Prologue
Through an interpretive analysis of the surprising refiguration of the iconic May ’68 poster “Beauty is in the Street” in Istanbul during the Gezi Protests of 2013, the Prologue sets the stage for the book by making three closely related points. First, it draws attention to the emancipatory potential of such refigurations of past struggles in the present and highlights the importance of keeping a record of democratic events. Second, it establishes the centrality of 1968 in democratic theory by demonstrating how Negri, Habermas, and Rancière formulated their own unique conceptualizations of democratic action in response to the questions that first emerged in the aftermath of the experience of 1968 and continue to shape current debates. Third, it argues that to rescue contemporary democratic events from their ongoing trivialization, it is necessary to develop an alternative conceptual lens that reveals what other accounts erase, namely the on-the-ground efforts of political actors.