Introduction
Keyword(s):
The Self
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Musical events in early modern Europe have long been considered an essential element of the self-fashioning strategy of patrons and dominant classes, representing and symbolizing their wealth and intellectual finesse as well as promoting their cultural and political agendas. This interpretive key has proved effective in discussing the institution of patronage in early modern Europe, particularly in the contexts of the court and of religious institutions. The situation, however, became more complicated during the second half of the seventeenth century, at a time in which profound social and cultural transformations influenced the production and consumption of music in radical ways....