scholarly journals Remediating the past: YouTube and Second World War memory in Ukraine and Russia

2017 ◽  
Vol 13 (2) ◽  
pp. 146-161 ◽  
Author(s):  
Mykola Makhortykh

This article examines how Second World War memory is circulated, reproduced, and challenged in the transnational space of digital media by Ukrainian and Russian Internet users. Using as a case study one episode of the war on the Eastern Front—the capture of the Ukrainian capital, Kyiv, by the Red Army in 1943—it investigates how this event is commemorated through YouTube, which is a popular online platform for uploading, viewing, and commenting on audiovisual materials. This article employs content analysis to assess audiovisual tributes to the Battle of Kyiv from two perspectives: that of representation (how the event is presented on YouTube) and that of interaction (how YouTube users interact with memory of the event). This article concludes that although YouTube is frequently used for the propagation of nationalistic interpretations of the past in Ukraine and Russia, it still has the potential to democratize collective remembrance of the Second World War.

2020 ◽  
Vol 18 (2) ◽  
pp. 9-32
Author(s):  
Vjeran Pavlaković

This article provides an overview of some of the most prevalent topics in post-Yugoslav memory politics as well as on some of the scholars working on these issues, focusing on the commemorative practices of the Second World War and the wars of the 1990s. Thirty years after the Socialist Federal Republic of Yugoslavia’s disintegration, the discourse of post-war memory politics continues to dominate nearly all of the successor states, even though two of them have seemingly left the past behind to join the European Union. While the wars of the 1990s created an entirely new memoryscape in the region, they also radically transformed the way in which each country commemorated the Second World War. Although the article examines in-depth the collective remembrance of sites of memory, such as Jasenovac, Bleiburg, and Knin, trends across the broader region are also addressed. The work of young scholars, as well as experienced researchers, who have introduced innovative approaches in memory studies in the former Yugoslavia, is highlighted to show how new studies focus on the cultural reproduction of dominant narratives in addition to top-down political discourse.


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


1973 ◽  
Vol 12 (2) ◽  
pp. 181-188
Author(s):  
Rafiq Ahmad

Like nations and civilizations, sciences also pass through period of crises when established theories are overthrown by the unpredictable behaviour of events. Economics is passing through such a crisis. The challenge thrown by the Great Depression of early 1930s took a decade before Keynes re-established the supremacy of economics. But this supremacy has again been upset by the crisis of poverty in the vast under-developed world which attained political independence after the Second World War. Poverty had always existed but never before had it been of such concern to economists as during the past twenty five years or so. Economic literature dealing with this problem has piled up but so have the agonies of poverty. No plausible and well-integrated theory of economic development or under-development has emerged so far, though brilliant advances have been made in isolated directions.


Author(s):  
Magdalena Saryusz-Wolska

The article focuses on advertisements as visual and historical sources. The material comes from the German press that appeared immediately after the end of the Second World War. During this time, all kinds of products were scarce. In comparison to this, colorful advertisements of luxury products are more than noteworthy. What do these images tell us about the early post-war years in Germany? The author argues that advertisements are a medium that shapes social norms. Rather than reflecting the historical realities, advertisements construct them. From an aesthetical and cultural point of view, advertisements gave thus a sense of continuity between the pre- and post-war years. The author suggests, therefore, that the advertisements should not be treated as a source for economic history. They are, however, important for studying social developments that occurred in the past.


Modern Italy ◽  
2021 ◽  
pp. 1-22
Author(s):  
Gianmarco Mancosu

This article aims to expose the political and cultural processes that contributed to the eradication of problematic memories of the Italian colonial period during the national reconstruction following the Second World War. It offers a systematic examination of newsreels and documentaries about the Italian former colonies that were produced between 1946 and 1960, a film corpus that has largely been neglected by previous scholarship. The article first dissects the ambiguous political scenario that characterised the production of this footage through the study of original archival findings. The footage configured a particular form of self-exculpatory memory, which obstructed a thorough critique of the colonial period while articulating a new discourse about the future presence of Italy in the former colonies. This seems to be a case of aphasia rather than amnesia, insofar as the films addressed not an absence, but an inability to comprehend and articulate a critical discourse about the past. This aphasic configuration of colonial memories will be tackled through a close reading of the voice-over and commentary. In so doing, this work suggests that the footage actively contributed to spread un-problematised narratives and memories about the colonial period, whose results still infiltrate Italian contemporary society, politics and culture.


1997 ◽  
Vol 6 (2) ◽  
pp. 193-208
Author(s):  
Neil Gregor

Since the end of the war itself, research on the German economy during the Second World War has focused – explicitly or implicitly – on the search for an explanation of the disparities in armaments and output between the first and second halves of the war. In the first half of the war, up until the winter of 1941–2, the development of armaments production was characterised by more or less stable levels of output against the background of the series of swift and successful military campaigns in Poland and in the West. This stands in stark contrast to the second half, which witnessed a radical increase in aggregate armaments output which lasted well into the summer of 1944, and which saw tank production reach 589 per cent of the level at which it had stood in January 1942, weapons production reach 382 per cent of its January 1942 level, and aircraft production 367 per cent of its January 1942 level over the same period, to name some of the most obvious successes. These increases were all the more astonishing for the fact that they were achieved against the background of a massive war of attrition on the Eastern Front which placed demands on German resources and drew male labour from German factories into the Wehrmacht on a scale out of all proportion to that experienced in the first half of the war.


2019 ◽  
Vol 4 (4) ◽  
pp. 218-234
Author(s):  
PURMER MICHIEL ◽  
HENK BAAS

Threatened ruins. Castle remains in the Dutch landscape anno 2019 In The Netherlands, around 80 castle ruins are preserved. In 1997, a book was dedicated to the castle ruin. A year later, one of the authors of this paper investigated castle remains as part of a historical geographical inventory. In 2012, the Dutch State Heritage Agency wrote a practical guide for the conservation and development of castle ruins. In this article, the authors describe the development of ruins in the past 20 years. They tried to investigate the development of the castle ruins since the late nineties and tried to categorize this. Rebuilding of the castle, partly or totally, appeared in almost 10% of all ruins. In other cases, there was attention for the touristic infrastructure around the ruin. In most cases however (68%), the ruins stayed more or less intact, with sometimes careful consolidation or restoration. Sometimes, the surroundings of the ruin changed dramatically with the development of housing, infrastructure or other forms of urbanization. In other examples, historical gardens were restored or reconstructed. There are however several plans for the rebuilding or reconstruction of ruins. These plans often provide the new castle with functions, from wedding location to hotel or office-space. This could be a good development for castles destroyed relatively short ago, i.e. in the Second World War or in de postwar period. Many ruins are however destroyed centuries ago. Given the limited amount of ruins in The Netherlands and the sometimes centuries old development of the landscape and the ruin itself, the authors plea for more attention for the castle ruins as such.


Antiquity ◽  
2021 ◽  
pp. 1-19
Author(s):  
Anna I. Zalewska ◽  
Grzegorz Kiarszys

While the Western Front of the Great (or First World) War is deeply engrained in the European historical consciousness, memories of the Eastern Front are less prominent. Here, events have been repressed, obscured by the subsequent experience of the Second World War and by heritage policy in the region. The authors present the results of archaeological investigations of a battlefield in central Poland, where static trench warfare was fought between December 1914 and July 1915. A unique landscape palimpsest was formed, the present neglected state of which is a material expression of contemporary attitudes to the legacy of the forgotten Eastern Front. The study illustrates the wider intersection of warfare, identity and memory.


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