Disrupted Landscapes
Keyword(s):
This chapter examines a photographic essay created by the renowned photojournalist and filmmaker Raymond Depardon about the farm on which he grew up. In 1963, the government expropriated part of the Depardon family’s farm in order to build a superhighway. Twenty years later Depardon photographed what remained as part of a landmark public photographic enterprise commissioned in 1983 by the DATAR, the government agency that oversaw the large-scale postwar regional development projects. This chapter explores Depardon’s photography within the larger project of the Mission photographique de la DATAR. It illuminates the role of photographs in shaping perceptions of the postwar upending of rural life and landscapes.
2021 ◽
Vol 118
(40)
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pp. e2108576118
2019 ◽
Vol 4
(1)
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pp. 41
2005 ◽
Vol 6
(1)
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pp. 29-61
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