Heinz-Dietrich Fischer, Sports Journalism at Its Best: Pulitzer Prize Winning Articles, Cartoons, and Photographs. Chicago: Nelson-Hall, 1995. Paper, $19.95.

1995 ◽  
Vol 12 (3) ◽  
pp. 409-410
Author(s):  
Mark Neuzil
2016 ◽  
Vol 69 (4) ◽  
pp. 57-64
Author(s):  
Genevieve Yue

Genevieve Yue interviews playwright Annie Baker, whose Pulitzer Prize–winning play The Flick focuses on the young employees of a single-screen New England movie house. Baker is one of the most critically lauded playwrights to emerge on the New York theater scene in the past ten years, in part due to her uncompromising commitment to experimentation and disruption. Baker intrinsically understands that arriving at something meaningful means taking a new way. Accordingly, Baker did not want to conduct a traditional interview for Film Quarterly. After running into each other at a New York Film Festival screening of Chantal Akerman's No Home Movie (2015)—both overwhelmed by the film—Yue and Baker agreed to begin their conversation by choosing a film neither of them had seen before and watching it together. The selection process itself led to a long discussion, which led to another, and then finally, to the Gmail hangout that forms the basis of the interview.


2019 ◽  
Author(s):  
Rafael Duarte Oliveira Venancio ◽  
Pedro Vítor Vieira Rodrigues ◽  
Raquel Timponi
Keyword(s):  

2020 ◽  
Author(s):  
PATRICK S. WASHBURN ◽  
CHRIS LAMB
Keyword(s):  

2018 ◽  
Vol 35 (1) ◽  
pp. 66-76 ◽  
Author(s):  
Shawn Forde ◽  
Brian Wilson

In this paper we report findings from a study of what we are calling ‘sports media activism’ (or ‘SMA’). We were interested in how, why, and for what purposes a range of sport media activists are engaging with sport-related social issues through different media. This research contributes to a limited body of literature on sport-related activism, and especially to thinking about the role of media in sport-related activism. By ‘taking sport seriously’ in this paper, we consider what might be learned by focusing on the experiences of those creating and contributing to sport-related activism and alternative media. Also, by assessing a range of projects that we include under the sport media activism umbrella—each with their own goals and intentions for change—we think there is room to inform thinking about ‘alternative’ media more broadly.


2020 ◽  
Author(s):  
◽  
Tom Bradshaw

This thesis examines the major ethical issues experienced by UK sports journalists in the course of their practice in the modern digital media landscape, with a particular focus on selfcensorship. In tandem, it captures the lived professional experience of sports journalists in the digital era. My own professional experience is considered alongside the experiences of interviewees and diary-keepers. Initially, an exploratory case study of the work of investigative journalist David Walsh is used to highlight key ethical issues affecting sports journalism. A Kantian deontological theoretical perspective is articulated and developed. Qualitative approaches, specifically Interpretative Phenomenological Analysis and autoethnography, are then used to provide an original analysis of the research objectives, enhanced by philosophical analysis. Ten in-depth, semi-structured interviews are conducted with a homogeneous sample of UK sports journalists, while diaries kept by three different journalists provide another seam of data. Reflective logs of my own work as a sports journalist provide the basis for autoethnographic data. The main log runs for two-and-half years (2016- 19) with a separate additional log covering the 2019 Rugby World Cup in Japan. The semistructured interviews, diaries, autoethnography and case study are synthesized. The thesis explores how social media has introduced a host of ethical issues for sports journalists, not least the handling of abuse directed at them. Social media emerges as a double-edged sword. One of its most positive functions is to raise the standard of some journalists’ output due to the greater scrutiny that reporters feel they are under in the digital era, but at its worst it can be a platform for grotesque distortion and for corrupting sports journalists’ decision-making processes. Self-censorship of both facts and opinions emerges as a pervasive factor in sports journalism, a phenomenon that has been intensified by the advent of social media. Sports journalists show low engagement with codes of conduct, with the research suggesting that participants are on occasion more readily influenced by self-policing dynamics. This project captures vividly sports journalists’ personal involvement and emotional investment in their work, and reconsiders the ‘toy department’-versus-watchdog classification of sports journalists. The thesis concludes with recommendations for industry, including the introduction of formal support for sports journalists affected by online abuse.


1966 ◽  
Vol 12 ◽  
pp. 99-101
Author(s):  
Rene Jordan

The bell has finally tolled for Flannery O'Connor. The National Book Award and the Pulitzer Prize have both passed up the opportunity to honor her posthumous collection of short stories, Everything that Rises Must Converge. Still, you can't help wondering what best-sellerdom could have done to a book like this. Few will read it through and most of those who stop at the halfway mark will become rabid anti-O'Connorites. Of all the first-rate American writers of the century, she is the easiest to put down. Her characters are self-conciously larger than life, her prose laden with portent in every semi-colon, her plotting so relentlessly tragic that every sentence is like a step – inevitable and often predictable – toward a witches' brew of a Grand Guignol finale. Impatient readers will feel Flannery is getting nowhere pretty slow. After some stirring and simmering of emotions, they'll quit and stop reading short of the climax, with the worst possible results. An O'Connor story is not one of those “New Yorker” Flirtations that ramble charmingly and stop coquettishly: Flannery O'Connor is no playful, teasing minx.


Sign in / Sign up

Export Citation Format

Share Document