Exile, Diaspora, and Return

Author(s):  
Luis Roniger ◽  
Leonardo Senkman ◽  
Saúl Sosnowski ◽  
Mario Sznajder

This book explores how Argentina, Chile, Paraguay, and Uruguay have been affected by postexilic relocations, transnational migrant displacements, and diasporas. It provides a systematic analysis of the formation of exile communities and diaspora politics, the politics of return, and the agenda of democratization in the late twentieth and early twenty-first centuries, focusing on the impact of intellectuals, academics, activists, and public figures who had experienced exile on the reconstitution and transformation of their societies following democratization. Readers are offered a kaleidoscope of intellectual itineraries, debates, and contributions held in the public domain by individuals who confronted and fought authoritarian rule. The book covers their contributions to the restructuring and transformation of scientific disciplines and of the humanities and the arts, as well as their collective institutional impact on higher education, science and technology, and public institutions. Bringing together sociopolitical, cultural, and policy analysis with the testimonies of dozens of intellectuals, academics, political activists, and policymakers, the book addresses the impact of exile on people’s lives and on their fractured experiences, the debates and prospects of return, the challenges of dis-exile and postexilic trends, and, finally, the ways in which those who experienced exile impacted democratized institutions, public culture, and discourse. It also follows some crucial shifts in the frontiers of citizenship, moving analysis to transnational connections and permanent diasporas, including the diasporas of knowledge that increasingly changed the very meaning of being national and transnational, while connecting those countries to the global arena.

Author(s):  
Christine White

This chapter discusses the impact of stage design on musical theatre, and the development of musical theatre as a product packaged for consumption across the world. Its focus is chiefly on British musicals of the late twentieth and early twenty-first centuries, during which ‘scenography’ has become recognized as the term for describing the whole theatre-designed space, encompassing, set, costume, sound, light, and more recently including film, animations, and a host of projection technologies and digital media. The chapter refers to contemporary reviews of productions, their success and failure, and the nature of the musical as a form in harmony with new scenic production aesthetics. What becomes apparent in this chapter is the interconnectedness of scenic practices and production aesthetics, which relates directly to the visual impact of musicals on the British stage and the interchange of production styles and modes of the UK and North America.


Author(s):  
Amanda C. Seaman

Writing Pregnancy in Low Fertility Japan analyzes the literary representations of pregnancy and childbirth by Japanese women in the late twentieth and early twenty-first century—work notable not simply for the diversity of views it encompasses, but for the wide range of genres in which it has taken shape. These texts reveal complex political, personal, and social concerns, ranging from the role and nature of the woman’s body, to her place in the family, to the meaning of motherhood for individuals and for society. Their authors engage with these issues, drawing on a range of literary techniques and frameworks to talk about the role of motherhood and the impact that it has on their lives and their work. This "pregnancy literature" serves as an important yet rarely considered forum for exploring and debating not only the particular experiences of the pregnant mother-to-be, but the broader concerns of Japanese women about their bodies, their families, their life choices, and their aspirations.


Author(s):  
Tolqin Akhmedov ◽  

The article deals with curatorial projects, international biennials and the participation of local artists, their achievements and the impact of the renewal process on art in general, which entered the modern fine arts of Uzbekistan in the late twentieth and early twenty-first centuries. In this process, our artists have adapted to the growing interest in world art trends, to the new postmodern trends of Western aesthetics, to the growing process and the general environment for all.


2021 ◽  
pp. 647-664
Author(s):  
Gladys Ganiel ◽  
Martin Steven

This chapter examines the role of religion in Ireland and the United Kingdom in four stages, focusing on how divisions between Protestantism and Catholicism have contributed to political tensions and, at times, violence: (a) from the colonization of Ireland by Britain until the end of the Irish Civil War in 1923, when religion was used both to justify colonialism and to oppose it; (b) state-building in the early twentieth century, when religion impacted politics and society in ways that diverged from the wider European Christian democratic movement; (c) a period of secularization in the late twentieth century; and (d) a period of religious change, but at the same time persistence, in the late twentieth and early twenty-first centuries. It concludes by examining the impact of religion on the 2016 Brexit referendum vote, arguing that Brexit has destabilized political and religious relationships between the islands, with particular reference to Northern Ireland and Scotland.


2018 ◽  
Vol 56 ◽  
pp. 321-329
Author(s):  
Katarzyna Więckowska

This review assesses Transgender and Intersex: Theoretical, Practical, and Artistic Perspectives 2016, edited by Stefan Horlacher. Inspired by the international and interdisciplinary conference on “Transgender and Intersex in the Arts, Science and Society” that was held in 2012 in Dresden and that gathered researchers, activists, and artists working in transgender and intersex studies, the collection aims at mapping potential alliances between intersex and transgender positions, while acknowledging that the interests of transgender and intersex communities and researchers may be conflicting, if not at times contradictory. The volume adopts a non-hierarchical, multiperspectival, and interdisciplinary approach to examine a variety of issues related to gender variance and politics of recognition. Accordingly, the articles focus on those processes and texts that have played major roles in deconstructing and reconstructing gender identities during the late twentieth and early twenty-first centuries, and present analyses of legal and sociopolitical issues, theoretical perspectives and dilemmas, and literary and visual representations. The diverse topics and perspectives embrace the ethical framework of human rights, so as to inquire into the ways through which the lives and representations of marginalized groups can be improved.


2020 ◽  
Vol 18 (1) ◽  
pp. 99-110
Author(s):  
Denise Ruth Von Glahn

In a career spanning more than four decades, American composer Libby Larsen has turned to the natural world for inspiration on dozens of occasions: her piece Up Where the Air Gets Thin is just one of the results. Unlike many of her nature-based works which provide primarily aesthetic responses to the sights, sounds, feel, and smells of the natural environment, this 1985 duet for contrabass and cello comments on the limits of non-verbal communication and the impact of climate change. It is simultaneously reflective and didactic. “Sounds Real and Imagined” considers the ways Larsen marshals minimal musical materials and a sonic vocabulary that she associates with stillness and cold, in combination with her commitment to environmental awareness and advocacy. It situates the historic 1953 ascent of Mt. Everest by Sir Edmund Hillary and Tensing Norgay within the context of late-twentieth-century artistic responses and an early twenty-first century musicologist-listener’s consciousness.


2019 ◽  
Vol 13 (6) ◽  
pp. 988-1003
Author(s):  
Janek Gryta

Memory studies have often looked to the Cold War and the fall of the Iron Curtain as the principal mediators of collective memory for the late twentieth and early twenty-first centuries. Scholars have often assumed the primacy of political factors in memory work with Cold War politics understood as shaping collective memory both West and East of the Iron Curtain. The present article proposes to problematize these assumptions. While not negating the role of politics, it suggests that the changing cultural priorities of each successive generation were of greater importance than current memory analyses permit. Using the former KL Plaszow (Kraków, Poland) as a case study, this essay draws attention to the common features of memory work shared across the Euro-Atlantic world. Establishing how each of the postwar generations engaged with memory work to suit their particular needs this article analyses the impact that generational sensibilities had on memory sites.


2014 ◽  
Vol 83 (4) ◽  
pp. 592-625
Author(s):  
James A. Sandos ◽  
Patricia B. Sandos

David Weber was the leading scholar of the Spanish Borderlands in the late twentieth and early twenty-first century. Just before his death in 2010, Weber shared a rare interrogation he found in Mexico’s major archive with us. It concerned Jedediah Smith’s California incursion into the Central San Joaquín Valley in 1827–1828. Using digitized databases of Franciscan registers from Mission San José and Mission Santa Clara, we have decoded the interrogation and identified all the Indians questioned, as well as those mentioned in the document, by tribal origin and language affiliation. By lifting the veil of Indian anonymity, we were able to better understand the motivation behind each testimony allowing us to offer, for the first time in the literature, a look at the impact of Jedediah Smith’s expedition from an Indian perspective. Indian interaction (both tribal and Mission) with Mexican and American imperialism is central to understanding Smith’s disruptive impact in California.


2021 ◽  
Vol 69 (1) ◽  
pp. 85-99
Author(s):  
Ivan Murin

AbstractAlong with the dynamics of findings of several scientific disciplines of the recent decades, the mechanisms and processes of culture transmission seem to be much more apparent. The knowledge about cultural heritage and the inheritance of culture produced in this way have led to the creation of several platforms of critical cultural heritage. Anthropological and ethnological findings significantly enrich these multi-disciplinary environments where the criterion of a living cultural heritage is becoming generally accepted. In this light, the Arts and Humanities Research Council (AHRC) created a working group in 2019 with the aim to prepare an innovated Strategic Research Agenda (SRIA) for the submission of European projects in the field of cultural heritage (JPI CH). The working group invited Slovak and Czech researchers to reflect on the knowledge from the Central European research area in order to define the research topics for the priority Cultural Heritage and People. The research on the testing of the priority and clarification of the impacts of the depopulation of cultural regions on cultural heritage was conducted at selected locations of the Hont, Novohrad and Malohont regions. The key indicators for justifying the inclusion of the research topicThe impact of the depopulation of EU regions with cultural heritagein SRIA include ethnographic information, historical demographic data and the modelling of the transmission of cultural heritage content to the next generations.


Author(s):  
Bernardo Bátiz-Lazo

Chapter 1 (‘A Window to Internal and External Change in Banking’) provides a wide-arch view of the themes in the book. It highlights how in spite of being deeply embedded in our culture as an object of everyday life, the interaction with ATMs is largely inconsequential for most people. This chapter also forwards a case to study the ATM to better understand the possibilities for technological change to bring about a cashless economy. Another argument put forward is that the ATM is essential to appreciate the technological and organizational challenges that gave rise to self-service banking. As a result, the case is made that business histories of the late twentieth century will be incomplete without proper consideration to the impact of computer technology on the different aspects of business organizations.


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