The Tempering Frame
Keyword(s):
Ernie Gehr has worked in both film and digital media. This chapter examines several key works representative of both media. In contrast to critical approaches that see Gehr’s work as purely cognitive or structural exercises, the author argues that it has a deeply personal dimension, the sources of which can be traced to his childhood, and even earlier, to his parents’ experiences during the Second World War. Gehr’s incorrigible sense of play and fascination with magic are explored as essential to his love affair with motion picture media. His use of the frame in both media is particularly stressed as having a strong psychic function, not unlike that of the holding environment provided in psychoanalytic therapy.