Documenting other roles

2021 ◽  
pp. 85-120
Author(s):  
Lisa Stead
Keyword(s):  
Case Studies ◽  
Star Image ◽  
The 1950S

The final chapter of the section focuses on archival traces of off-screen labor, looking at Vivien Leigh’s alternative “roles” between the 1930s and 1960s. These are illuminated via letters, business records, scrapbooks, ephemera, and photographs. Case studies include an exploration of Leigh’s war work in the 1940s; her agency as a producer with V. L. Productions from the 1950s; and her role as a campaign figurehead in the fight against the closure of the St. James’s Theatre later in the same decade. The chapter interrogates how these roles are organized and represented within the archive and the kinds of alternative labor histories that Leigh and her associates produced through her material collections. It looks in particular at how archival preservation offers counternarratives to existing biographical and popular accounts of these aspects of her public profile and star image.

The Oxford Handbook of Grammatical Number

2021 ◽  
Keyword(s):  
Case Studies ◽  
Mental Representation ◽  
Noun Phrases ◽  
Numeral Classifiers ◽  
Number Marking ◽  
The Core ◽  
Grammatical Number ◽  
The Relationship ◽  
Linguistic Means

This volume offers an overview of current research on grammatical number in language. The chapters Part i of the handbook present foundational notions in the study of grammatical number covering the semantic analyses of plurality, the mass–count distinction, the relationship between number and quantity expressions and the mental representation of number and individuation. The core instance of grammatical number is marking for number distinctions in nominal expressions as in English the book/the books and the chapters in Part ii, Number in the nominal domain, explore morphological, semantic, and syntactic aspects of number marking within noun phrases. The contributions examine morphological marking of number the relationship between syntax and nominal number marking, and the interactions between numeral classifiers with semantic number and number marking. They also address cases of mismatches in form and meaning with respect to number displayed by lexical plurals and collective nouns. The final chapter reviews nominal number processing from the perspective of language pathologies. While number marking on nouns has been the focus of most research on number, number distinctions can also be found in the event domain. Part iii, Number in the event domain, presents an overview of different linguistic means of expressing plurality in the event domain, covering verbal plurality marking, pluractional modifiers of the form Noun preposition Noun, frequency adjectives and dependent indefinites. Part iv provides fifteen case studies examining different aspects of grammatical number marking in a range of typologically diverse languages.

Conclusion

2021 ◽  
pp. 241-262
Author(s):  
M.I. Franklin
Keyword(s):  
Case Studies ◽  
Music And Politics ◽  
And Performance ◽  
Politics Of Race ◽  
Political Economic

The Conclusion draws on the empirical findings of each chapter in order to theorize—reflect on—our way “out” of these case studies. It follows on from the conceptual and methodological themes laid out in Chapter 1, challenges presented to scholarship across the disciplinary spectrum that looks to locate and track where, and how, “politics” (of race, class, gender, and religion) are now being rendered as and through music. Chapter 7 recapitulates the main themes from each chapter as references to audio clips, suggested listening, in order to underscore the findings of this study: how music-and-politics and, or music-as-politics sound within, and between sociocultural and political economic settings. Getting closer to how these practices and sound archives work means taking into account creative practices and performance cultures not only of music making but also of music taking. This final chapter can also function as an introduction for the book as the flipside of Chapter 1.

Digitization, Virtual Collections, and Total Archives in the Twenty-First Century

2021 ◽  
pp. 148-173
Author(s):  
Jason Lustig
Keyword(s):  
New York ◽  
World War Ii ◽  
Case Studies ◽  
Jewish History ◽  
First Century ◽  
World War ◽  
Historical Materials ◽  
The World ◽  
Cairo Genizah

This final chapter argues that struggles over archival ownership and the possibility of archival totality continue far beyond the years immediately following World War II. It considers three case studies to consider new forms of total archives being created through virtual collections and digitization: The Center for Jewish History in New York City (formed in 1994/1995 and opened in 2000), the efforts by the YIVO Institute for Jewish Research to digitize materials found in Lithuania and reunite them with their own files, and the Friedberg Genizah Project’s initiative to digitize and join together fragments of the Cairo Genizah found in repositories around the world. These case studies showcase enduring visions of monumentality and indicate how archival construction is not merely the province of the past. Instead, the process of gathering historical materials is a continual process of making and remaking history.

El Baile Del Pueblo

2020 ◽  
pp. 225-261
Author(s):  
Sean Bellaviti
Keyword(s):  
Popular Music ◽  
Case Studies ◽  
Commercial Music ◽  
Cultural Patrimony ◽  
National Pride ◽  
National Music ◽  
Television Audience

In this final chapter, the author provides a macro perspective of the música típica genre as a form of national music, focusing on the challenges musicians face as performers of a popular commercial music that is, at the same time, firmly rooted in folkloric traditions to which Panamanians remain deeply attached. Through a series of case studies, the author shows that the “pull” of tradition is a constant in música típica musicians’ lives. This is never more evident than in ongoing discussions regarding what to call this music and the challenge of sorting out the demands of baile performance as distinguished from shows patronized by concertgoers, or even viewed by a nation-wide television audience. This sense of música típica’s unchanging nature also lies at the heart of the perplexity and frustration felt by performers when they consider the unrivalled popularity música típica enjoys in Panama even as it is virtually unknown beyond the country’s borders. Finally, when compared to most other forms of popular music in Panama, the sense of national pride provoked by música típica’s connection to folkloric music and the fact that it is embraced by so many Panamanians means that musicians are praised for their contributions to modernizing the genre even as they run the risk of being accused of undermining what is regarded by many Panamanians as the nation’s cultural patrimony.

Conclusion

2020 ◽  
pp. 210-224
Author(s):  
Rachel K. Gibson
Keyword(s):  
Case Studies ◽  
Similar Pattern ◽  
Technological Advancement ◽  
Voter Mobilization ◽  
Minor Parties ◽  
New Type ◽  
Digital Campaigning ◽  
Future Direction ◽  
Leftist Parties

The final chapter reviews the key findings of the book, and reflects on the future direction of digital campaigning. The main conclusions are threefold: (1) Developments in digital campaigning follow a similar pattern across countries. A four-stage cycle of experimentation, standardization, community building, and individual voter mobilization is clearly evident across the book’s four case studies. (2) The pace of that development and countries’ current positions differ according to regime-level characteristics and levels of national technological advancement. Notably, parties and individual candidates can also play a significant role in shaping that process. In particular, mainstream leftist parties and some of the more prominent minor parties serve as key catalysts for change. (3) The “mainstreaming” of digital technology is fostering the growth of a new type of campaign operative—the apolitico—and a new condition of hypernormality in which power is centralized organizationally and systemically to an unprecedented degree.

The Suffering Mother Trope

Making Icons ◽  
2017 ◽  
Author(s):  
Jennifer Coates
Keyword(s):  
Social Change ◽  
Case Studies ◽  
The 1950S ◽  
Post War

Chapter 2 analyses the ‘suffering mother’ trope, comparing the character to contemporary depictions of modern housewives. The historical contexts of the period are explored, positioning the mother trope in relation to post-war social change. Finally, changes in the mother trope after the 1950s are investigated and contextualized within discourses of war guilt and anti-nuclear protest. Case studies include the popular hahamono ‘mother film’ Tragedy of Japan (Nihon no higeki, Kinoshita Keisuke, 1953), and Being Two Isn’t Easy (Watashi wa ni sai, Ichikawa Kon, 1962).

Radiology of Australian Mammals

2015 ◽  
Author(s):  
Larry Vogelnest ◽  
Graeme Allan
Keyword(s):  
Case Studies ◽  
Diagnostic Tool ◽  
Dental Radiology ◽  
Small Species ◽  
Radiographic Findings ◽  
Multiple Images ◽  
Wildlife Species ◽  
Therapeutic Decisions ◽  
Radiographic Technique

Interest in the conservation and welfare of Australian native wildlife continues to grow. Veterinarians are frequently presented with injured, diseased or orphaned animals and there is increasing veterinary involvement in conservation programs. In Australia and overseas, Australian mammals are used in research, kept as pets and are popular display and education animals in zoos and fauna parks. The recognition, diagnosis and treatment of injury and disease in wildlife species present unique challenges for the veterinarian. Radiology is a fundamental diagnostic tool that can be used to further define the nature and extent of injury or disease, guide therapeutic decisions and determine prognosis. An essential aspect of radiology is the recognition and description of abnormal findings. In order to recognise abnormalities, knowledge of normal radioanatomy is necessary. Radiology of Australian Mammals provides a detailed reference on the normal radioanatomy of Australian mammals. A chapter on radiographic technique covers digital radiography of small species, and restraint and positioning to obtain diagnostic images. This is followed by chapters covering the normal radioanatomy of the short-beaked echidna, platypus, macropods, koala, wombats, dasyurids, possums and gliders, bandicoots and the bilby, and bats. Each chapter includes a detailed description of anatomy relevant to radiography and multiple images of normal radiographs with outlines and annotations identifying relevant structures. A chapter on dental radiology discusses and demonstrates normal dental radioanatomy. The final chapter includes selected radiographic pathology case studies providing an appreciation of radiographic findings seen in some common diseases of Australian mammals. A checklist of the mammals of Australia and its territories and a glossary of abbreviations and terms used for annotation of images complete the volume.

Revisiting the stages of the policy cycle

2017 ◽  
Author(s):  
Mike Rayner ◽  
Kremlin Wickramasinghe ◽  
Julianne Williams ◽  
Karen McColl ◽  
Shanthi Mendis
Keyword(s):  
Case Studies ◽  
Communicable Disease ◽  
Theoretical Background ◽  
Linear Process ◽  
Policy Cycle ◽  
Specific Context ◽  
Policy Makers ◽  
And Control ◽  
Non Communicable Disease

This final chapter argues that the policy cycle should be seen as just that—a cycle, rather than a linear process with a defined start and finish. To generate effective policies, the stages need to be revisited over time. In revisiting these steps, it will be necessary to ask new questions about the problem and the solutions. The chapter includes case studies that illustrate how non-communicable disease (NCD) prevention and control interventions do not always follow the four steps of the policy cycle in a linear process. This chapter emphasizes that NCDs are multifactorial conditions with complex causal webs that require a sophisticated mix of solutions that reflect the specific context. The theoretical background, practical pointers, and case studies from this book should help to equip policy-makers, researchers, health advocates, and students with the knowledge and tools required to reduce the burden of death and disability from NCDs.

Postbop Jazz in the 1960s

2019 ◽  
Author(s):  
Keith Waters
Keyword(s):  
Small Group ◽  
Case Studies ◽  
Original Compositions ◽  
Harmonic Syntax ◽  
The 1950S ◽  
The 1960S ◽  
Harmonic Substitution ◽  
King Cobra

Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The book develops analytical pathways through a number of compositions, including “El Gaucho,” “Penelope,” “Pinocchio,” “Face of the Deep” (Shorter); “King Cobra,” “Dolphin Dance,” “Jessica” (Hancock); “Windows,” “Inner Space,” “Song of the Wind” (Corea); as well as “We Speak” (Little); “Punjab” (Henderson); and “Beyond All Limits” (Shaw). These case studies offer ways to understand the works’ harmonic syntax, melodic and formal designs, and general principles of harmonic substitution. By locating points of contact among these postbop techniques—and by describing their evolution from previous tonal jazz practices—the book illustrates the syntactic changes that emerged during the 1960s.

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