Introduction

2020 ◽  
pp. 1-18
Author(s):  
Michael Sy Uy
Keyword(s):  
Rockefeller Foundation ◽  
National Endowment ◽  
Arts Funding ◽  
The Arts ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War ◽  
Congressional Investigations

This chapter introduces the book’s sociocultural history of expertise as analyzed in arts and music grantmaking during the 1950s, 1960s, and 1970s, It explains the origins of the Rockefeller Foundation, Ford Foundation, and National Endowment for the Arts (NEA) as grantmaking institutions, the individuals involved, and how the missions of the two foundations eventually came to include arts funding. The 1960s and 1970s were a period of “cultural explosion,” as characterized by the popular press. During the early part of the Cold War, both foundations were also subject to congressional investigations which impacted their grantmaking. Finally, the introduction includes a chapter overview of the book, as well as its division into two parts: “Who Were the Experts?” and “Experts in Action.”

The Rockefeller Foundation and Latin American Music in the 1950s and 1960s

2020 ◽  
pp. 61-81
Author(s):  
Eduardo Herrera
Keyword(s):  
Latin American ◽  
Rockefeller Foundation ◽  
American Music ◽  
Public And Private ◽  
Latin American Music ◽  
The Public ◽  
The Arts ◽  
History Of ◽  
The 1950S ◽  
The Cold War

This chapter focuses on the dynamics and overlaps between the history of CLAEM and U.S. philanthropy, cultural diplomacy, and foreign policy during the 1950s and 1960s, decades shaped by the Cold War and the Cuban Revolution. By tracing the constitutive networks that led to the initial CLAEM grant, this chapter seeks to destabilize the concept of philanthropy as a preexisting third force between the public and private sectors. Instead, it argues for its examination as an emerging domain that results from complex entanglements, webs of relations and ideas, all being mediated and enacted as the result of human, institutional, discursive, and material actors. The chapter argues that CLAEM was one of the most successful projects in the arts supported by the Rockefeller Foundation during the 20th century and that few if any had such broad repercussions in the musical scene of a whole region.

Mind Bending, Mental Seduction and Menticide: Brainwashing in British Spy Dramas of the 1960s

2013 ◽  
Vol 10 (1) ◽  
pp. 27-48 ◽  
Author(s):  
Alan Burton
Keyword(s):  
Cold War ◽  
Thought Control ◽  
Cultural Contexts ◽  
Scientific Background ◽  
Mind Control ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War ◽  
The Mind ◽  
Cultural Fantasy

Brainwashing assumed the proportions of a cultural fantasy during the Cold War period. The article examines the various political, scientific and cultural contexts of brainwashing, and proceeds to a consideration of the place of mind control in British spy dramas made for cinema and television in the 1960s and 1970s. Particular attention is given to the films The Mind Benders (1963) and The Ipcress File (1965), and to the television dramas Man in a Suitcase (1967–8), The Prisoner (1967–8) and Callan (1967–81), which gave expression to the anxieties surrounding thought-control. Attention is given to the scientific background to the representations of brainwashing, and the significance of spy scandals, treasons and treacheries as a distinct context to the appearance of brainwashing on British screens.

MINING THE ARCHIVES: A POTTERY SEQUENCE FOR BORNO, NIGERIA

2003 ◽  
Vol 1 (1) ◽  
pp. 39-76 ◽  
Author(s):  
Graham Connah ◽  
S.G.H. Daniels
Keyword(s):  
Large Body ◽  
Archaeological Research ◽  
Independent Data ◽  
Frankfurt Am Main ◽  
Archaeological Pottery ◽  
New Findings ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
Johann Wolfgang Goethe

New archaeological research in Borno by the Johann-Wolfgang-Goethe-Universität, Frankfurt am Main, Germany, has included the analysis of pottery excavated from several sites during the 1990s. This important investigation made us search through our old files for a statistical analysis of pottery from the same region, which although completed in 1981 was never published. The material came from approximately one hundred surface collections and seven excavated sites, spread over a wide area, and resulted from fieldwork in the 1960s and 1970s. Although old, the analysis remains relevant because it provides a broad geographical context for the more recent work, as well as a large body of independent data with which the new findings can be compared. It also indicates variations in both time and space that have implications for the human history of the area, hinting at the ongoing potential of broadscale pottery analysis in this part of West Africa and having wider implications of relevance to the study of archaeological pottery elsewhere.

Introduction

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Critical Systems Thinking ◽  
Critical Systems ◽  
Political Ideologies ◽  
The Future ◽  
History Of ◽  
Post War ◽  
The 1960S ◽  
The Cold War ◽  
Future Visions

The book proposes that the Cold War period saw a key debate about the future as singular or plural. Forms of Cold War science depicted the future as a closed sphere defined by delimited probabilities, but were challenged by alternative notions of the future as a potentially open realm with limits set only by human creativity. The Cold War was a struggle for temporality between the two different future visions of the two blocs, each armed with its set of predictive technologies, but these were rivaled, from the 1960s on, by future visions emerging from decolonization and the emergence of a set of alternative world futures. Futures research has reflected and enacted this debate. In so doing, it offers a window to the post-war history of the social sciences and of contemporary political ideologies of liberalism and neoliberalism, Marxism and revisionist Marxism, critical-systems thinking, ecologism, and postcolonialism.

Why Diamonds Really are a Girl's Best Friend: Another American Narrative

Daedalus ◽  
2012 ◽  
Vol 141 (1) ◽  
pp. 89-100
Author(s):  
Linda K. Kerber
Keyword(s):  
The United States ◽  
Cultural Practice ◽  
Legal Tradition ◽  
Domestic Relations ◽  
Recent Developments ◽  
American Law ◽  
History Of ◽  
The Republic ◽  
1960S And 1970S ◽  
The 1960S

The old law of domestic relations and the system known as coverture have shaped marriage practices in the United States and have limited women's membership in the constitutional community. This system of law predates the Revolution, but it lingers in U.S. legal tradition even today. After describing coverture and the old law of domestic relations, this essay considers how the received narrative of women's place in U.S. history often obscures the story of women's and men's efforts to overthrow this oppressive regime, and also the story of the continuing efforts of men and some women to stabilize and protect it. The essay also questions the paradoxes built into American law: for example, how do we reconcile the strictures of coverture with the founders' care in defining rights-holders as “persons” rather than “men”? Citing a number of court cases from the early days of the republic to the present, the essay describes the 1960s and 1970s shift in legal interpretation of women's rights and obligations. However, recent developments – in abortion laws, for example – invite inquiry as to how full the change is that we have accomplished. The history of coverture and the way it affects legal, political, and cultural practice today is another American narrative that needs to be better understood.

Tropical Russian Bears: Jews and Soviet Animation During The Cold War

Images ◽  
2014 ◽  
Vol 8 (1) ◽  
pp. 66-90
Author(s):  
Maya Balakirsky Katz
Keyword(s):  
Cold War ◽  
Eastern Europe ◽  
Social Geography ◽  
Mickey Mouse ◽  
Social Mapping ◽  
History Of ◽  
The 1960S ◽  
The Cold War

After Stalin consolidated the major animation studios and closed down smaller regional studios to create a single Moscow-based drawn and puppet animation studio in 1934–36, the animation studio Soyuzmultfilm became the largest animation studio in Eastern Europe. In the 1960s, Soviet Jewish animators focused on the theme of social geography and developed individual characters in relationship to social mapping. This essay analyses the enigmatic Cheburashka, the Soviet Mickey Mouse, whose popularity as a Communist ideal led to his starring role as Soyuzmultfilm’s most enduring logo. It is particularly concerned with the development of the ethnically-unidentifiable Cheburashka against the history of the Moscow Zoo and its inter-species exhibitions.

Sweden, Europe, and the Cold War: A Reappraisal

2012 ◽  
Vol 14 (2) ◽  
pp. 68-97 ◽  
Author(s):  
Aryo Makko
Keyword(s):  
Cold War ◽  
Third World ◽  
Decision Makers ◽  
Soviet Bloc ◽  
International Affairs ◽  
Third Way ◽  
Democratic Socialism ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War

Traditionally, Sweden has been portrayed as an active bridge-builder in international politics in the 1960s and 1970s. The country advocated a “third way” toward democratic socialism and greater “justice” in international affairs, but these foreign policy prescriptions were never applied to European affairs. This article examines Sweden's relations with Europe by contrasting European integration with the Cold War. Negotiations on Swedish membership in the European Communities and Swedish policy at the Conference on Security and Cooperation in Europe were influenced by a general Berührungsangst toward Europe, which persisted during the years of détente. Because Swedish decision-makers believed that heavy involvement in European affairs would constrict Sweden's freedom of action, Swedish leaders' moral proclamations were applied exclusively to distant Third World countries rather than the egregious abuses of human rights in the Soviet bloc.

scholarly journals Džon i Žaklina Kenedi: politika, kultura i „nova granica“ odevanja

2016 ◽  
Vol 10 (4) ◽  
pp. 857
Author(s):  
Simona Čupić
Keyword(s):  
Political Affiliation ◽  
Social Changes ◽  
Specific Kind ◽  
The Public ◽  
Contemporary Politics ◽  
Internal Politics ◽  
Art And Culture ◽  
History Of ◽  
The 1960S ◽  
The Cold War

Jacqueline Kennedy’s style is one of the mainstays of the history of fashion and popular culture, as well as contemporary politics. John Kennedy’s way of dressing garnered much less attention. Even though, at first glance, not as interesting as the first lady’s “fashion sense”, the president’s style was no less thought-out. If, however, we view the changes in clothing as social changes and a determinant of various kinds of social differentiation: marital status, sex, occupation, religious and political affiliation, the way in which the Kennedys were presented to the public becomes more interesting – from the (carefully planned) photos and appearances to art and culture. Having in mind that the 1960s were a time when the appropriation of popular and fictional came back into modern art, and that general changes inherent in the new lifestyle, as well as a layered image of American internal politics, and the cold war map of the world, the carefully thought-out image of the presidential couple can be viewed as a specific kind of metaphor for a complicated time.

scholarly journals Dyskursywnie o dyskursie

2006 ◽  
pp. 89-96
Author(s):  
Ewa Sławkowa
Keyword(s):  
Modern Human ◽  
Social Practices ◽  
Human Sciences ◽  
Feminist Discourse ◽  
History Of ◽  
Discourse Studies ◽  
Political Speeches ◽  
Characteristic Evolution ◽  
1960S And 1970S ◽  
The 1960S

The article presents a lexical and semantic study of the discourse, one of the most widespread terms of modern human sciences. We begin with etymology, and then demonstrate various stages of the development of the meaning of the term in the history of Polish. The lexem “discourse”, well established in the linguistic tradition of Polish, has undergone a characteristic evolution: first, a borrowing from Latin (discurere – “go in diverse directions”), it then became popular in the 16th through 18th centuries as a rhetorically marked Polish (particularly with the view of political speeches and sermons) to signal a kind of discussion and logical exposition of argumentation. Recent contemporary Polish gives this term a slightly archaic and bookish sense. At the same time, however, “discourse” has become a strictly scientific, scholarly term which carved for itself a special discipline of research (discourse studies). In the 1960s and 1970s the work of such linguists as Emile Benveniste or Roman Jakobsen helped to shape the meaning of discourse as a process of speaking, an interactive and dialogic communicative behaviour which sees language as conditioned by diverse social practices and/or ideologies (e.g. historical, scholarly, or feminist discourse).

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