A Fake Saint and the True Church

2021 ◽  
Author(s):  
Stefania Tutino
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Family Tree ◽  
The Family ◽  
Kingdom Of Naples ◽  
The Relationship

This book uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni’s wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni’s case to the Roman Curia. The Catholic authorities immediately realized that the sources were forged and that Giovanni was not real (let alone holy). Yet it took more than two decades before the forgery was exposed: why? Vividly reconstructing the intricate case of the supposed saint, the book reveals the tensions between historical and theological truth. How much could the truth of doctrine depend on the truth of the facts before religion lost its connection with the supernatural? To what extent could theology ignore the truth of history without ending up engulfed in falsity and deceit? This story of a fake saint illuminates early modern tensions. But the struggles to distinguish between facts, opinions, and beliefs remain with us. Examining how our predecessors dealt with the relationship between truth and authenticity guides us too in thinking through what is true and what is not.

Afterword

2018 ◽  
Author(s):  
Victoria Brownlee
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Popular Entertainment ◽  
Departure Point ◽  
The Bible ◽  
The Relationship

The recent upturn in biblically based films in Anglophone cinema is the departure point for this Afterword reflecting on the Bible’s impact on popular entertainment and literature in early modern England. Providing a survey of the book’s themes, and drawing together the central arguments, the discussion reminds that literary writers not only read and used the Bible in different ways to different ends, but also imbibed and scrutinized dominant interpretative principles and practices in their work. With this in mind, the Afterword outlines the need for further research into the relationship between biblical readings and literary writings in sixteenth- and seventeenth-century Europe.

The Oxford Handbook of Shakespeare and Dance

2019 ◽  
Keyword(s):  
Seventeenth Century ◽  
William Shakespeare ◽  
Early Modern ◽  
Reference Point ◽  
The Body ◽  
Single Source ◽  
Dance Studies ◽  
Disciplinary Field ◽  
The Relationship ◽  
Integral Feature

The Oxford Handbook of Shakespeare and Dance is the first collection of essays to examine the relationship between William Shakespeare and dance. Despite recent academic interest in movement, materiality, and the body—and the growth of dance studies as a disciplinary field—Shakespeare’s employment of dance as both a theatrical device and thematic reference point remains under-studied. The reimagining of his writing as dance works is also neglected as a subject for research. Alan Brissenden’s 1981 Shakespeare and the Dance remains the seminal text for those interested in early modern dancing and its appearances within Shakespearean drama, but this new volume provides a single source of reference for dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement.

Stancetaking in seventeenth-century prefaces on obstetrics

2014 ◽  
Vol 15 (1) ◽  
pp. 1-35 ◽  
Author(s):  
Francisco Alonso Almeida ◽  
Margarita Mele-Marrero
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Power Relationship ◽  
Epistemic Stance ◽  
Authorial Identity ◽  
Early Modern English ◽  
The Relationship

This paper deals with authorial stance in prefatory material of Early Modern English manuals on women’s diseases. Publications on this field from between 1612 and 1699 constitute our corpus of study. Original digitalised texts have been analysed manually to identify and detect structures concerning authorial identity and stance, according to the model developed by Marín-Arrese (2009). This model for the identification of effective and epistemic stance strategies enables us to describe both the relationship between the authors and their texts and, more specifically, the power relationship between the writers and their audience. One of the most important conclusions of this study concerns the strategic use of stance markers to enhance the quality of these books and make them appropriate for a wide variety of readers.

Cultures of collecting

2021 ◽  
pp. 138-164
Author(s):  
David Pearson
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Medieval Manuscripts ◽  
Printed Books ◽  
Book Collecting ◽  
The Right ◽  
The Relationship ◽  
Material Evidence

Studies of private libraries and their owners invariably talk about ‘book collecting’—is this the right terminology? After summarizing our broadly held understanding of the evolution of bibliophile collecting from the eighteenth century onwards, this chapter considers the extent to which similar behaviours can be detected (or not) in the seventeenth, drawing on the material evidence of bookbindings, wording in wills, and other sources. Do we find subject-based collecting, of the kind we are familiar with today, as a characteristic of early modern book owners? Some distinctions are recognized in ways in which medieval manuscripts (as opposed to printed books) were brought together at this time. The relationship between libraries and museums, and contemporary attitudes to them, is explored. The concluding argument is that ‘collecting’ is a careless word to use in the seventeenth-century context; just as we should talk about users rather than readers, we should use ‘owners’ rather than ‘collectors’ as the default term, unless there is evidence to the contrary.

The Making of a Success Story

2021 ◽  
pp. 18-32
Author(s):  
Stefania Tutino
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Historical Context ◽  
Power Dynamics ◽  
High Ranking ◽  
The Social ◽  
Kingdom Of Naples ◽  
High Ranking Official ◽  
Main Protagonist ◽  
Political Economic

This chapter introduces the main protagonist of the book: Carlo Calà Duke of Diano, a jurist and high-ranking official in the viceregal administration. This chapter also sets the historical context of the story of the forgery by describing the main political, economic, social, and religious characteristics of the Kingdom of Naples in the seventeenth century. More specifically, this chapter explains the social, cultural, and intellectual advantages that a noble pedigree conferred to the Neapolitan non-aristocratic elites; explores the main sources of tension between the papacy and the Neapolitan viceroy; sheds light on the power dynamics between the Roman Inquisition and the local ecclesiastical leaders; and introduces the complexities of the liturgical and devotional life of early modern Catholics.

European Maritime Violence and Territorial States in Early Modern Asia, 1600-1650

Itinerario ◽  
2009 ◽  
Vol 33 (3) ◽  
pp. 72-94 ◽  
Author(s):  
Adam Clulow
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Open Ocean ◽  
Port Cities ◽  
Dominant Position ◽  
Frequent Use ◽  
Commercial Networks ◽  
Territorial States ◽  
The Relationship ◽  
Open Port

The European overseas enterprises that began to push into Asian waters in the sixteenth and seventeenth centuries were maritime organisations geared towards commerce and seaborne warfare. As such, they looked very different from the powerful territorial states like Mughal India that traditionally dominated early modern Asia, and they were able to create a new kind of empire consisting of a network of fortified ports and trading centres connected by long sea routes. The construction of these empires was initially driven and subsequently sustained by maritime technology. To borrow Carlo Cipolla's words, guns, sails, and empire were always bound tightly together in this period. European vessels held a significant advantage over local shipping; neither the wealthiest groups of merchants nor the most formidable Asian states were in a position to field maritime forces that could challenge them on the open ocean. In virtually every encounter at sea, ships from Europe were able to inflict overwhelming defeats on the fleets assembled to oppose them. Since it represented their most significant advantage, Europeans made frequent use of maritime violence: against competing merchant groups (in order to disrupt commercial networks and to gain a dominant position), and against Asian states (to pry open port cities and improve trading conditions). This article explores the role played by maritime violence in the relationship between European overseas enterprises and two powerful territorial states, Mughal India (1526-1757) and Tokugawa Japan (1600-1868), in the first half of the seventeenth century.

scholarly journals THE INNER LIVES OF EARLY MODERN TRAVEL

2018 ◽  
Vol 62 (2) ◽  
pp. 349-373 ◽  
Author(s):  
MARK R. F. WILLIAMS
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Material Objects ◽  
Grand Tour ◽  
Cultural Engagement ◽  
The Family ◽  
The Many ◽  
Long Eighteenth Century

AbstractThis article assesses the role of memory, interiority, and intergenerational relations in the framing of early modern experiences and narratives of travel. It adopts as its focus three generations of the Clerk family of Penicuik, Scotland, whose travels through Europe from the mid-seventeenth century onward proved formative in the creation of varied ‘cosmopolitan’ stances within the family. While such widely studied practices as the ‘Grand Tour’ have drawn on discourses of encounter and cultural engagement within the broader narratives of the ‘long’ eighteenth century, this article reveals a family made deeply anxious by the consequences of travel, both during and after the act. Using diaries, manuscript correspondence, memoirs, and material objects, this article reveals the many ways in which travel was fashioned before, during, and long after it was undertaken. By shifting focus away from the act of travel itself and towards its subsequent afterlives, it explores the ways in which these individuals internalized what they experienced in the course of travel, how they reconciled it with the familiar, quotidian world to which they returned, and how the ‘cosmopolitan’ worldviews they brought home were made to inform the generations that followed.

Body and Soul

2017 ◽  
Author(s):  
Margaret Ezell
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
The Body ◽  
English Civil War ◽  
Individual Identity ◽  
Focal Points ◽  
Fertile Ground ◽  
Body And Soul ◽  
Classical Philosophy ◽  
The Relationship

During the late sixteenth and early seventeenth centuries, the soul, its nature, and its relationship with the body became focal points for religious, medical, political, and ethical debates, and the choice of vocabulary itself had profound implications in how human and divine nature were represented in early modern English writings. The perceived complexities of the relationship between the body and the soul as delineated in competing schools of classical philosophy provided English writers a fertile ground for analysing the human experience in general and the nature of individual identity. Debates over what happens to the body and the soul at death and at resurrection permeate the writings of the period. During the English Civil War years they were markers of both political and religious affiliations, and this chapter demonstrates how the medical turn in the late seventeenth century focused increasing attention on the separation of soul and mind.

scholarly journals The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England*

2013 ◽  
Vol 66 (3) ◽  
pp. 866-903 ◽  
Author(s):  
Sara Trevisan
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Rare Case ◽  
Early Modern England ◽  
Historical Knowledge ◽  
Complex Product ◽  
Problematic Relationship ◽  
History Of ◽  
The Impact ◽  
The Relationship

AbstractThe relationship between poetry and painting has been one of the most debated issues in the history of criticism. The present article explores this problematic relationship in the context of sixteenth- and seventeenth-century England, taking into account theories of rhetoric, visual perception, and art. It analyzes a rare case in which a specific school of painting directly inspired poetry: in particular, the ways in which the Netherlandish landscape tradition influenced natural descriptions in the poem Poly-Olbion (1612, 1622) by Michael Drayton (1563–1631). Drayton — under the influence of the artistic principles of landscape depiction as explained in Henry Peacham’s art manuals, as well as of direct observation of Dutch and Flemish landscape prints and paintings — successfully managed to render pictorial landscapes into poetry. Through practical examples, this essay will thoroughly demonstrate that rhetoric is capable of emulating pictorial styles in a way that presupposes specialized art-historical knowledge, and that pictorialism can be the complex product as much of poetry and rhetoric as of painting and art-theoretical vocabulary.

ARISTOTELIANISM, DESCARTES, AND HOBBES

2007 ◽  
Vol 50 (2) ◽  
pp. 449-464 ◽  
Author(s):  
MICHAEL EDWARDS
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Recent Work ◽  
Natural Philosophy ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

The historiography of early modern Aristotelian philosophy and its relationship with its seventeenth-century critics, such as Hobbes and Descartes, has expanded in recent years. This article explores the dynamics of this project, focusing on a tendency to complicate and divide up the category of Aristotelianism into multiple ‘Aristotelianisms’, and the significance of this move for attempts to write a contextual history of the relationship of Hobbes and Descartes to their Aristotelian contemporaries and predecessors. In particular, it considers recent work on Cartesian and Hobbesian natural philosophy, and the ways in which historians have related the different forms of early modern Aristotelianism to the projects of the novatores.

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