An Introduction to Modernist Non-Translation

Author(s):  
Jason Harding ◽  
John Nash

This first essay in the volume constitutes a substantial and wide-ranging introduction to this neglected topic, establishing the importance of untranslated fragments in modernist writing. The chapter expounds the complexities of the term ‘non-translation’, differentiating the practice from multilingualism, reading it alongside modern translation theory and practice. It situates modernist non-translation among a number of crucial contexts in intellectual history and literary theory: the ‘linguistic turn’ explored by contemporary philosophers, linguists, literary theorists, and critics; and examines broader sociopolitical issues relating to nationalism and language, the rise of English as an (imperial) global language, and the standardization of English. This introduction foregrounds key hermeneutical difficulties surrounding untranslatability and concerning reading or interpreting modernist non-translation, thus preparing the ground for the following chapters.

Author(s):  
Grigorii I. Nesmeyanov ◽  

The article formulates main questions related to the concept of context. The issue of context is considered as a current-day interdisciplinary field of research. There are many definitions of context in dictionaries and in various humanities (including scientific disciplines). In connection with that issue various methodological approaches arise in the humanities, which can be designated by the umbrella term “contextual”. By the example of one of such approaches to the sociological poetics of the “Bakhtin’s circle”, the author substantiates the possibility of creating an interdisciplinary classification of contextual approaches. That classification may include scientific developments of different years and research fields, including: philosophical hermeneutics, a number of approaches to the Russian and foreign literary theory (M.M. Bakhtin, Yu.M. Lotman, B.M. Eichenbaum, F. Moretti, A. Compagnon, etc.), intellectual history, discourse analysis, etc.


Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Guangxu Zhao

Abstract For some Western translators before the twentieth century, domestication was their strategy to translate the classical Chinese poetry into English. But the consequence of this strategy was the sacrifice of the ideogrammic nature of these poems. The translators in the twentieth century, especially the Imagist poets and translators in the 1930s, overcame the problems of their predecessors and their translation theory and practice was close to that of the contemporary semiotic translators. But both Imagist translators and contemporary semiotic translators have the problem of indifference to the feeling of the original in their translations. For the problem of translating the classical Chinese poetry by the Westerners before the twentieth century and the Imagist poets and translators of the twentieth century, see Zhao and Flotow 2018. This paper attempts to set up an aesthetic-semiotic approach to the translation of the iconicity of classical Chinese poetry on the basis of the examination of both Eastern and Western translation studies.


Author(s):  
Brian James Baer

Abstract The ideological incommensurability of the worldviews or master narratives represented by the two opposing superpowers during the Cold War and embodied in the image of an impenetrable iron curtain gave particular salience to translation theory while also questioning the very possibility of translation. At the same time, the neoimperialist projects of the two superpowers produced startlingly similar approaches to the instrumentalization of translation as a vehicle for propaganda and diplomacy. Presenting polarization as a distinct state of semiosis, the effects of which are highly unpredictable, this article explores the various ways in which the radical polarization of the Cold War shaped the theory and practice of translation both within and across the ideological divide. Plotting the entanglements of the light and dark sides of translation during this time challenges traditional histories of the field that construe the period as one of progress and liberation.


Target ◽  
2009 ◽  
Vol 21 (2) ◽  
pp. 333-357 ◽  
Author(s):  
Paola Venturi

Translations are facts of target cultures, but the perceived status of source texts has a bearing on how these are reflected or refracted in the target language. This proposition is particularly evident in the case of classics: when translators have to work on literary creations occupying a pivotal position in the source/target cultures, they adopt strategies of literalness and ennoblement which betray a quasi-religious awe—on the one hand, a desire to ruffle the surface of the revered original as little as possible; and on the other, a determination to reproduce the supposed ‘classical qualities’ of the classic even when they are not present in the source. In the following article, I examine how the ‘idea of classic’ influences translation theory and practice, substantiating my theoretical observations by looking at Italian translations of English classics. A marked—and historically determined—disparity between source and target readerships, and the translators’ reverence for their prestigious originals, conspire to produce Italian versions which are much more ‘wooden’ and ‘elegant’ than their English counterparts.


2021 ◽  
pp. 10-20
Author(s):  
Tamara Kavytska

The relationship between translation theory and translation pedagogy is undeniable. Translation studies developed, in fact, as a result of analysis and theoretical generalization of both professional and classroom translation activities. However, the views on the role of theory in translation instruction are rather controversial. Moreover, even though numerous studies have given detailed insights into translation theories, there are still issues to consider. Unexplored are didactic aspects of translation theories: to our knowledge, no research has discussed the didactic contribution of translation theorists to translation pedagogy. Hence the purpose of the paper is to carry out a critical analysis of literary, linguistic, communicative, and cognitive translation theories with a view to exploring and interpreting their didactic strengths and weaknesses. The research methodology relies on the analysis of available literature as well as textbooks in translation practice to discover the didactic contribution of translation theories to translation pedagogy. Noteworthy is the fact that every translation theory has contributed to the development of translation pedagogy as a branch of applied linguistics. Among the major gains of literary theory is textual approach to learning and teaching translation. Linguistic theory has provided the theoretical foundations for translation pedagogy and creating textbooks that meet the didactic requirements. Teaching translation from the standpoint of treating it as a process of communication has become the achievement of communicative theory. The gains of cognitive theory include the adoption of a competence-based approach to teaching translation, as well as the intensification of research efforts in the field of translation pedagogy. In addition to progressive aspects, the translation theories had certain shortcomings. Literary theory, for instance, rejected the idea of translation pedagogy because of perception of the activity as art. Linguistic theory overemphasized certain aspects of language in teaching translation and promoted the idea of interlingual equivalence. This idea has led to the absolute predominance of bilingual dictionaries in translation classrooms, which is currently considered unjustified. The concept of communicative equivalence, supported by the advocates of communicative theory, has negatively affected evaluation of classroom translations. Finally, cognitive theory is criticized for its failure to apply its theoretical concepts to the development of translation pedagogy.


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