The Economics of Health and Migration

Author(s):  
Osea Giuntella ◽  
Timothy J. Halliday

Migration and health are intimately connected. It is known that migrants tend to be healthier than non-migrants. However, the mechanisms for this association are elusive. On the one hand, the costs of migration are lower for healthier people, thereby making it easier for the healthy to migrate. Empirical evidence from a variety of contexts shows that the pre-migration health of migrants is better than it is for non-migrants, indicating that there is positive health-based selection in migration. On the other hand, locations can be viewed as a bundle of traits including but not limited to environmental conditions, healthcare quality, and violence. Each of these can impact health. Evidence shows that moving from locations with high mortality to low mortality can reduce mortality risks. Consistent with this, migration can increase mortality risk if it leads to greater exposure to risk factors for disease. The health benefits enjoyed by migrants can also be found in their children. However, these advantages erode with successive generations.

2000 ◽  
Vol 11 (3) ◽  
pp. 261-264 ◽  
Author(s):  
Tricia S. Clement ◽  
Thomas R. Zentall

We tested the hypothesis that pigeons could use a cognitively efficient coding strategy by training them on a conditional discrimination (delayed symbolic matching) in which one alternative was correct following the presentation of one sample (one-to-one), whereas the other alternative was correct following the presentation of any one of four other samples (many-to-one). When retention intervals of different durations were inserted between the offset of the sample and the onset of the choice stimuli, divergent retention functions were found. With increasing retention interval, matching accuracy on trials involving any of the many-to-one samples was increasingly better than matching accuracy on trials involving the one-to-one sample. Furthermore, following this test, pigeons treated a novel sample as if it had been one of the many-to-one samples. The data suggest that rather than learning each of the five sample-comparison associations independently, the pigeons developed a cognitively efficient single-code/default coding strategy.


2019 ◽  
Vol 44 (1) ◽  
pp. 58-63
Author(s):  
SABINE KIM

This article looks at the relationship between Haitian vodou, sound recording, and migration. I argue that Haitian vodou has a special relationship with technologies of sound, understood in Jonathan Sterne's sense of media as embodiments of social desire. There is a parallel between vodou possession and the practice of pwen (throwing verbal insults), on the one hand, and, on the other, the tape recorder's ability to manifest a person through the sound of his or her voice, making him or her present both in Haiti for the Haitian vodou congregation and in the diasporic land, thus bridging the separation across oceans and time. This transnational character underscores how Haitian vodou, which has been much maligned and often misunderstood, is an incredibly flexible and adaptive religion, necessary as a means of cultural survival for citizens of one of most economically disadvantaged nations, harshly subject to insertion in global neo-liberal labour markets.


2012 ◽  
Vol 11 (1) ◽  
pp. 27-37 ◽  
Author(s):  
Peter Hudis

AbstractThe global economic-financial downturn has given new impetus to a re-examination of Rosa Luxemburg’s writings on capitalist accumulation and economic crisis, which pinpointed the central contradiction of capitalism in its drive for global expansion. In this article I critically engage Luxemburg’s theory of capital accumulation and crisis by evaluating it in comparison with the central categories of Volumes One and Two of Marx’sCapitalon the one hand, and the quest for an alternative to capitalism in the twenty-first century on the other. I argue that Marx’s procedure in Volume Two ofCapital, in which he abstracts from realization crises and foreign trade in order to discern the “law of motion” of capital freed from secondary and tertiary considerations, captures the internal dynamic of capitalist development and crises far better than its Keynesian and neo-Keynesian alternatives.


2018 ◽  
Vol 149 ◽  
pp. 01093
Author(s):  
Benyamina Smain ◽  
Siham Kamali-Bernard ◽  
Kenai Said ◽  
Menadi Belkacem

Self-compacting concretes (SCC), are hyper-fluid concretes, placed without vibration and are considered as one of the most important innovations of the last decade in construction. SCCs offer many advantages, due to their exceptional characteristics of flow and filling of formwork. Their compositions require a large quantity of fines in order to limit bleeding and segregation. Hence, the use of crushed sand (SC), rich in limestone fines (CF) in the manufacture of self-placing concretes (SCC), can be considered as an alternative source of fillers. These sands reduce the cost of SCC by reducing the high demand for fillers on the one hand and on the other hand, obtaining SCC with good physical and mechanical properties. The main purpose of this paper is to examine the effect of different percentages (0, 5, 10, 15, and 20%) of (CF) in crushed sand on SCC performance. The evolution of the compressive strength, the porosity accessible to water and the migration coefficient of the chloride ions were evaluated. The Okamura method was used for the formulation of all SCC mixtures. Sand/mortar (S/M), water/cement (W / C) ratios and superplasticizer content were kept constant. The results show that (CF) reduce the compressive strength but contribute to the reduction of porosity and migration of chloride ions.


Popular Music ◽  
2006 ◽  
Vol 26 (1) ◽  
pp. 65-81 ◽  
Author(s):  
ERIC W. ROTHENBUHLER

Robert Johnson (1911–1938) is the most venerated of all pre-war blues musicians; the veneration borders on hagiography. Recently published revisionist literature has constructed a sociologically realistic portrayal of a professional musician working among other musicians for a contemporary audience in a specific historical context. This has left unexplained, however, the veneration granted to his music by the audience for his records from the 1960s to today. This paper presents the case that these two bodies of fact can be connected and the one serve as an explanation for the other. As Robert Johnson learned his craft from records and radio, and polished his songs to be recorded, he effectively developed a ‘for-the-record’ aesthetic that made his music sound different to that of his Delta contemporaries and many others who used musical techniques honed in performance for an audience. Decades later, when a ‘for-the-record’ aesthetic was the taken-for-granted standard in popular musical culture, Robert Johnson's records sounded better than those of his contemporaries, and the audience from the 1960s to today has had a reason to think that he and his music were special.


PMLA ◽  
2016 ◽  
Vol 131 (5) ◽  
pp. 1435-1443
Author(s):  
Waïl S. Hassan

The Fundamental Concern in Translation Theory, from Saint Jerome to the Present, has Been the Relation Between a Text and its version in another language. This relation is often conceived in the Platonic terms of original and copy: the original is viewed as sacrosanct (especially when it is a sacred text but also when it is not), while the translation is seen, at best, as imperfect and deficient and, at worst, as an adulteration, a profanation, and a betrayal that is captured in the Italian phrase traduttore traditore. Conversely, that relation has on occasion also been inverted in claims that the translation can be superior to the original—for example, Jorge Luis Borges's famous declaration that “the original is unfaithful to the translation” (239) or, less radically, Gabriel García Márquez's reported remark that Gregory Rabassa's translation of One Hundred Years of Solitude is better than the Spanish original (Rabassa 43). At other times, the relation between original and translation is seen as antagonistic, the one trying to displace the other, or as its heir and only chance of survival. In this view, the original is condemned to death and oblivion because it is written in a dead language, a rival language, or a geopolitically weak language. Think of the phenomenon that Abdelfattah Kilito cites of some classical Arabic texts—such as al-Harīrī‘s Maqāmāt (“Assemblies”), written at the height of Arab civilization's power in the twelfth century—which seem to have been composed in such a way as to render their translation impossible (17-18). By contrast, notes Kilito, some contemporary Arab novelists seem to write with their translators in mind, avoiding difficult language and obscure cultural expressions that may reduce their works’ chances of being translated into English or French, the gateway to international success (19n7).


The Holocene ◽  
2019 ◽  
Vol 29 (10) ◽  
pp. 1671-1676
Author(s):  
VPJ Arponen ◽  
Sonja Grimm ◽  
Lutz Käppel ◽  
Konrad Ott ◽  
Bernhard Thalheim ◽  
...  

Prominent voices in archeology have expressed deep skepticism about the role of theory in archeology, while with new, exciting methods at its disposal, archeological science is occasionally perceived as not needing theory at all. This article reflects upon the debate about theory in archeology to arrive at a robust but critical middle-range concept of the role and character of theory in socio-environmental archeology. It is argued that archeology is a data-based science and, consequently, in order for theory to be meaningful in socio-environmental archeology, theory ought explicitly aim to make its qualitative concepts quantitative to establish a clear relation to data and its interpretation. On the turn side, theory plays an important role critically reflecting upon the use of concepts in archeological understanding and explanation, as well as their origins in particular paradigms, as examples of which certain debates in scientific archeology are discussed (aDNA and migration, evolutionism). We argue that such a model would serve archeology far more than the dismissal of theory on the one hand and the continued production of ‘high’ theory in absence of operationalization on the other.


Author(s):  
M. H. Crawford

It is commonplace that historical enquiry evolves as successive generations ask different questions, in a complex interplay between, on the one hand, the intellectual traditions in which individual historians have grown up, the different traditions that they discover, and the world as a whole in which they move; on the other hand, an ever greater body of knowledge and a wider range of historical tools. This chapter explores, by way of the particular example of the edicts of the Emperor Diocletian on maximum prices and on the coinage, the story of the discovery and study of their texts. It examines the impact on historical enquiry both of chance discoveries and of deliberate autopsy.


Legalities ◽  
2021 ◽  
Vol 1 (1) ◽  
pp. 91-115
Author(s):  
Matteo Nicolini

This article addresses how climate change triggers relevant transformations in the realm of the law and affects our politico-legal paradigms. To this end, it delivers cross-disciplinary research by focusing on a non-fictional literary genre, i.e. climate-change pop-science, which has arisen very recently. The article also explores the concept of ‘strategic formalism’, i.e. a strategic legal device unable to govern societal concerns. On the one hand, it shapes our approach to climate change and migration; on the other, it adapts ecological issues to the ‘traditional’ legal framework. Against this background, the article argues that non-fictional texts also reflect the ideas of the most active forces within society, and fuel dynamism when tackling the ecological crisis. In a time of climate change, these forces stir strategic formalism, and make the law act as a bridge linking our troubled reality to an inclusive future.


Author(s):  
Paul Elliott

This chapter explores British delinquency films. The phrase ‘juvenile delinquent’ has been used to describe criminal children since the mid-nineteenth century. Although an endlessly prescient and emotive area, the subject of the juvenile delinquent represents both continuity and change for British society and cinema — on the one hand offering an ever present folk devil and barometer for social mores and, on the other, lending a constantly evolving image that forever allies itself to other problems. It also offers special insight into how successive generations view themselves and their successors. The first manifestation of the juvenile delinquent in British films could be thought to be characters such as Pinkie Brown in Brighton Rock (2010) or Ted Peters in Dancing with Crime (1947). However, it would not be until the 1950s and 1960s that the British juvenile delinquent made a full appearance on film and then it would always be under the watchful eyes of a responsible adult. The chapter then considers Lewis Gilbert's Cosh Boy (1953) and Basil Dearden's Violent Playground (1958), as well as the films Scum (1979), Made in Britain (1982), and Scrubbers (1983).


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