Introduction

Author(s):  
Rosie Lavan

In December 1966, Seamus Heaney appeared alongside Roy McFadden on a BBC Northern Ireland radio programme called ‘Two Poets’.1 Broadcast at the end of the year which had seen the publication of Death of a Naturalist, Heaney was already looking ahead to his second collection—the poems read on the programme would all appear in ...

Author(s):  
Rosie Lavan

Seamus Heaney was, by first profession, a teacher, and education is an abiding preoccupation in his writing. Rooted in the radio work he undertook in the mid-1970s for the BBC Northern Ireland Schools Service, notably Explorations, a series on which he collaborated with his friend David Hammond, Chapter 3 considers the breadth of his thinking on teaching and learning. As a member of one of the first eleven-plus generations in Northern Ireland, his views on education are conditioned by the political reforms of the era, as they were felt by the nationalist community. They are profitably read through Richard Hoggart’s seminal analysis The Uses of Literacy (1957), and his later collaboration with Ted Hughes on The Rattle Bag (1982).


2020 ◽  
pp. 273-292
Author(s):  
Tara McEvoy

This chapter analyses the short-lived Northern Irish periodical Lagan, published annually between 1943 and 1946. Edited by John Boyd, the magazine, over its limited run of only four issues, sought to foster a vital tradition of Ulster writing. Short stories published in Lagan served to promote Ulster idiom as the basis for a new regional literature. While regionalism could often be perceived as insularism, which perhaps contributed to the magazine’s limited success, Lagan arguably provided a cultural touchstone for Northern Irish writers, thus proving influential for a post-war generation that included the likes of Seamus Heaney, James Simmons, and Derek Mahon. In spite of being short-lived, therefore, Lagan and its editor successfully sought to promote a creative tradition and writing community in Northern Ireland.


2010 ◽  
Vol 5 ◽  
pp. 97-104
Author(s):  
Jerzy Jarniewicz ◽  

In 1988, towards the close of the turbulent decade, which in Northern Ireland started with the drama of hunger strikes and in Poland with the strikes in Gdańsk dockyards, the foundation and subsequent suppression of “Solidarity”, Seamus Heaney published The Government of the Tongue, his controversial critical book centered on the question of the poet’s, and poetry’s, responsibilities in a world of suffering and social injustice. In these polemical essays Heaney put forward an image of Eastern European poetry as the exemplary literature not only to be studied, but also to be followed. Heaney discussed at length the works of such poets from beyond the Iron Curtain as the two Poles, Czesław Miłosz and Zbigniew Herbert, the Russian Osip Mandelstam, and the Czech poet, Miroslav Holub.


2021 ◽  
Author(s):  
Juan José Cogolludo Díaz

Based on Philoctetes, the tragic play by Sophocles, the poet Seamus Heaney creates his own version in The Cure at Troy to present the political and social problems in Northern Ireland during the period that became known euphemistically as ‘the Troubles’. This paper aims to highlight the significance of Heaney’s play in the final years of the conflict. Heaney uses the classical Greek play to bring to light the plight and suffering of the Northern Irish people as a consequence of the atavistic and sectarian violence between the unionist and nationalist communities. Nevertheless, Heaney also provides possible answers that allow readers to harbour a certain degree of hope towards peace and the future in Northern Ireland.


2016 ◽  
Vol 98 (2) ◽  
pp. 157-193
Author(s):  
Edward O’Shea

Irish poet Seamus Heaney spent the 1970–71 academic year as a visiting professor at the University of California, Berkeley. He had come from Northern Ireland in the time of the Troubles; he arrived at a campus stirred by anti-war protest. This article explores the impacts of Heaney’s time in Berkeley on his poetry.


Author(s):  
Rosie Lavan

Seamus Heaney and Society presents a comprehensive and dynamic new engagement with the work of one of the most celebrated poets of the modern period. In approaching Heaney’s poetry it also recognizes the value of the other roles he took on in the course of his career, notably in education, journalism, and broadcasting, appreciating how his work as a poet was shaped by his work as a teacher, lecturer, critic, and public figure. Mindful of the various spheres of his career it assesses his achievements and status in Ireland, Britain, and the United States. Drawing on a range of archival material, it seeks to revive the network of associations in which Heaney’s work was written, published, and circulated—including newspapers and magazines in London, radio and television programmes in Northern Ireland, and manuscript drafts of key writings now held in the National Library of Ireland. Through asserting the significance of the cultural, institutional, and historical circumstances of Heaney’s writing life, it offers a re-examination of the writer in public, the social lives of the work of art, and the questions of obligation and responsibility which Heaney confronted throughout his career. Throughout, though, its primary concern is with the nature and singularity of poetry, and the ways in which these qualities are asserted, challenged, and sustained in Heaney’s work.


Author(s):  
Jennifer Dougherty

Alterations in public discourse towards multiculturalism, reconciliation and liberal democracy at the national level in Northern Ireland are evident from 1998 - 2002, but to what end? To what extent did language play a positive role in the Northern Ireland peace process? Recognizing that language does not tell the whole story of the Northern Irish experience of the Troubles or current peace process, the author highlights how language, as a transmitter and constitutor of culture, has played a role as a signifier of potential conflict, peace and progress (or lack thereof). In particular, the author considers several texts including excerpts from speeches given by Noble Prize Winners—the former First Minister David Trimble and former SDLP leader, John Hume; an IRA apology, Bloody Sunday Inquiry and the Belfast Agreement; and several selections from the work of Northern Irish poets Seamus Heaney and Eavan Boland.


Author(s):  
Isabelle Torrance

This chapter traces the evocation of Antigone in the context of the Northern Irish conflict, from Conor Cruise O’Brien and Tom Paulin to the remarkable number Antigone plays which have appeared post-ceasefire but allude to the conflict and its legacy. The Burial at Thebes by Seamus Heaney (2004) was inspired by the funeral of hunger-striker Francis Hughes in 1981. Ismene by Stacey Gregg (2006) responds to the sisters of Robert McCartney, who was brutally murdered by paramilitaries in 2005. Antigone (2008) by Owen McCafferty alludes to power-sharing and casts Creon as a soldier-turned-politician in ways that have contemporary political resonances. Norah by Gerard Humphreys (2018) portrays the sister of a fictional hunger-striker as an Antigone figure. The proliferation of dead bodies and the contested ownership of those bodies in all these plays show that Ireland is still dealing with the trauma of the conflict.


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