Introduction

2021 ◽  
pp. 1-20
Author(s):  
Lonán Ó Briain

This introduction delineates the three main pillars of the book. Red music is defined within the context of the Vietnamese music industry and compared with propaganda music in other communist countries. The concept of a continuous revolution is described through reference to literature from political thinkers in Vietnam and the wider communist world. Radio and the voice are assessed as key themes in recent anthropological studies. This is followed by a review of the social history of sound reproduction, which is considered in the fields of ethnomusicology, sound studies, radio studies, and related fields. After outlining the research methodology (ethnographic and archival approaches) and structure of the book, the introduction concludes with notes on language, recordings, and musical transcriptions.

1964 ◽  
Vol 9 (2) ◽  
pp. 286-297 ◽  
Author(s):  
D. Labelle

A letter from Dmitrii Blagoev, Bulgarian Social Democrat and later leader of the Communist Party of Bulgaria, has been preserved in the archive of A. N. Potresov at the International Institute of Social History in Amsterdam. In reply to an inquiry fromD. Kol'tsov, who was preparing a Russian edition of Alphonse Thun's well-known history of the Russian revolutionary movement, Blagoev wrote twelve pages describing his activity in 1883–85 as a member of the first significant Social Democratic circle in Russia. Kol'tsov published extracts from the letter in his edition of Thun, including the Social Democratic program which Blagoev had published in Bulgaria subsequent to his expulsion from Russia in 1885. Kol'tsov's pen, however, struck out some of the more interesting biographical passages, and corrected Blagoev's good, if somewhat erratic Russian. It is particularly interesting to note Blagoev's references to the intellectual bases for a socialist Weltanschauung in the middle 1880's: Lassalle, Lavrov and Chernyshevskii appear beside Marx in the posts of honor. No less interesting is the question which Blagoev raised in this letter – whether the lack of clarity of Socialist views in 1885 was connected in any way with the rise of Economism among workers and socialist intellectuals in the Russian capital during the closing years of the last century. Literature on the Blagoev circle is not lacking, but there is a shortage of sound studies on the relationships between Marxism and indigenous Russian political philosophies between 1880 and 1895.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


2008 ◽  
Vol 31 (1) ◽  
pp. 7-7

In this opening issue of volume 31 we are presented with both nuanced and bold entry into several long enduring issues and topics stitching together the interdisciplinary fabric comprising ethnic studies. The authors of these articles bring to our attention social, cultural and economic issues shaping lively discourse in ethnic studies. They also bring to our attention interpretations of the meaning and significance of ethnic cultural contributions to the social history of this nation - past and present.


Author(s):  
Miguel Alarcão

Textualizing the memory(ies) of physical and cultural encounter(s) between Self and Other, travel literature/writing often combines subjectivity with documental information which may prove relevant to better assess mentalities, everyday life and the social history of any given ‘timeplace’. That is the case with Growing up English. Memories of Portugal 1907-1930, by D. J. Baylis (née Bucknall), prefaced by Peter Mollet as “(…) a remarkably vivid and well written observation of the times expressed with humour and not little ‘carinho’. In all they make excellent reading especially for those of us interested in the recent past.” (Baylis: 2)


Author(s):  
Christy Constantakopoulou

This chapter provides a methodological discussion on how to use the evidence included in the Delian inventories in order to write the social history of the dedicants. The inventories were produced by the Delian hieropoioi and recorded on an annual basis the dedications kept in the Delian treasuries. The chapter focuses particularly on dedications which are attached to named individuals and communities. It then discusses the material according to the parameters of gender, individual versus community dedications, elite dedicants, and distance of travel. Using the inventories we are able to reconstruct who came to the Delian sanctuary to dedicate objects.


Author(s):  
Nisha P R

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.


Author(s):  
Svend Brinkmann ◽  
Michael Hviid Jacobsen ◽  
Søren Kristiansen

Qualitative research does not represent a monolithic, agreed-on approach to research but is a vibrant and contested field with many contradictions and different perspectives. To respect the multivoicedness of qualitative research, this chapter will approach its history in the plural—as a variety of histories. The chapter will work polyvocally and focus on six histories of qualitative research, which are sometimes overlapping, sometimes in conflict, and sometimes even incommensurable. They can be considered articulations of different discourses about the history of the field, which compete for researchers’ attention. The six histories are: (a) the conceptual history of qualitative research, (b) the internal history of qualitative research, (c) the marginalizing history of qualitative research, (d) the repressed history of qualitative research, (e) the social history of qualitative research, and (f) the technological history of qualitative research.


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