Sounding Prophecy
This chapter considers the relationship between the melodies and the semantic content of the texts, thus bearing on the contentious question of whether chant melodies can relate to textual meaning. In the case of the sacrificia, the answer is a resounding yes. Central to this argument is the understanding of textual meaning established in Chapter 3. The author considers the occasion on which the text was sung, its meaning in biblical exegesis, and how and why the creators of the text reworked the biblical source. On this basis, I show that the melodies employ certain strategies of musical rhetoric to fashion a particular understanding of the text. The sacrificia thus pose a challenge to a long-standing belief that chant melodies are indifferent to the texts’ semantic content. On the contrary: their creators possessed an erudite knowledge of biblical interpretation, reworking biblical passages to foreground their Christian interpretation and deploying melody as a rhetorical device to shape how the text was heard. The melodies highlight images of liturgical or doctrinal importance, and underline the strategic reworking of the biblical text. Although the existing melodies do not date from the Visigothic period, it is probable that melody contributed to the bishops’ goals of forming a Nicene Christian kingdom and society.