Konstruksi Realitas Cover Majalah Tempo (Studi Semiotika Gambar Jokowi Bersiluet Pinokio)

In September 2019 Indonesia was busy discussing the revision of the Corruption Eradication Commission Law which was passed, in this condition Tempo magazine depicts the symbol of President Jokowi with the silhouette of Pinocchio on the cover of the 16-22 September 2019 edition of Tempo magazine. The purpose of this study describes the meaning of the signs and symbols is included in the cover of the Tempo magazine edition dated 16-22 September 2019. Apart from that, he also wants to reveal the meaning contained in the cover of the Tempo magazine. This study uses a constructivist paradigm, with a descriptive qualitative research approach using Charles Sander Pierce's triadic semiotic analysis model. The results showed that the sign of a man dressed in white with wrinkles on the forehead and pouting lips, this shows the problems that occur in Indonesia so that the president is responsible for handling corruption cases. The silhouette of President Jokowi with a long nose resembling Pinocchio here is a depiction of Pinocchio's character. Here, Tempo tries to be critical about events in the community, and with this picture the people have their own perceptions of the current situation. Keywords: Reality Construction, Magazine Cover, Triadic Model SemioticsCharles Sander Pierce.

PEMAKNAAN COVER MAJALAH TEMPO (Analisis Semiotika Cover Majalah Tempo Edisi 16 September-22 September 2019)

The study entitled "The Meaning of Tempo Magazine Cover (Semiotic Analysis of Tempo Magazine Cover September 16-September 22 2019, entitled Promise Staying Promise)" aims to find out the meaning of the meaning of the magazine cover tempo "Promise Stay Promise" seen from the meaning of illustrations, texts and color on the magazine cover. The method used in this research is descriptive qualitative method with Roland Barthes's semiotic analysis approach, which examines signs through three stages of analysis namely denotation, connotation, mythology.The results of this study might reveal that the magazine cover of this edition shows the properties possessed by Mr. Jokowi as seen from the depiction of the face shape in the illustrations. The meaning of denotation, both the meaning of shadow, clothing and expression is illustrated, that the tempo magazine is a critical medium with the constitution and the spirit of democracy. While the connotation of the illustration is about the public's expectation of the revision of the KPK Law. As for the characteristics of President Jokowi's expression with his eyes closed and lips purely expressing something and his nose stretching out, that Mr. Jokowi is a liar. Furthermore, the mythological meaning found behind the illustration is a picture that contains assumptions about the unrelated Jokowi's promises and the President's responsibility towards the Revision of the KPK Law. Then in the headline and subheadline text and the black color in the nose's shadow, there is a provocation in it related to the ideology of the tempo magazine. The conclusion of this study, that the visual images contained in the magazine cover tempo "Promise Staying Promise" consisting of illustrations, text, and colors have a meaning contained therein. Keywords: Tempo Magazine Cover, Illustration, Semiotics Roland Barthes.

Sign And Meaning Related To Hair Styles Found In Allure Magazine Cover

The article focuses on the hairstyle related sign and meaning found on the cover of Allure Magazine. Data are collected from 8 magazine covers issued from January 2012 to February 2013. The theory of Linguistics signs and Non-linguistics sign proposed by Ferdinand de Saussure together with the theory of order of signification by Roland Barthes are employed in analyzing the data. The analysis showed that the sentences related to hairstyle are used to persuade the female reader to pay more attention to their hair care, the appliances and hair care products used in order to have an appearance like the models on the cover.

OLHARES EPISTÊMICOS E(M) RELAÇÕES DIALÓGICAS: O GÊNERO DISCURSIVO CAPA DE REVISTA

Resumo: Este trabalho delimitou como categorias para o estudo o dialogismo e o discurso, constitutivas do pensamento de Bakhtin, Volóchinov e Medviédev. Para tanto, selecionou-se como corpus a uma dascapas da revista IstoÉ, Nº 2548, publicada em 24 de outubro de 2018, no intuito de averiguar a incidência das relações dialógico-discursivas para concretização dos enunciados verbo-visuais. Embasada na teoria dosgêneros discursivos proposta e desenvolvida por Bakhtin (2006 [1979], esta pesquisa procurou discursivizar os elementos presentes na capa da revista IstoÉ, a qual trouxe, como tema central, a candidatura do presidenciável petista Fernando Haddad.Palavras-chave: Dialogismo; Discurso; Gênero discursivo; Capa de revista; IstoÉ EPISTEMIC GLANCES IN DIALOGICAL RELATIONS: THE DISCURSIVE GENRE MAGAZINE COVERAbstract: This paper delimited delimited as categories for the study the dialogism and the discourse, constitutive of the thought of Bakhtin, Volóchinov and Medviédev. For this purpose, it was selected as a corpus for one of the covers of IstoÉ magazine, Nº 2548, published on October 24, 2018, in order to investigate the incidence of dialogical-discursive relations for the concretization of verb-visual statements. Based on the theory of discursive genres proposed and developed by Bakhtin (2006 [1979]), this research sought to discoursing the elements present in the cover of IstoÉ magazine, which brought, as central theme, the candidacy of the presidential candidate Fernando Haddad.Keywords: Dialogism; Speech; Discursive genre; Magazine cover; IstoÉ

Generic structure potential of rollingstone magazine cover february 9th, 2006 edition; critical multimodal discourse analysis

Rollingstone; February 9^th, 2006 edition was made because there is the meaning intended on it. The researcher uses critical multimodal discourse analysis from O’Halloran (2004), Kress and Van Leeuwen (2006), Halliday and Matthiessen (2014). The objectives of this study are to describe the generic structure potential, representational meaning, and the context of situation of Rollingstone; February 9^th, 2006 edition. The approach of this study is qualitative research and the type is document research. The researcher uses document from the picture of Rollingstone; February 9^th, 2006 edition which taken from Rollingstone’s official website. Analysis techniques flow model of this study are collecting the data, displaying and concluding. The results of this study are (1) There are some generic structure potential elements found. They are Lead, LoA, Comp. LoA, Display, Emblem, Announcement, Enhancer, Call and Visit Information and missing one element that is Tag. (2) The representational meaning of this magazine cover by applying narrative process for action process and conceptual representation for symbolic process. (3) The context of situation divided into field, tenor and mode. Field consists of The College Dropout Album, Jesus Walks Songs, 47th Grammy Awards, Rollingstone; February 9th, 2006 edition. Tenor consists of Kanye West as Song Writers, Rollingstone as production house and the target market. The mode consists of the word “The Passion of Kanye West”.

"Characters in Search of an Author". Human figures and storytelling in architectural design communication

In a presentation drawing, human figures have a natural attitude to work as an optical reference to measure the design space and to provide a sort of instructions to use it, but over the centuries, their agency has been multifaceted. The practice of photo-collages, which was fed by photography and cinema development, has recently spread thank to the digital techniques and human figures in architecture renderings seem to have become as fundamental as a top-modes for a fashion magazine cover. Besides providing a recognizable mark to the design entry, selecting peculiar figures can visually connect a design to a specific place and time, working as a cultural, situationist and sensorial agent. This seems to be true particularly for the cultural typologies. In renderings of museums, theatres or libraries, often ordinary people are integrated by figures of artworks and celebrities, like in Alberto Campo Baeza and Raphael Gabrion’s design for a Louvre new building in Lievin, France, whose figures are placed in the renderings not only to explain the functions but also to remind the ambiguous threshold between representation and reality.