoral customs have become essential elements of regional cultural heritage. In the chapter, the history and the current state of pastoralism in the Silesian Beskids are presented. The specific pastoral system developed in the region, based on annual migration of flocks between summer highland and winter lowland pastures is described. Local breeds and specific regional sheep products are depicted. Furthermore, the importance of pastoralism for the environment, landscape and plant biodiversity is analysed and efforts to recover sheep grazing in the mountains after a period of a deep recession caused by social and economic transitions connected with the collapse of the communist system are presented. The approach to restoration of pastoralism is illustrated using a case study of a pastoral centre which combines traditional sheep grazing with cheese production, education and several activities to promote pastoral tradition.


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