Coda

2020 ◽  
pp. 265-274
Author(s):  
Yelena Baraz

This concluding section follows a series of intertextual connections to trace the transformations of the most radical appropriation of pride, Seneca the Younger’s image of virtue proudly walking in triumph over fortune. This series concludes with the only Christian text treated, a paradoxical image of holy pride in a letter of Paulinus of Nola. This moment shows how, with the introduction of humility as a virtue, we can see both continuity and irreversible change in the conceptual landscape of Roman emotions, and serves as a logical stopping point for this analysis of Roman pride.

Moreana ◽  
2014 ◽  
Vol 51 (Number 195- (1-2) ◽  
pp. 63-84
Author(s):  
Ana Cláudia Romano Ribeiro

In 1516, More wrote to Erasmus, putting him in charge of the publication of Utopia. In his study about the “sources, parallels and influences” of More’s libellus, Edward Surtz points out that “the most evident influences are classical” and in 1965, in the introduction of his edition of Utopia, he noted that in the composition of this fiction, Plato and Plutarch are as essential as Cicero and Seneca. He also noted that these philosophers are “the source for the tenets and arguments of the two schools discussed by the Utopians, the Epicurean and the Stoic” and that “Cicero’s De finibus is of special interest here, but detailed studies of Ciceronian and Senecan influences have still to be made.” (p.cliv, clxi). From 1965 until today we haven’t found a specific study on this problem in the bibliography about Utopia and classical Latin literature, that’s why in this paper we will examine some of the connections that link More’s libellus to De finibus.


1997 ◽  
Vol 42 ◽  
pp. 60-88 ◽  
Author(s):  
R. J. Clare

The sixty-fourth poem of Catullus, a work which has in times past been dismissed as contrived, is now appreciated precisely because it iscarefullycontrived. The majority of modern scholarship seems willing, implicitly or explicitly, to look upon the poem's intricacies and apparent contradictions as constituting part of its attraction, acknowledging that artifice does not necessarily preclude art.The complexities of poem 64 are contingent to a large degree upon its interaction with earlier poetic models. Structural devices of narrative are borrowed from a variety of sources; themes and scenes are delineated so as to reveal their full meaning through reader awareness of other works; literary allusions pervade the text. Perhaps the most salient intertextual feature of Catullus' epyllion is its interaction with previous literary treatments of the myth of Jason and Medea. In this regard, it has long been recognised that a poem of central importance for the reading of Catullus 64 is theArgonauticaof Apollonius Rhodius, and this present exploration of allusion in poem 64 will concentrate on the intertextual connections between 64 and its Hellenistic epic predecessor.


wisdom ◽  
2021 ◽  
Vol 19 (3) ◽  
pp. 6-16
Author(s):  
Oksana BILICHAK ◽  
Nina OSMAK ◽  
Tetyana BYKOVA ◽  
Natalia SHEVEL

For understanding Y. Pluzhnyk’s poetry in the context of modern discourse, it is valuable to study the content of his lyrics in light of intertextual connections, which are presented in the article at the formal and semantic levels. It was determined that different intertextual forms reveal a functional dependence on the purpose underlying their introduction into the text by Y. Pluzhnyk (the illustrative charge, contrast, tho­ught reinforcement, delimiting observation, accumulation, etc.). The active use of various folkloric, mythological, artistic, and philosophical reminiscences transmits a distinctive repulsion from a known pattern for the sake of a new creative result. The presence of different intertextual types is a unique marker for the semantics embedded within Pluzhnyk’s text, which forms a circle that intertwines moods, worldview, and the author’s philosophy.


2021 ◽  
Vol 16 (1) ◽  
pp. 65-73
Author(s):  
Aleksandra A. Khadynskaya ◽  

The relevance of the study is dictated by the need to identify intertextual connections in the lyrics by I. Elagin as evidence of the dialogic nature of his poems, their close connection with the Russian and world literary tradition. The article reveals the problem of detecting intertextual sources in the poetry of the second wave of emigration due to its poor study at the level of poetics, a partial solution of which is proposed in this publication. The novelty of the research lies in the detection of allusions and quotations that have not previously attracted the attention of researchers studying the work by I. Elagin. The aim of the study is to determine the allusive background of the Elagin's lyrics, which is necessary for the poet to organize a cultural dialogue with the metropolis of the literature. Based on the goal, the research methods were determined: the analysis of intertextual relations based on a comparative and historical-literary approach. In the course of the study, conclusions were drawn about the presence of a number of new, previously unnoticed allusive sources of Elagin's lyrics, consonant with his outlook of the emigrant poet, and also revealed the dialogical nature of his work, which is distinguished by the tragic outlook of a man of the new “neon age” - a time that does not accept poetry. In addition, it was determined that his intertextual dialogue with classics and contemporaries reveals the polemic and ambiguousness of his attitude to the new industrial age and, at the same time, faith in the unlimited possibilities of the poetic word, due to the fact that for Elagin, as a poet who formed abroad, it was important to define his own poetic genealogy and his place among Russian poets. As a research perspective, it should be noted the possibility of further consideration of the complex of intertextual connections of the poet, demonstrating his desire to be included in the circle of the “big” literature of the metropolis, to declare the uninterrupted tradition of Russian poetry, but at the same time showing a new look at them from the position of a “non-Soviet” person aesthetic space. Keywords; Ivan Elagin, poetry of the second wave of Russian emigration, intertextual connections, poetry of Russian emigration, literary allusion, traditions of Russian literature


2017 ◽  
Vol 116 (7) ◽  
pp. 947-953 ◽  
Author(s):  
Takuma Iwai ◽  
Takeshi Yamada ◽  
Michihiro Koizumi ◽  
Seiichi Shinji ◽  
Yasuyuki Yokoyama ◽  
...  

2011 ◽  
Vol 9 (3) ◽  
pp. 283-309 ◽  
Author(s):  
Geoffrey D. Miller

All biblical scholars are familiar with the term ‘intertextuality’, but few can agree on the nature of the concept or how readers should identify intertextual relationships among texts. Some scholars employ a purely synchronic approach when reading texts together, emphasizing the autonomy of the reader in attributing meaning to textual connections. Other scholars pursue a more diachronic approach, seeking to uncover the specific links to precursor texts that the author wants readers to perceive. Within and between these two groups, disagreements also persist over how to differentiate legitimate intertextual connections from coincidental similarities, as well as how to exegete interrelated texts in light of their connections. This article surveys literature from the past twenty years that aims to answer these questions. None of these answers have brought about consensus, and perhaps the best solution is to label some of these studies by a name other than ‘intertextuality’.


2021 ◽  
Vol 26 (1) ◽  
pp. 44-55
Author(s):  
N. Mikhaylovna Malygina ◽  

The relevance of the article is determined by the researcher of the semantic poetics of Platonov’s story “Potudan River”. We carry out an analytical review of the lifetime criticism and articles of modern researchers about the story, on the basis of which we formulate the purpose of the study, due to the need for a new approach to the interpretation of the work and the identification of the principles of its poetics. The novelty of the article is determined by the identification of the multilayered symbolism of the title of the story, which allows to establish the insufficiency of the conclusions that the content of the “Potudan River” is limited to the family theme. At the level of micropoetics we reveal symbolic details that connect the content of the story with the motive of love for the distant, medical and construction subjects and revealing the planetary scale of the author’s thinking. For the first time, it was established that Platonov’s story “Potudan River” was written based on part of the plot of the novel “Chevengur” – the love story of Alexander Dvanov and Sonya Mandrova. We show that the heroes of the story “Potudan River” Nikita Firsov, Lyuba Kuznetsova and Nikita’s father are doubles of the characters in the novel “Chevengur” by Sasha Dvanov, Sonya Mandrova, and Zakhar Pavlovich. The connection of the image of Lyuba with the archetype of the bride is considered. The paper reveals for the first time the intertextual connections of the story “Potudan River” with the poem “The Bronze Horseman” and the novel in verse “Eugene Onegin” by A. Pushkin, in the texts of which the writer found material for modeling the ordinary fate of the hero. Multi-level connections of the content of the story “Potudan River” with Platonov’s artistic world, which is a complete metatext, are found, which opens up new opportunities for determining the role of the editing technique and the principles of returning to the plots and motives of the works of the 1920s, as well as their transformation in the writer’s work of the 1930s.


2021 ◽  
pp. 1-5
Author(s):  
B. Ian Hutchins

Abstract Open citation data can improve the transparency and robustness of scientific portfolio analysis, improve science policy decision-making, stimulate downstream commercial activity, and increase the discoverability of scientific articles. Once sparsely populated, public-domain citation databases crossed a threshold of one billion citations in February 2021. Shortly thereafter, the threshold of one billion public domain citations from the Crossref database alone was crossed. As the relative advantage of withholding data in closed databases has diminished with the flood of public domain data, this likely constitutes an irreversible change in the citation data ecosystem. The successes of this movement can guide future open data efforts.


2003 ◽  
Vol 25 (3) ◽  
pp. 109-121 ◽  
Author(s):  
Thomas A. Krouskop ◽  
Pamela S. Younes ◽  
Seshadri Srinivasan ◽  
Thomas Wheeler ◽  
Jonathan Ophir

In a previous study, it was noted that in some cases when compressive strains greater than about 5% were applied to tumors removed from the breast, there was an abrupt and irreversible change in the tissue stiffness. The data from that study were further analyzed and infiltrating ductal carcinomas with and without lobular features were selected for additional testing to explore their behavior under compressive strains from 0–10%. Fresh tumor samples were tested using a servo-hydraulic Instron testing machine to apply ramp type displacement loads to the samples. The results show that when strains greater than 5% are applied to the tumor tissue without lobular features, there is an irreversible decrease in the stiffness of the tissue while no such change is noted in the other tumor tissue. The implications for this behavior in making mammographic and elastographic images of the breast were then explored using finite element simulations to determine under what compression conditions could the critical strain threshold be reached in the tumor tissue.


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