Witches as Rebels against Patriarchy

2017 ◽  
Author(s):  
Per Faxneld
Keyword(s):  
Early Modern ◽  
Visual Representations ◽  
Medical Discourse ◽  
The Witch

Chapter 6 provides a reading of how the subversive potential of the figure of the witch was utilized to attack the oppression of women. It commences with a discussion of Jules Michelet’s La Sorcière (1862), then considers how medical discourse on historical witches as hysterics was conflated with slander of feminists as hysterical and caricatures of them as witches. After that follows a treatment of American feminist Matilda Joslyn Gage, who presented the early modern witch cult as a Satanic rebellion against patriarchal injustice, and folklorist Charles Leland, who drew approbatory parallels between witches and the feminism of his day. The chapter demonstrates how Gage borrowed from both Michelet and Blavatsky in her texts. Finally, visual representations of the witch are discussed, focusing on how she was a symbol of female strength in both positive and negative ways in the sculptures and paintings of male as well as female artists.

‘More, I prithee, more’: Melancholy, Musical Appetite and Medical Discourse in Shakespeare’s Twelfth Night

2018 ◽  
Author(s):  
Pierre Iselin
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
Medical Discourse ◽  
Modern Music ◽  
Twelfth Night ◽  
The Tempest ◽  
Dramatic Text ◽  
Musical Event ◽  
The Subject ◽  
The Many

Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on the drama and the limits of comedy. Pinned against contemporary contexts, Twelfth Night is therefore regarded as experimenting with an aural perspective and as a play in which the genre and mode of the song, the identity and status of the addressee, and the more or less ironical distance that separates them, constantly interfere. Eventually, the author sees in this dark comedy framed by an initial and a final musical event a dramatic piece punctuated, orchestrated and eroticized by music, whose complex effects work both on the onstage and the offstage audiences. This reflection on listening and reception seems to herald an acoustic aesthetics close to that of The Tempest.

La otredad: ¿real o inventada? El caso de las brujas

1999 ◽  
pp. 21-33
Author(s):  
Elia Nathan Bravo
Keyword(s):  
Early Modern ◽  
Social Inequalities ◽  
Strict Sense ◽  
Empirical Content ◽  
Extreme Situation ◽  
Modern Times ◽  
The Witch ◽  
Early Modern Times ◽  
The One ◽  
In Virtue Of

The purpose of this paper is two-fold. On the one hand, it offers a general analysis of stigmas (a person has one when, in virtue of its belonging to a certain group, such as that of women, homosexuals, etc., he or she is subjugated or persecuted). On the other hand, I argue that stigmas are “invented”. More precisely, I claim that they are not descriptive of real inequalities. Rather, they are socially created, or invented in a lax sense, in so far as the real differences to which they refer are socially valued or construed as negative, and used to justify social inequalities (that is, the placing of a person in the lower positions within an economic, cultural, etc., hierarchy), or persecutions. Finally, I argue that in some cases, such as that of the witch persecution of the early modern times, we find the extreme situation in which a stigma was invented in the strict sense of the word, that is, it does not have any empirical content.

Godly Zeal and Furious Rage: The Witch in Early Modern Europe

1988 ◽  
Vol 93 (5) ◽  
pp. 1316
Author(s):  
Clarke Garrett ◽  
G. R. Quaife
Keyword(s):  
Early Modern ◽  
Early Modern Europe ◽  
Modern Europe ◽  
The Witch

scholarly journals Women, Marriage, Property and Law: Contextualizing The Witch of Edmonton

Early Theatre ◽  
2018 ◽  
Vol 21 (2) ◽  
Author(s):  
Tim Stretton
Keyword(s):  
Early Modern ◽  
Historical Context ◽  
Early Modern England ◽  
Economic Relations ◽  
Recent Scholarship ◽  
Personal Relations ◽  
Marital Property ◽  
The Witch

Changes in marital property and marriage negotiations, the economy, and personal relations in early modern England form the backdrop for key elements of The Witch of Edmonton. This essay draws on recent scholarship surrounding these changes to provide historical context for analyzing the play. It argues that the commercialization of economic relations and the emergence of trusts facilitated a shift away from customary arrangements (such as dower) towards more contractual ones (such as jointures). Meanwhile, increased reliance on credit and legal instruments, such as bonds, produced record levels of litigation, contributing to legalistic thinking and cynicism about legal agreements. 

Breeched and Unbridled: Bifurcated Equestrian Garments for Women in Early Modern Europe

Costume ◽  
2021 ◽  
Vol 55 (2) ◽  
pp. 163-185
Author(s):  
Valerio Zanetti
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Visual Representations ◽  
Historical Narratives ◽  
Close Reading ◽  
Early Modern Europe ◽  
Affective Meaning ◽  
Documentary Sources ◽  
Modern Europe

This article discusses the wearing of bifurcated equestrian garments for women in early modern Europe. Considering visual representations as well as documentary sources, the first section examines the fashion for red riding breeches between the late sixteenth and seventeenth centuries. Worn for their comfort and functionality in the saddle, these garments were also invested with powerful symbolic and affective meaning. The second section provides new insights about female equestrian outfits in late seventeenth-century France. Through the close reading of two written accounts, the author sheds light on the use of breeches as undergarments in the saddle and discusses the appearance of a hybrid riding uniform that incorporated knee-length culottes. By presenting horsewomen who wore bifurcated garments in the pursuit of leisure rather than transgression, this study revises historical narratives that cast the breeched woman exclusively as a symbol of gender upheaval.

Introduction

2018 ◽  
pp. 1-36
Author(s):  
Laura Kounine
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
History Of Emotions ◽  
Current State ◽  
History Of ◽  
Western Germany ◽  
The Rich ◽  
The Witch ◽  
Witch Hunts

This Introduction sets out the intentions of this book: to use the rich witch-trial records from the early modern duchy of Württemberg in south-western Germany to explore the central themes of emotions, gender, and selfhood. It provides an overview of the key historiographical debates on witchcraft persecutions in the early modern period, and suggests new questions that need to be asked. It also provides a methodological and theoretical framework in which to address these questions, and provides an overview of the current state of the field of the history of emotions, and, by drawing on psychological approaches to listening to self-narratives, it suggests ways in which historical studies of emotions can be pushed further by incorporating the body and subjective states. It also sets out the legal, political, and religious framework of the Lutheran duchy of Württemberg, in order to put the witch-hunts in this region into context.

The Accidents of the Soul

2021 ◽  
pp. 55-82
Author(s):  
Benedict S. Robinson
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern Period ◽  
Medical Diagnostics ◽  
Medical Discourse ◽  
Human Actions ◽  
Modern Period ◽  
Diagnostic Medicine ◽  
Over Time

“The Accidents of the Soul” asks which disciplines were seen to provide a knowledge of the passions in the early modern period, and how that map of the disciplines changed over time. It opens by noting the relatively minor position the passions held in a received philosophical “science of the soul,” itself divided between physics and metaphysics. As “accidents of the soul”—that is, contingent qualitative alterations in the soul—the passions lay at the margins of philosophical knowledge: they were seen as subject to too much particularity and contingency to belong to what one author called “certaine science.” They belonged instead to the “low” sciences, the practical sciences, fields that study human actions and that therefore were seen to produce a merely probable knowledge of particulars: fields like rhetoric, politics, poetics, ethics. The passions also belonged to medicine insofar as diagnostic medicine was understood as an art: in medicine, “accidents” are symptoms and the phrase “accidents of the soul” belongs to medical discourse insofar as it takes account of the particularities of the passions as part of a regimen of health. The chapter situates the seventeenth-century treatises on the passions in relation to various kinds of discourse on the passions all seen as promoting forms of probable knowledge on the model of medical diagnostics: physiology and “characterology,” most notably. It ends with a reading of Shakespeare’s Othello as a text that probes the limits—and the dangers—of this probable knowledge of the passions.

scholarly journals “Paltrie Vermin, Cats, Mise, Toads, and Weasils”: Witches, Familiars, and Human-Animal Interactions in the English Witch Trials

Religions ◽  
2019 ◽  
Vol 10 (2) ◽  
pp. 134
Author(s):  
Helen Parish
Keyword(s):  
Early Modern ◽  
Special Issue ◽  
Witch Trials ◽  
Human Animal ◽  
The Witch ◽  
Causal Theories ◽  
The Relationship ◽  
Shed Light

This article explores the role played by the relationship between witch and familiar in the early modern witch trials. It positions animal familiars at the intersection of early modern belief in witchcraft and magic, examining demonologies, legal and trial records, and print pamphlets. Read together, these sources present a compelling account of human-animal interactions during the period of the witch trials, and shed light upon the complex beliefs that created the environment in which the image of the witch and her familiar took root. The animal familiar is positioned and discussed at the intersection of writing in history, anthropology, folklore, gender, engaging with the challenge articulated in this special issue to move away from mono-causal theories and explore connections between witchcraft, magic, and religion.

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