Who Sings the Song of the Russian Soldier?
Karnes’s chapter examines the Crimean War’s Baltic theater. It considers ways in which acts of listening structured understandings of conscription, encampment, combat, and mourning as experienced by individuals stationed or living on the eastern Baltic Coast. It focuses in particular mass mobilization of Russian troops, which occasioned many first encounters: between culturally heterogeneous Romanov subjects; between “Russians” and Europeans from the West; and between Europeans both Eastern and Western, as well as non-European others. The chapter argues that such encounters refashioned mental geographies of Europe, and that listening to others’ voices in wartime had the power to shatter habitual associations between peoples and spaces.