Anderson, Dave (6 May 1929–4 Oct. 2018), Pulitzer Prize winning sports columnist

2021 ◽  
Author(s):  
Bruce J. Evensen
Keyword(s):  
Pulitzer Prize

Google Hangout with Annie Baker, Playwright 1/25/16, 2:33 PM

2016 ◽  
Vol 69 (4) ◽  
pp. 57-64
Author(s):  
Genevieve Yue
Keyword(s):  
New York ◽  
New England ◽  
Selection Process ◽  
Pulitzer Prize ◽  
Film Festival ◽  
The Past

Genevieve Yue interviews playwright Annie Baker, whose Pulitzer Prize–winning play The Flick focuses on the young employees of a single-screen New England movie house. Baker is one of the most critically lauded playwrights to emerge on the New York theater scene in the past ten years, in part due to her uncompromising commitment to experimentation and disruption. Baker intrinsically understands that arriving at something meaningful means taking a new way. Accordingly, Baker did not want to conduct a traditional interview for Film Quarterly. After running into each other at a New York Film Festival screening of Chantal Akerman's No Home Movie (2015)—both overwhelmed by the film—Yue and Baker agreed to begin their conversation by choosing a film neither of them had seen before and watching it together. The selection process itself led to a long discussion, which led to another, and then finally, to the Gmail hangout that forms the basis of the interview.

A Southern Drawl from beyond the Grave

1966 ◽  
Vol 12 ◽  
pp. 99-101
Author(s):  
Rene Jordan
Keyword(s):  
Short Stories ◽  
Flannery O'connor ◽  
Pulitzer Prize ◽  
New Yorker ◽  
Book Award ◽  
National Book

The bell has finally tolled for Flannery O'Connor. The National Book Award and the Pulitzer Prize have both passed up the opportunity to honor her posthumous collection of short stories, Everything that Rises Must Converge. Still, you can't help wondering what best-sellerdom could have done to a book like this. Few will read it through and most of those who stop at the halfway mark will become rabid anti-O'Connorites. Of all the first-rate American writers of the century, she is the easiest to put down. Her characters are self-conciously larger than life, her prose laden with portent in every semi-colon, her plotting so relentlessly tragic that every sentence is like a step – inevitable and often predictable – toward a witches' brew of a Grand Guignol finale. Impatient readers will feel Flannery is getting nowhere pretty slow. After some stirring and simmering of emotions, they'll quit and stop reading short of the climax, with the worst possible results. An O'Connor story is not one of those “New Yorker” Flirtations that ramble charmingly and stop coquettishly: Flannery O'Connor is no playful, teasing minx.

scholarly journals Uncovering the Struggling Inner Voice of Green Beings Through The Novel “The Overstory” By Richard Powers

2020 ◽  
Vol 9 (S1-Dec2020) ◽  
pp. 63-66
Author(s):  
Saranya Lakshmanan ◽  
P Nagaraj
Keyword(s):  
Crucial Role ◽  
Natural World ◽  
Pulitzer Prize ◽  
The Novel ◽  
Richard Powers ◽  
Human Survival ◽  
Inner Voice

Nature and literature are interwoven. Without natural world, the beauty of words cannot be celebrated. So far in literature the exquisiteness of nature is being taken into deliberation. Trees play a crucial role in our planet but they are taken for granted by humans for their sophisticated life. It is easy to plant tree saplings but it is very difficult to protect a tree. Trees play an important role for human survival. Still people are not concerned to protect or conserve forest because they are connected with machines than with nature. Every individuals run behind the technical advancement that they will protest in virtual media to safeguard nature but not in reality. Trees do communicate but human fails to understand. This study unfurls the dark destroying side of nature through the Pulitzer Prize winning novel The Overstory by Robert Powers.

scholarly journals Paul Muldoon em tradução

2020 ◽  
Vol 9 (2) ◽  
pp. 289-293
Author(s):  
Guilherme Bernardes
Keyword(s):  
Seamus Heaney ◽  
Pulitzer Prize ◽  
New Yorker ◽  
Paul Muldoon ◽  
Ciaran Carson ◽  
Sand And Gravel ◽  
Michael Longley ◽  
The New Yorker

Paul Muldoon (1951 ”“ ) é um poeta norte-irlandês de origem católica nascido em Portdown, condado de Armagh. Integrou junto a Seamus Heaney, Michael Longley e Ciaran Carson, dentre outros, o chamado Belfast Group, organizado por Philip Hobsbaum. Publicou seu primeiro livro, New Weather, em 1973. Desde então, já publicou mais doze coletâneas de poemas, sendo a mais recente Frolic and Detour, em 2019. Além disso, já publicou literatura infantil, libretos de ópera, coletâneas de letras de música e peças de teatro. Já foi premiado com o T.S. Eliot Prize for Poetry por The Annals of Chile (1994) e o Pulitzer Prize for Poetry por Moy Sand and Gravel (2002). Mudou-se para os Estados Unidos em 1987, onde foi professor do curso de escrita criativa na Universidade de Princeton até 2017 e foi, até 2016, editor de poesia da revista The New Yorker. As traduções a seguir integram o apêndice da dissertação “Uma Camisa de Força para Houdini: Paul Muldoon, Forma Fixa e Tradução”, defendida em fevereiro de 2020 na UFPR.

Commentary on John Lewis Gaddis, George F. Kennan: An American Life

2013 ◽  
Vol 15 (4) ◽  
pp. 216-224
Author(s):  
Binoy Kampmark
Keyword(s):  
Cold War ◽  
Pulitzer Prize ◽  
Policy Planning ◽  
American Life ◽  
Wide Range ◽  
Planning Staff ◽  
Cold War History ◽  
The U.S

Nine experts on Cold War history offer commentaries about John Lewis Gaddis's Pulitzer Prize-winning biography of George F. Kennan, the first head of the U.S. State Department's Policy Planning Staff. The commentators come from several countries and offer a wide range of perspectives about Gaddis's George F. Kennan: An American Life, published by Penguin Books in 2011. Although most of the commentators express highly favorable assessments of the book, they also raise numerous points of criticism. Two of the commentators, Barton J. Bernstein and Anders Stephanson, present extended critiques of Gaddis's biography. The forum concludes with a reply by Gaddis to all the commentaries, especially those by Bernstein and Stephanson.

Listening for the Pictures

Resonance ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 182-191
Author(s):  
D. Michael Cheers
Keyword(s):  
Civil Rights ◽  
Creative Process ◽  
Cape Town ◽  
The Other ◽  
Pulitzer Prize ◽  
Civil Rights Era ◽  
Nelson Mandela ◽  
The World ◽  
The Moment ◽  
The Many

This essay is inspired by the words of Pulitzer Prize–winning Chicago Sun Times photographer John White, who once told me to “listen for the pictures.” His message rang clear but never more so than when in 1990 we were covering the release of Nelson Mandela in Cape Town, South Africa. The Cape Town scene was alive and filled with so much vibrance. I was keenly aware that I must not just look, but I must listen, and use all my God-given senses to take it in. I can only describe the moment I started listening to the layer of sound, which was my own clicking camera superimposed on the chorus of sounds that surrounded me as both meta and sonorific. There was a certain rhythm to the sensation I felt in being one with my camera. It transported me to a wonderful place in time where visuals and cadences danced together. I realized there was alchemy in this and in all the other moments and locations I had spent behind a camera developing and exercising that “inner ear” my ancestors, some gone, like Gordon Parks, but others here, like White, taught me to revere. This essay is a snapshot of some of those moments—a proof sheet, if you will—from a life that began, as did the civil rights era, with instances of terror and triumph. This essay chronicles my journey as a young photographer and the many influences that shaped my creative process and eventually my worldview. This essay is an invitation to travel with me through time and see life as my camera and I witnessed it, and to hear and sense the world as I do.

Sideways in Time

2019 ◽  
Keyword(s):  
Science Fiction ◽  
Contemporary Fiction ◽  
Ancient Rome ◽  
Pulitzer Prize ◽  
Current Form ◽  
Alternate History ◽  
Early Twenty ◽  
History Of ◽  
Late Twentieth ◽  
Science Fiction Studies

This book is the first collection of scholarly essays on alternate history in over a decade and features contributions from a mixture of major figures and rising stars in the field of science fiction studies. Alternate history is a genre of fiction which, although connected to the genres of utopian, dystopian and science fiction, has its own rich history and lineage. With roots in the writings of ancient Rome, alternate history matured into something close to its current form in the essays and novels of the nineteenth century. In more recent years a number of highly acclaimed novels have been published as alternate histories, by authors ranging from science fiction bestsellers to Pulitzer Prize-winning literary icons. The success and popularity of the genre is reflected in its success on television with original concepts being developed alongside adaptations of iconic texts. This important collection of essays seeks to redress an imbalance between the importance and quality of alternate history texts and the available scholarship and critical readings of texts, providing chapters by both leading scholars in the field and rising stars. The chapters in this book acknowledge the long and distinctive history of the genre whilst also revelling in its vitality, adaptability, and contemporary relevance, with many of the chapters discussing late-twentieth and early-twenty-first century contemporary fiction texts which have received little or no sustained critical analysis elsewhere in print.

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