Kafka’s Modernism
Using ideas from Ludwig Wittgenstein’s and Stanley Cavell’s visions of ordinary language philosophy, this essay explores Kafka’s modernism. As opposed to Maurice Blanchot’s notion of literary language as non-referential, it is argued that the modernism at stake in The Trial centers on the question of intelligibility. While the court system in the novel signifies some sort of general skepticism, in which the use of language threatens to become unintelligible, Kafka offers the reader an extended reflection on the conditions of intelligibility and sense. At stake is language itself and our relation to it as agents seeking to make ourselves understandable to others. In The Trial, there are numerous examples of acts of communication that only seemingly make sense. The parallels with how, for Wittgenstein, our language can become emptied of meaning are made explicit.