scholarly journals The future of user-generated content is now

2013 ◽  
Vol 8 (3) ◽  
pp. 183-183
Author(s):  
G. Marino
2010 ◽  
Vol 31 (2) ◽  
pp. 3-16
Author(s):  
Anders Fagerjord ◽  
Arnt Maasø ◽  
Tanja Storsul ◽  
Trine Syvertsen

Abstract When planning for the future, media managers must balance realism with the need to foresee unexpected changes. This article investigates images of the future in the Norwegian media industry in the early years of the 21st century and identifies five key trends that media managers envisioned: personalized content, user-generated content, rich media, cross-platform media, and mobility. We argue that increased reflection on such visions and how they are formed may put managers (and researchers) in a better position to meet the future. We therefore ask to what degree they were influenced by actual developments at the time, or anchored in more classical imagery of the future. The analysis illustrates how new technologies become focal points for articulating old dreams about the future. At the latest turn of the century, the mobile phone served as such a focal technology.


2012 ◽  
pp. 249-274 ◽  
Author(s):  
Tatyana Dumova

In an age of user-generated content, multimedia sharing sites, and customized news aggregators, an assortment of Internet-based social interaction technologies transforms the Web and its users. A quintessential embodiment of social interaction technologies, blogs are widely used by people across diverse geographies to locate information, create and share content, initiate conversations, and collaborate and interact with others in various settings. This chapter surveys the global blogosphere landscape for the latest trends and developments in order to evaluate the overall direction that blogging might take in the future. The author posits that network-based peer production and social media convergence are the driving forces behind the current transformation of blogs. The participatory and inclusive nature of social interaction technologies makes blogging a medium of choice for disseminating user-driven content and particularly suitable for bottom-up grassroots initiatives, creativity, and innovation.


Contratexto ◽  
2020 ◽  
pp. 67-80
Author(s):  
Allan Deneuville

In this article, we propose the comparative study of two works that use videos of Venezuelan political opponent Óscar Pérez who was killed during a military raid. Romain Champalaune’s film (The Life and Death of Óscar Pérez) and the website of the British collective Forensic Architecture question us about the future of user-generated content and the place of the artist and the researcher in the society of hyper-production of texts and documents. After introducing the Perez case and presenting the works, we analyze the regime of proof and the idea of truth and the archive in the era of algorithmic governmentalities. Finally, we study how investigation and the collection of user-generated content allow for a shift in our power regimes through the implementation of counter-narration to that of the powers that be.


2013 ◽  
Vol 4 (2) ◽  
pp. 16-26 ◽  
Author(s):  
John Wang ◽  
Qiannong Gu ◽  
Gang Wang

Sentiment mining research has experienced an explosive growth in awareness and demand as Web 2.0 technologies have paved the way for a surge of social media platforms that have significantly and rapidly increased the availability of user generated opinioned text. The power of opinions has long been known and is beginning to be tapped to a fuller potential through sentiment mining research. Social media sites have become a paradise for sentiment providing endless streams of opinioned text encompassing an infinite array of topics. With the potential to predict outcomes with a relative degree of accuracy, sentiment mining has become a hot topic not only to researchers, but to corporations as well. As the social media user base continues to expand and as researchers compete to fulfill the demand for sentiment analytic tools to sift through the endless stream of user generated content, the growth of sentiment mining of social media will continue well into the future with an emphasis on improved reliability, accuracy, and automation.


2017 ◽  
Vol 40 (1) ◽  
pp. 59-74 ◽  
Author(s):  
Adrian Athique

This article considers the future of audience research in an era of big data. It does so by interrogating the dynamics and potentials of the big data paradigm in an era of user-generated content and commercial exploitation. In this context, it is proposed that the major dynamics of big data are a conjoint application of numerology and alchemy in the information age. On this basis, the potentials of new data techniques are addressed in light of the critical gap between audience data and the audiences themselves.


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