Opera against the Odds

2021 ◽  
pp. 177-200
Author(s):  
Katharine Ellis

Until 1864, provincial opera operated within a Napoleonic system designed to ensure hierarchically ordered provision for large and smaller towns nationwide and in the colonies. Discussion of how the system worked, how it was funded, how it served indirectly to erase regional difference, and how raw material from Paris (Grand Opera and the voice types it required) became too expensive, helps explain why the system was already at a breaking point by the 1830s, catalyzing heated local and local–national debates. The significance of provincial opera’s travails, its competitors in the entertainment sector from café-concert to radio, and the importance of two regional triumphs—Wagner and open-air opera—become clear in the light of this Paris-generated organizational history. Considerations of decentralization shift at this point to those of the tensions between genre of “national opera” and the centrifugal forces of cultural regionalism (with its attendant identitarian concerns), using the nature and significance of operatic “local color” as a test bed.


2015 ◽  
Vol 74 (1) ◽  
Author(s):  
Ishtiak Al Mamoon ◽  
A. K. M Muzahidul Islam ◽  
Sabariah Baharun

In recent years, medical call centers have started using IP telephony services to minimize the overhead telecom expenses. However, the advent of Voice-Over-IP (VoIP) technology has also created a major discontinuity in telecommunication sector due to illegal VoIP or gray calls, causing a great impact on the voice market. This brought few challenges to the countries’ regulatory bodies. In this paper, we spell out one of the key challenges: in order to mitigate illegal VoIP calls, whether the regulatory body should allow IP telephony to be practiced for both domestic and international voice driven tele-medical consultation  center operation combined or separately. We propose architecture and schemes for a medical call center. We also propose some guidelines and/or policies for both call center operator and the telecom regulatory authority. The proposed architecture and schemes are implemented in a pilot project basis in two phases and the test bed result is presented in this article.



2020 ◽  
Author(s):  
Kensy Cooperrider ◽  
Kate Mesh

[opening paragraph] Human communication is composite (e.g., Clark 2016; Enfield 2009; Ferrara and Hodge 2018; Holler and Levinson 2019). It involves the voice, face, hands, and rest of the body. It integrates categorical elements and gradient ones; highly conventional and ad hoc forms; arbitrary symbols and motivated signals. This is true of spoken communication and it is true—in equal measure—of signed communication. Both speakers and signers stitch these different types of components into a seamless whole. Some of these components are historically considered a core part of language, others marginal, and still others are thought to be something else entirely—gestural, expressive, paralinguistic (for discussion, see, e.g., Dingemanse 2018; Goldin-Meadow and Brentari 2017; Müller 2018). Regardless of whether one considers the language/ non-language divide fundamental, fuzzy, or fictitious, there is widespread agreement that certain communicative phenomena haunt the boundaries in ways that prove revealing. Chief among these are cases where both speakers and signers make use of the same bodily raw material, but in putatively very different ways: flashes and furrows of the brow; imitations of actions; depictions of size, shape, and arrangement. Here, we analyze one of these similar- looking forms in detail: pointing. The case of pointing shows, first, how a single semiotic tool can be put to many uses and, second, how speakers and signers use this tool in some ways that are similar and other ways that are different.



Author(s):  
Zigrīda Krīgere

The focus of this paper is the analysis and research of the biographical factors that have influenced the longevity of the voice of opera soloist Karlis Zarins. The following materials have been used: singer biographies, partially structured interviews with K. Zarins and the doctor Dins Sumerags, internet resources, researches regarding factors influencing the voice, materials of vocal methodic, the personal stage experience and the observations from pedagogical practice of the author. It is concluded that the phenomenon of vocal longevity on stage relates to singers whose qualities of voice keep the characteristics of young and thriving voice – the freshness of timbre and endurance in an unusually long period of time, which considerably exceeds the statistical measurements of the average vocal ageing. The longevity of K. Zarins relates to four aspects: congenial physical and musical talents, the influence of social and natural surroundings, the creation of vocal competence during the studies and lifelong learning in professional, artistic and pedagogical areas. In this research, the components influencing K. Zarins phenomenon are observed.



2016 ◽  
Vol 57 (3-4) ◽  
pp. 349-359
Author(s):  
Jiří Kopecký

If Bedřich Smetana is thought to be the father of Czech national opera, Antonín Dvořák and Zdeněk Fibich would be his sons. Czech critics as well as the public expected that Smetana’s successors would bring Czech opera to international recognition. Dvořák and Fibich gave increased attention to opera composition during the 1890s and the beginning of the twentieth century. They both crowned their achievements with monumental operas on subjects with historical settings: Fibich’s The Fall of Arkona (1900) and Dvořák‘s Armida (1904). The reason for this apparent coincidence was, in part, that these works were written after Wagner’s operas and before the operatic successes of Richard Strauss, when it was possible to devise free combinations of symphonically composed scenes, arioso-like vocal lines influenced by verismo, and the dramaturgical effects of grand opera. As a praised model for successful historical opera might have served Karl Goldmark’s famous work Die Königin von Saba, especially in the case of Fibich’s last opera, which was explicitly compared with Goldmark’s opera. Operas on historical subjects form a little-known part of the works of Czech composers, but they extend from Smetana’s piece The Brandenburgers in Bohemia through the late operas of Dvořák and Fibich to Janáček’s two-part opera The Excursions of Mr Brouček. It is a line of operas that present an unforgettable counterpart to many successful Czech theatrical compositions – representative operas and intimate tragedies, comic operas and fairy tales, generally written on subjects from Czech villages and mythology, including Smetana’s Bartered Bride and Libuše, Fibich’s The Tempest and Šárka, Dvořák’s Jakobín, Kate and the Devil and Rusalka, Josef Bohuslav Foerster’s Eva, as well as Leoš Janáček’s Jenůfa.



Author(s):  
Vaishak Ramesh Sagar ◽  
Samuel Lorin ◽  
Johan Göhl ◽  
Johannes Quist ◽  
Christoffer Cromvik ◽  
...  

Abstract Selective laser melting process is a powder bed fusion additive manufacturing process that finds applications in aerospace and medical industries for its ability to produce complex geometry parts. As the raw material used is in powder form, particle size distribution (PSD) is a significant characteristic that influences the build quality in turn affecting the functionality and aesthetics aspects of the end product. This paper investigates the effect of PSD on deformation for 316L stainless steel powder, where three coupled in-house simulation tools based on Discrete Element Method (DEM), Computational Fluid Dynamics (CFD), and Structural Mechanics are employed. DEM is used for simulating the powder distribution based on the different particle size distribution of the powder. The CFD is used as a virtual test bed to determine thermal parameters such as density, heat capacity and thermal conductivity of the powder bed viewed as a continuum. The values found as a stochastic function of the powder distribution is used to test the sensitivity of the melted zone and distortion using Structural Mechanics. Results showed significant influence of particle size distribution on the packing density, surface height, surface roughness, the stress state and displacement of the melted zone. The results will serve as a catalyst in developing geometry assurance strategies to minimize the effect of particle size distribution on the geometric quality of the printed part.



1984 ◽  
Vol 15 (1) ◽  
pp. 51-57
Author(s):  
Sandra Q. Miller ◽  
Charles L. Madison

The purpose of this article is to show how one urban school district dealt with a perceived need to improve its effectiveness in diagnosing and treating voice disorders. The local school district established semiannual voice clinics. Students aged 5-18 were referred, screened, and selected for the clinics if they appeared to have a chronic voice problem. The specific procedures used in setting up the voice clinics and the subsequent changes made over a 10-year period are presented.



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