A Different Country?

2021 ◽  
pp. 66-99
Author(s):  
Kai Arne Hansen
Keyword(s):  
Hip Hop ◽  
Country Music ◽  
Social Constraints ◽  
Black Musicians ◽  
Queer Of Color Critique ◽  
Popular Narrative ◽  
Queer Of Color ◽  
Stylistic Elements ◽  
Old West ◽  
The Face

The chapter focuses on Lil Nas X and his record-breaking hit “Old Town Road” (2018), which combines stylistic elements from country and trap music. The song received immense attention in early 2019 after Billboard discreetly removed it from its Hot Country Songs chart, a decision that was interpreted by some as racially motivated. The chapter investigates how Lil Nas X’s musical eclecticism and queer cowboy iconography raises questions pertaining to the boundaries of inclusion and exclusion in the country and hip hop genres. First, it critiques the popular narrative that his widespread success following the Billboard incident is indicative of the declining authority of the music industry in the face of the democratizing effects of digital technologies. Then, it turns its attention to the official movie, Old Town Road, in which Lil Nas X is joined by guest artist Billy Ray Cyrus. Particular focus is devoted to the intersectional aspects of masculinity, which are elucidated through a discussion of how certain sounds and vocal characteristics become constructed and experienced as racially coded. Finally, drawing on perspectives from queer of color critique, the chapter explores the idea that Lil Nas X’s queer tactics both stand as a corrective to accounts of the past that bypass the contributions of black musicians in the development of country music (and black cowboys’ participation in the Old West) and introduces new ways of moving past dominant social constraints.

Who is (Not) Protected by Title IX? A Critical Review of 45 Years of Research

2021 ◽  
Vol 123 (2) ◽  
pp. 1-42
Author(s):  
Elizabeth J. Meyer ◽  
Mary Quantz
Keyword(s):  
Literature Review ◽  
Title Ix ◽  
Sex Discrimination ◽  
Educational Institutions ◽  
Review Of The Literature ◽  
Queer Of Color Critique ◽  
Scholarly Publications ◽  
Queer Of Color ◽  
Transgender Students ◽  
K 12

Background/Context This is the first published systematic literature review with an exclusive focus on Title IX scholarship. This article aims to offer a holistic view of the existing knowledge base in this field presented in peer-reviewed scholarly publications. Purpose This review of the literature identifies key trends in this body of research and highlights strengths, as well as gaps and oversights, that future research should address. Research Design This descriptive literature review systematically collected 169 peer-reviewed articles to identify the conceptual boundaries of the field and the current gaps. Data Collection and Analysis Authors applied Booth, Sutton, and Papaioannou's SALSA approach (Search, AppraisaL, Synthesis, and Analysis) to this systematic review to identify and analyze the 169 articles included in the study. We applied an intersectional feminist lens and Queer of Color critique to the analysis of the included articles. Findings/Results Peer-reviewed scholarly publications on Title IX (169) have generally focused on analyses of legal decisions (93) and studies of athletics (75), with little attention to other aspects of the law. Most studies lacked intersectional analyses of how “sex discrimination” has been understood in K–12 and higher education contexts, which leaves experiences of students of color, transgender students, and LGBQ students missing from most of the scholarship in this field. Conclusions/Recommendations This review of the literature is intended to help scholars interested in issues of sex discrimination and gender equity in educational institutions in the United States have a clear overview of scholarship that already exists related to Title IX in order to ask more focused and critical questions about its impacts and implementation. More research is needed to understand the ways in which educational institutions interpret and apply their responsibilities under this law—particularly through the lenses of intersectional feminism and Queer of Color critique. Contemporary issues, including campus sexual assault, and the negative experiences documented about gay, lesbian, bisexual, and transgender students in schools underline the importance of staying current with Title IX, and the current body of literature indicates scant attention to collecting and analyzing data about this law's application in practice and implications for diverse groups of people.

Poetic Operations

2021 ◽  
Author(s):  
micha cárdenas
Keyword(s):  
Digital Media ◽  
Women Of Color ◽  
Music Videos ◽  
Artistic Practice ◽  
Queer Of Color Critique ◽  
Complex Processes ◽  
Decolonial Theory ◽  
Queer Of Color ◽  
Algorithmic Analysis ◽  
And Gender

In Poetic Operations artist and theorist micha cárdenas considers contemporary digital media, artwork, and poetry in order to articulate trans of color strategies for safety and survival. Drawing on decolonial theory, women of color feminism, media theory, and queer of color critique, cárdenas develops a method she calls algorithmic analysis. Understanding algorithms as sets of instructions designed to perform specific tasks (like a recipe), she breaks them into their component parts, called operations. By focusing on these operations, cárdenas identifies how trans and gender-non-conforming artists, especially artists of color, rewrite algorithms to counter violence and develop strategies for liberation. In her analyses of Giuseppe Campuzano's holographic art, Esdras Parra's and Kai Cheng Thom's poetry, Mattie Brice's digital games, Janelle Monáe's music videos, and her own artistic practice, cárdenas shows how algorithmic analysis provides new modes of understanding the complex processes of identity and oppression and the intersection of gender, sexuality, and race.

Politics contra the functionalisation of man – Hannah Arendt’s problematic investigation of ideology and labour

2018 ◽  
Vol 5 (2) ◽  
pp. 338-369
Author(s):  
Anna-Sophie Schönfelder
Keyword(s):  
Hannah Arendt ◽  
Modern Society ◽  
Social Constraints ◽  
Human Relationships ◽  
One Dimensional ◽  
Social Domination ◽  
Persuasive Power ◽  
The Face

Abstract Hannah Arendt suggests the pivotal problems of modern society to be man’s susceptibility to ideological patterns of thought and behaviour and the compulsion under which he performs labour. Her depiction of these phenomena can however be seen as rather one-dimensional. Since the redemptive concept of politics which she proposes as a kind of worldly realm for unconstrained human relationships, is based upon her fragile analyses of ideology and labour, this concept’s persuasive power is limited. Arendt’s striking powers of observation are more effective in areas where social domination is taken to the extreme, whereas in the face of basic social constraints she seems to be perplexed.

Alternatives to Coming Out Discourses

2021 ◽  
Author(s):  
Shuzhen Huang
Keyword(s):  
Queer Theory ◽  
Identity Politics ◽  
Coming Out ◽  
The United States ◽  
People Of Color ◽  
Self Awareness ◽  
Queer Of Color Critique ◽  
Queer People ◽  
White Middle Class ◽  
Queer Of Color

The discourse of coming out has historically served as an effective vehicle to build and sustain the LGBTQ movement in the United States. It has also been utilized as an empowering resource that enables queer people to establish a queer identity organized around self-awareness and self-expression. However, queer of color critique and transnational queer theory argue that the prevalent discourse of coming out is built on a particular kind of queer experience and geography, which is usually from the standpoint of White, middle-class men of urban U.S. citizenship and is rarely derived from the experience of queer people of color and non-Western queer subjects. Taking an intersectional perspective, Snorton interrogates the racialization of the closet and proposes a sexual politics of ignorance—opposed to the disclosure imperative in coming out discourse—as a tactic of ungovernability. Centering the experience of Russian American immigrants who are queer-identified, Fisher proposes a fluid and productive relationship between the “closeted” and the “out” sexuality that resists any fixed categorization. Focusing on the masking tactic deployed by local queer activists, Martin theorizes the model of xianshen, a local identity politics in Taiwan that questions the very conditions of visibility in dominant coming out discourse. As a decolonial response to the transnational circulation of coming out discourse, Chou delineates a “coming home” approach that emphasizes familial piety and harmony by reining in and concealing queer desires. Being cautious against the nationalist impulse in Chou’s works, Huang and Brouwer propose a “coming with” model to capture the struggles among Chinese queers to disidentify with the family institution. These alternative paradigms serve as epistemic tools that aim to revise understanding of queer resistance and queer relationality and help people to go beyond the imagination of coming out for a livable queer future.

Thinking with Trans Now

Social Text ◽  
2020 ◽  
Vol 38 (4) ◽  
pp. 125-147
Author(s):  
Aren Z. Aizura ◽  
Marquis Bey ◽  
Toby Beauchamp ◽  
Treva Ellison ◽  
Jules Gill-Peterson ◽  
...  
Keyword(s):  
Political Economy ◽  
Historical Materialism ◽  
Subject Position ◽  
New Materialism ◽  
Queer Of Color Critique ◽  
Queer Of Color ◽  
The World ◽  
A Site

This roundtable considers trans theory’s status as a site of thinking racialization, empire, political economy, and materiality in the current historical, institutional, and political moment. We ask, what does it mean to think trans in a time of crisis?, and what is the place of critique in a crisis?, acknowledging that global crises are not insulated from trans, and trans is not insulated from the world. This roundtable looks to materialist formations to think trans now, including a new materialism premised on thinking about trans embodiment outside of trans as subject position, the materialism of objects and commodities, and a historical materialism shaped by queer of color critique.

Policing Black sound: performing UK Grime and Rap music under routinised surveillance

Soundings ◽  
2020 ◽  
Vol 75 (75) ◽  
pp. 55-65
Author(s):  
Cheraine Donalea Scott
Keyword(s):  
Rap Music ◽  
Black Body ◽  
Black Music ◽  
Black Musicians ◽  
Black Voices ◽  
The Status ◽  
The Face ◽  
Artistic Freedom ◽  
The Many ◽  
The Right

The recent sounds of BLM protests can be thought of as reconstituting George Floyd's extinguished voice - amplifying his solitary protest against restraint through creating a ruckus that interrupted the wider silencing of Black voices. UK Grime and Rap music is another way in which these silences are being challenged today, in the face of all the attempts to police it and close it down, and to restrict the artistic freedom of young Black musicians, especially as expressed in Drill music. Policing Black sound is part of the wider policing of the black body - and restrictions on Black music are discussed in relation to the many laws on anti-social behaviour that have been enacted since New Labour's first creation of ASBOs. David Starkey's fear about whites becoming black is linked to a long-held fear on the right about the potentially corrupting effect of Black music on white listeners, and its perceived threat to the status quo - the spread of a 'dub virus'.

Producing Diaspora

2018 ◽  
pp. 160-184
Author(s):  
Catherine M. Appert
Keyword(s):  
United States ◽  
Hip Hop ◽  
The United States ◽  
Indigenous Music ◽  
Material Gain ◽  
The Face ◽  
The Relationship ◽  
Musical Elements ◽  
Verbal Performance

This chapter shows how palimpsestic practices of hip hop genre produce diasporic connections. It describes how hip hop practices of layering and sampling delink indigenous musical elements from traditional communicative norms to rework them in hip hop, where they signify rootedness and locality in ways consistent with hip hop practice in the United States. It demonstrates that this process relies on applications of hip hop time (musical meter) as being fundamentally different from indigenous music, whose local appeal is contrasted with hip hop’s global intelligibility. It outlines how hip hop concepts of flow free verbal performance from lyrical referentiality to render it a musical element. It argues that these practices of hip hop genre, in their delinking of sound and speech, reshape understandings of the relationship between commercialism and referentiality, and suggests that voice therefore should be understood to encompass artists’ agency in pursuing material gain in the face of socioeconomic struggle.

Sex under Necropolitics: Waldo Frank, Jean Toomer, and Black Enfleshment

2019 ◽  
Vol 54 (5) ◽  
pp. 926-950
Author(s):  
BENJAMIN KAHAN ◽  
MADOKA KISHI
Keyword(s):  
South Carolina ◽  
Queer Theory ◽  
Harlem Renaissance ◽  
Jean Toomer ◽  
Color Line ◽  
Queer Of Color Critique ◽  
Queer Of Color ◽  
The Relationship ◽  
The Harlem Renaissance

Though Jean Toomer's Cane (1923) is one of the best-known texts of the Harlem Renaissance, it has rarely been discussed with the text alongside which it was initially imagined: Waldo Frank's Holiday (1923). These works were inspired by a joint trip to Spartanburg, South Carolina and were conceptualized as a shared project, what the authors termed “Holiday + Cane.” This essay tracks their coproduction with particular attention to their parallax vision of lynching to theorize what we call, building on Achille Mbembe's work, “sex under necropolitics.” This dispensation does not take shape within a privatized notion of sexuality, but instead is “ungendered” and unindividuated in the ways that Hortense Spillers has described through the notion of the flesh. We take up her work to suggest that black bodily practices and corporeal intimacies are governed by a regime other than sexuality. In this essay, we map the contours of this regime and its effects on both sides of the color line. Our new cartography promises to reconfigure understandings of the sexuality of Toomer and Frank and of the Harlem Renaissance, and to clarify the relationship between (white) queer theory and queer-of-color critique.

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