Dialogues of the Dead Composed for the Education of a Prince (selections)

Fénelon ◽  
2020 ◽  
pp. 26-71

The Dialogues—which bear the full title of Dialogues des morts composés pour l’éducation d’un prince—were, like the Fables, written for Burgundy, and are thought to date to 1692–1695. Contributions to a popular genre made famous by Lucian and Fontenelle, the Dialogues present a series of reformist lessons on governance and statecraft as well as the morality of virtue and its relationship to happiness. Included here are selections from the nearly eighty dialogues that Fénelon composed for the Duke. These selections especially emphasize the core themes of Fénelon’s political education.

2013 ◽  
Vol 2013 (1) ◽  
Author(s):  
George Pattison

AbstractNoting Heidegger’s critique of Kierkegaard’s way of relating time and eternity, the paper offers an alternative reading of Kierkegaard that suggests Heidegger has overlooked crucial elements in the Kierkegaardian account. Gabriel Marcel and Sharon Krishek are used to counter Heidegger’s minimizing of the deaths of others and to show how the deaths of others may become integral to our sense of self. This prepares the way for revisiting Kierkegaard’s discourse on the work of love in remembering the dead. Against the criticism that this reveals the absence of the other in Kierkegaardian love, the paper argues that, on the contrary, it shows how Kierkegaard conceives the self as inseparable from the core relationships of love that, despite of death, constitute it as the self that it is.


2018 ◽  
pp. 102-115
Author(s):  
Eva Toulouze

Eastern Udmurt autumn rituals: An ethnographic description based on fieldwork There is a good amount of literature about Eastern Udmurt religious practice, particularly under its collective form of village rituals, as the Eastern Udmurt have retained much of their ethnic religion: their ancestors left their villages in the core Udmurt territory, now Udmurtia, as they wanted to go on living according to their customs, threatened by forceful Evangelisation. While many spectacular features such as the village ceremonies have drawn scholarly attention since the 19th century, the Eastern Udmurt religious practice encompasses also more modest rituals at the family level, as for example commemorations of the dead, Spring and Autumn ceremonies. Literature about the latter is quite reduced, as is it merely mentioned both in older and more recent works. This article is based on the author's fieldwork in 2017 and presents the ceremonies in three different families living in different villages of the Tatyshly district of Bashkortostan. It allows us to compare them and to understand the core of the ritual: it is implemented in the family circle, with the participation of a close range of kin, and encompasses both porridge eating and praying. It can at least give an idea of the living practice of this ritual in today's Eastern Udmurt villages. This depends widely on the age of the main organisers, on their occupations: older retired people will organise more traditional rituals than younger, employed Udmurts. Further research will ascertain how much of this tradition is still alive in other districts and in other places.


2018 ◽  
pp. 41-45
Author(s):  
N. V. Gilmanova ◽  
R. Z. Livaev ◽  
E. S. Bazhenova

The article deals with the results of studied structure features of reservoirs in productive zeolite-containing rocks. We have established that the content of pelite fraction and carbonate content have impact on the deterioration of reservoir properties, and the development of zeolitization is characteristic for zones of improved reservoir properties.It is shown that the presence of the core glow in the ultraviolet light for zeolite-containing rocks doesn’t guarantee the receipt of the product during testing and will depend on the thickness ratio with different intensity of luminescence. The change in wettability of the rock in the reservoir conditions, an increase in the share of residual oil, and the presence of oil in the dead-end pores are the most likely explanation for the described situation. If the core luminescence is «weak», the product from the reservoir can only be obtained by applying special impact methods.


2020 ◽  
Vol 9 (3) ◽  
pp. 9
Author(s):  
Rongrong Wang

The emergence of the “Keyboard man” group isthe result of the comprehensive effects of many factors. The ideological and political education of the "Keyboard man" group should follow the principles of equality, tolerance, and participation, and use the core socialist values to guide them to observe the value goals and standardize speech behavior.


2020 ◽  
Vol 4 (9) ◽  
Author(s):  
Xixi Wang

The object of patriotism education is the people, who are the creators of the spirit of patriotism and constantly add new connotations to it. Historical activities are the activities of the masses, with the deepening of historical activities, it will be the expansion of the masses. Patriotism education is an important part of ideological and political education activities, and it is the stage that cannot be crossed to realize the real community.


2018 ◽  
Vol 21 (3) ◽  
pp. 47-73
Author(s):  
Erik Davis

In 1964, Timothy Leary and a few colleagues published The Psychedelic Experience, a manual for “tripping” explicitly based on The Tibetan Book of the Dead. At the core of the Tibetan materials lies the concept of the bardo, the “in between” realm of the afterlife. While acknowledging the problematic nature of Leary’s radical appropriation, this essay argues that his application of these materials to the orchestration and regulation of psychedelic experience reflected a productive reframing of the phantasmagoria common to strong psychedelic experience. Using tools of comparative religion and secular psychology, Leary constructed a model of psychological transformation that rejected religious or transcendental meaning while creatively expanding the bardo concept already evident in Tibetan Buddhism.


2020 ◽  
pp. 83-116
Author(s):  
Tony Perman

The chapter introduces the madzviti spirits of nineteenth-century Gaza Nguni warriors. Emphasizing the reality of semiotic objects, I explore the histories behind the madzviti’s emergence and the purposes for which the living awaken them. Rituals such as this rely on and reinforce habits that form the core conventions of spiritual and musical life. Their meaning depends on the histories, encounters, expectations, and desires that shape the spirits’ emergence and are shaped by their presence. Madzviti spirits lived as soldiers when the Gaza State ruled Ndau territories. This history is central to the transformation of the madzviti from soldier to spirit, from living to dead. Musicking facilitates the relationships between the living and the dead as well as the present with the past.


2013 ◽  
Vol 15 (2) ◽  
pp. 65-82
Author(s):  
M.A.S. Abdel Haleem

The Prophet dubbed Sūrat Yā Sīn the ‘core of the Qur'an’. This article attempts to explain the reasons for this. It highlights the central theme of the sura, the resurrection of the dead: Yā Sīn provides the longest presentation of this subject in one single sura, dealing with all the arguments the disbelievers bring up against it. Contrary to the opinions of some scholars, the structure of this sura, seen in the succession of its well-connected parts, with additional consolidation from a web of recurring expressions, is shown to be completely coherent. The article elucidates some of the stylistic features of the sura and ends with an account of the special significance of Sūrat Yā Sīn for Muslim believers, individually and collectively, throughout the world.


2006 ◽  
Vol 33 ◽  
pp. 209-227 ◽  
Author(s):  
George Nash

This paper explores how megalithic art may have been viewed during a period when Neolithic monuments were in use as repositories for the dead. The group of monuments discussed are primarily passage graves which were being constructed within many of the core areas of Neolithic Atlantic Europe. Although dates for the construction of this tradition are sometimes early, the majority of monuments with megalithic art fall essentially within the Middle to Late Neolithic. The art, usually in the form of pecked abstract designs appears to be strategically placed within the inner part of the passage and the chamber. Given its position was this art restricted to an elite and was there a conscious decision to hide some art and make it exclusively for the dead? In order to discuss these points further, this chapter will study in depth the location and subjectivity of art that has been carved and pecked on three passage graves in Anglesey and NW England. I suggest that an encoded grammar was in operation when these and other passage grave monuments with megalithic art were in use.


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